Backstage At Proenza, Why Mess With Imperfection?
Lazaro Hernandez and Jack McCollough are nothing if not consistent when it comes to their backstage beauty look. Even when brow bleaching was all rage two seasons ago, the Proenza Schouler boys stayed true to sculptural, darkened brows and contoured, carved-out cheeks—nothing more, nothing less. Makeup artist Diane Kendal was on site, serving up the designers’ signature for Spring. Referencing “Googie architecture and 1950′s cars,” Kendal set to creating clean lines, sweeping MAC Sculpt & Shape Powder in Bone Beige underneath cheekbones and fashioning naturally full, “squared off” arches that she filled in with a series of complementary eye shadows. Bare lids and a slight flush, courtesy of a mix of MAC Blush in Immortal Flower and Lovecloud, supplied a barely-there flush.
Hairstylist Paul Hanlon also had the fifties on the brain, resurrecting Fall’s favorite buzz word—”quiff”—while building a masculine style with a soft feel. “It’s a bit rockabilly,” Hanlon said of the deconstructed pompadours he prepped with Frédéric Fekkai Coiff Oceanique Tousled Wave Spray. Combing hair backwards and setting it using Fekkai’s Coiff Nonchalant Piecing and Forming Wax, Hanlon gathered the lengths into a messy knot, pulling pieces out as he went for additional dishevelment. Hanlon has mastered the kind of undone done-ness that is as essential to the Proenza girl as Kendal’s strong brows. If it ain’t broke, don’t incorporate a bouncy blowout.