The Forties Meet The Seventies, Backstage At Marc By Marc
Arriving backstage at Marc by Marc Jacobs was a slightly jarring experience, for two reasons: first and foremost, it’s a rare occasion to see Jacobs and his glam squad of Shiseido artistic director of makeup, Dick Page, and Redken creative consultant Guido Palau at the tents. Also throwing us off was the deliberate, albeit uncharacteristic, tinge of glamour behind the hair-and-makeup look. “It’s a bit more prim,” Page said of the designer’s Fall collection, which prompted him to slick on an impossibly glossy, “spunky” red lip for the occasion.
“I’m using an OCD lip technique,” he joked of a nonstop layering effort by which he blended Shiseido’s forthcoming shades of its Lacquer Rouge in Sanguine, a deep red, and Drama, a rosy crimson, keeping the skin “quite real” with minimal coverage foundation. Eyes were given a neutral slick of Shiseido’s Shimmering Cream Eye Color in Sable, a warm brown, which Page defined with the same product in Caviar, a rich black, on the outer third of the upper lash line. As a finishing touch, he blended the colors together with Shiseido’s Benefiance Full Correction Lip Treatment for a greasy finish.
“It’s a take on the forties meets seventies,” Guido Palau offered of the beauty look, which included side-parted pin curls that had been prepped with Redken Guts 10 Volume Spray Foam, put through a barrel curling iron, brushed out, and teased before models hit the runway, so the style wasn’t “too lady” and a little more “disheveled.” Slipping a bobby pin into the front of the hairline to create “a kiss” over the eyes, Palau spritzed a halo of Redken Fashion Work 12 Versatile Working Spray over the entire head for hold.