Swing On: The Sixties Trump The Seventies Backstage At Alberta Ferretti
“Almost Twiggylike but with a boyish feel” is how hairstylist Guido Palau described the sleek, swooping chignons he constructed at Alberta Ferretti yesterday. Prepping hair with Redken’s Velvet Gelatine 07 Cushioning Blow-Dry Gel, Palau carved out deep side parts and coated sections in Redken’s Quick Dry 18 Instant Finishing Spray before softly teasing to create “Bardot-like” height and texture in the back. His next move was to pull models’ manes into low-lying ponytails, which he twisted into buns and secured with bobby pins to hold. A good helping of Redken’s forthcoming Shine Flash 02 Glistening Mist slathered onto the surface of the style provided that expertly molded, shiny effect.
The Queen of Carnaby Street was also well represented in Lucia Pieroni’s sixties makeup, which featured one of the era’s lasting beauty trends, spider lashes—which, it should be noted, seem poised for a resurgence for Fall 2011. (They’ve already been spotted this week at Gucci.) Leaving skin bare, save for a dusting of MAC Prep + Prime Finishing Powder and its Select Moisturecover Concealer where needed, Pieroni applied its Sculpt & Shape Powder in Sculpt along cheekbones for a highlighted sheen. Eyes were treated to a slick of MAC Paintpot in Groundwork, a dark taupe, for an exaggerated natural look, which Pieroni amped up using MAC Eyeliner in Coffee along the outer corners of both lash lines and multiple swipes of its Zoom Lash Mascara on both top and bottom lashes. To finish the look, Pieroni painted lips a shade of creamy nude/pink using MAC Lipstick in Snob. It was simple, subtle, yet somehow totally affecting—and ripe for at-home duplication.