Less Crazy, More “Sexy Cool” Backstage At Versace
The words came backstage at Versace, as they so often do. “She’s a sexy, cool girl,” Pat McGrath said as she worked on a “dramatic,” shaded eye. “It’s just very much Donatella; she loves the smoky eye.” It’s a truism that can’t be denied—and one that manifests itself into similar incarnations of black-tinged beauty here each season, although for Spring McGrath served up the sultry with a noticeably lighter hand. “There’s a casualness [to the collection],” she explained—and therefore a little less smolder on the lids. Giving skin a “pretty, gorgeous, healthy” satin finish with a “sun-kissed” glow, the makeup artist smudged a layering effort of black and brown pigment through the crease of the eye, keeping it sheer and topping it with a dusting of shimmering bronze pigment. Swiping lashes with a few coats of mascara, McGrath filled in sparse areas with tiny individual hairs.
Guido Palau went so far as to call the look “much more natural” than usual. After Fall’s faux-fringe festival, the Redken creative consultant chose to keep things simple, center-parting strands and drying them with Redken Guts 10 Volume Spray Foam mousse to simulate thickness. “Donatella likes a cool length,” he said of the collarbone-grazing snips he made into the front sections of most models’ hair, spritzing with Redken Powder Refresh 01 Aerosol Hair Powder dry shampoo as he went for additional texture before fashioning a loose bun that he took out right before the show to “create movement.” So, how did catwalkers like Kati Nescher, Jacquelyn Jablonski, Daria Strokous, and Anna Selezneva take to the impromptu shearing? “They were very understanding,” Palau said. What’s a few inches in the name of runway perfection?