“Raw But Beautiful” Hair And Makeup, Backstage At Rag & Bone
“Their girl, she doesn’t do a lot with her hair,” Guido Palau said backstage of David Neville and Marcus Wainwright’s Rag & Bone woman who, truth be told, typically favors a naturally languid, bed-head look. For Spring, the story wasn’t really that different. “It’s masculine/feminine, wet/dry, nineties minimalism,” Palau explained of the slicked-back in the front, rough-dried in the back hair he conceived with the designers. A dual texture was key to the look, which the Redken creative consultant prepped with its Guts 10 Volume Spray Foam Mousse, adding a finger-combed bend with Sultra’s The Bombshell oval curling iron before coating front panels with Redken’s Hardwear 16 Super Strong Sculpting Gel.
Makeup artist Gucci Westman kept things dually natural with “raw but beautiful” skin and an “androgynous” brow. Road-testing Revlon’s forthcoming PhotoReady BB Cream for a breathable application of light, complexion-enhancing coverage, the Revlon global artistic director dabbed her new-for-Spring Baby Stick in Pink Passion, a multitasking sheer pigment, onto models’ cheeks for a barely perceptible flush. Eyes were lined with its ColorStay Eyeliner in Brown before getting a few slicks of Grow Luscious Mascara just on the top lashes, after which Westman focused her attention on arches, which were filled in and brushed up with Revlon’s Brow Fantasy pencils. Mouths were slightly stained and then moisturized with Dr. Lipp’s Original Nipple Balm for Lips.
Westman asked one specific thing of her team as the un-air-conditioned backstage area at the 34th Street post office began to swelter: “No highlights or shimmery stuff.” The objective, she explained, was to get to the heart of old black-and-white photographs of Linda and Christy. “I didn’t want it to feel too cosmetic-y,” she clarified. “Sometimes it’s nice to see just skin.”