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July 23 2014

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Backstage At Christopher Kane, “Really Pretty” Hair And Makeup

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When we met up with hairstylist Anthony Turner backstage at Christopher Kane this morning, he voiced what everyone was thinking. “It’s really pretty this year,” Turner said of the overall feel of the collection—beauty included. Focusing on “something softer” to coincide with buzz words from Kane that included “naive” and “homemade,” Turner crafted side-parted, low-slung buns that he pinned just above the nape of models’ necks. “But what you see isn’t always what you get with Christopher Kane,” Turner was quick to point out, alluding to the fact that there was more to his “cute little knots” than met the eye. “I’m going to pull them apart,” he explained, coating his hands with TIGI Catwalk Session Series Work It Hairspray and jostling hairs out of place at the root so they floated as models walked. “It’s ghostlike,” he said.

Picking up on Kane’s fascination with “stickers and sparkly things” for Spring, Lucia Pieroni kept the makeup simple and duly sweet. “It’s a little bit ‘dear diary,’ ” she said of the rosy pouts and similarly pink cheeks that she painted on using Chantecaille Lip Sheer in Comet and its Blush in Joy, Emotion, and Laughter. Devising a “velvety” complexion courtesy of Chantecaille’s Future Skin foundation, which she applied on top of its Vital Essence serum, Pieroni brushed brows up and dusted lids with its Eyeshadow in Valerian, a shimmering light brown pigment that is part of the brand’s recently released New Classic Palette. And as it was not really a venue for her more outrageous stylistic leanings, nail guru Sophy Robson did something slightly out of character to complete the look: She christened “modern, clean” tips using Leighton Denny’s Trio Buffer—and not a stitch of custom-blended polish, Swarovski crystals, nail tattoos, or any other artful add-ons.

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