The Life Aquatic, Backstage At Alberta Ferretti
The “girl coming out of the water” motif that tends to rear its soaking wet head come Spring is oft-charted territory. But there is something singularly gorgeous about it when it’s executed well—particularly when damp strands and luminous skin are paired with diaphanous, flowing, bead-encrusted fabrics like the ones Alberta Ferretti sent down her runway.
“It’s a wet look,” Guido Palau confirmed backstage at the designer’s show, spritzing strands with water before raking in a good amount of Redken Guts 10 Volume Spray Foam mousse and finishing with a few pumps of its Shine Flash 02 Glistening Mist. “There is a feminine softness to it, though,” Palau insisted, which came from ridged waves that he created by combing hair backward away from the hairline and setting it in a series of low, loose buns that were taken out just before the show to create definition and movement through the lengths.
Makeup artist Diane Kendal picked a palette of shimmering gold and silver to hold up her end of the watery bargain. Prepping fashion week-weary complexions with her trusty bottle of organic rosewater “to freshen the skin,” Kendal created a base with MAC Face and Body Foundation, contouring with its Powder Blush in Taupe and using its Powder Blush in Peaches to impart a warm flush to cheeks. But Kendal’s main focus was eyes, which she coated with MAC Pro Sculpting Cream in Copper Beach to serve as a tinted canvas for its Pigments in Gold and Tan that were dusted across lids for a metallic shine. Skipping mascara, as she’s been wont to do this season, Kendal drew a fine stroke of MAC Fluidline in Blacktrack along the upper lash line for definition. A final sweep of MAC Iridescent Powder in Silver Dusk across cheekbones created a reflective surface that contrasted with the mattifying Prep + Prime Transparent Finish Powder the face painter patted down the T-zone.