Keeping It Real, Backstage at Stella McCartney
“I want to give them a look that isn’t a look—that’s Stella’s thing,” said Eugene Souleiman. “It’s like the hair real girls do before they go out and they’re in a rush.” (For the record, my hair has never looked like this when I’m running late.) After Souleiman made a center part, strands were misted with water to revive each girl’s unique and natural texture. The length was then scraped back into a low pony at the nape, the elastic pulled down for a more voluminous, billowy look. Some of the tails were then tucked into the pieces in the collection with high necks or underneath the collar of a jacket. “I don’t want them to look like models, because I think Stella designs beautiful clothes that real people buy,” Souleiman explained of the low-key, wearable style.
Pat McGrath received the same brief but was sure to account for the early morning call time. “It’s about no makeup, but just a little added freshness,” she said. After all, everyone—even those who are genetically blessed—needs a touch of foundation, a wash of taupe around the eyes, brown mascara, and a hint of blush before 9 a.m.—Amber Kallor
Photo: Sonny Vandevelde; Indigitalimages.com