August 20 2014

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Hints of Incipient Spring—And Kate Moss—Backstage at Topshop


Audiences of the front-row (and digital) variety may have gathered en masse at the Tate Modern to see Topshop Unique’s Fall offerings, but spring was in the air backstage, thanks in large part to the uncharacteristically warm and sunny February London day. The euphoric feeling found its way to Hannah Murray’s makeup palette in the form of bright sky-blue eyes—a similar aqua to the one illustrated on lids in the popular Lichtenstein exhibit simultaneously on view at the museum.

“It’s called Solstice,” the Topshop makeup consultant said of the shadow, a shade from a new, as-yet-unreleased eye quad that she swept generously onto eyes, from lash line to brow bone. “An almond shape on the eyes can be both tough and ravishing at the same time. I’m calling it The Almond Panda,” Murray joked, using Topshop’s waterproof kohl liner in black along upper lids to keep the robin’s-egg color from looking “too ethereal.” Following this with multiple lashings of its mascara in black, Murray built a creamy and clean base with designated highlights and a slight flush, courtesy of Topshop’s Lip Cream in Smart.

L’Oréal Professionnel’s Anthony Turner took his cues for the hair from fashion’s favorite beauty icon. “The Topshop Unique girl is rebellious, unkempt, and very British. No one sums that up better than Kate Moss,” he explained, creating messy center parts with his fingertips before raking in L’Oréal Professionnel Tecni Art Pli and Full Volume Extra Mousse to get a soft, fluffy texture. “She’s a touch Kate Bush in the seventies, too,” Turner conceded as he employed his trusty Mason Pearson brush to add a cloud-like finish to the look.

Photo: Danny Martindale/WireImage

Backstage Reviews