“Fresh Girls With A Bit Of An Edge,” Backstage At Stella Resort
Over the past few seasons, Stella McCartney has made a concerted effort to update the the “quintessential Stella girl’s” beauty routine, as makeup artist Pat McGrath endearingly refers to the natural, glowing, dewy skin she has been charged with giving models backstage at almost all of McCartney’s ready-to-wear collections to date. At her pre-fall show, McCartney requested a streak of electric blue eyeliner; for her Fall show, she stunned the crowd in Paris with bright blue mascara—a season highlight; and at her resort show yesterday in New York, the eyes still had it.
“It’s a fresh girl with a little bit of an edge,” makeup artist Jeanine Lobell surmised of the look of the day, which included McCartney’s signature “glowy” complexions thanks to a combination of Sunday Riley Juno Serum and its Tinted Primer. “Eyeliner is her thing,” Lobell continued of the archetype she was after, which necessitated a straight stroke of Riley’s Gel Pencil in Pitch Black that was scrawled below the lower lash line to offset the “healthy” flush Lobell buffed onto cheeks for a “cloud effect,” courtesy of a foundation brush dusted with Sunday Riley Blush in Blushing. Lids were neutralized with its Prisma Silk Eye Color in Rice Paper and Camille before lashes received a slick of its Mascara in Obsidian Black. As a finishing touch, Lobell treated lips to one of two Sunday Riley Lip Colors: Trench Coat, a taupey nude, which toned down any overt redness and Marie Antoinette, a dusty rose, that was painted onto pouts in need of a little color boost#8212;and resembled the custom-mixed Priti NYC nail lacquer in Fairy’s Petticoat that manicurist Eloise Lennen applied to fingertips in two coats.
Models’ hair was classic Stella, though. “[McCartney]” wanted a natural fall and a natural amount of volume,” hairstylist Tabitha Baker explained, middle parting a newly cropped Ruby Aldridge’s now chin-grazing locks, and setting freshly pressed waves with Aveda Air Control Hairspray. “She didn’t want to see any iron marks so we’re using brushes and our hands to break the waves up,” Baker continued, coating her palms with Arrojo Hair Cream to ensure that the hair had weight, “but still looked polished.”