Uptown Girls Living In a Downtown World, Backstage At 3.1 Phillip Lim
There’s always a bit of a downtown, cool undertone to the beauty look at 3.1 Phillip Lim, which is why it was surprising to hear NARS’ Francelle Daly describe the makeup as “uptown sophisticated.” “She’s a girl with an edge, though,” Daly added. “Like she has a rock ‘n’ roll boyfriend—or is in a band.” Phew.
The sophisticated bit was a reference to the flawless skin Daly achieved by combining NARS’ forthcoming Radiant Cream Compact Foundation with its Light Reflecting Loose Setting Powder. Cheeks received a slight flush courtesy of its Highlighting Blush in Miss Liberty, a light peach, and its Multiple in Copacabana, a shimmering champagne, while lids were given a camo tone with NARS’ new-for-fall Single Eyeshadow in Yamal. Then came that pout, which offered an interesting update to Fall’s favorite mulberry mouth while “complementing and finalizing” the look, according to Daly. Lining and filling in lips with NARS’ Lip Liner Pencil in Kenya, a cinnamon color, Daly layered that with its Eye Liner in Mambo, a dark cocoa, for an ultra-rich chocolate-cherry hue. “There’s an expensive taste to it,” she said.
Paul Hanlon did his part by honing in on a specific texture that he described as “a little Kate Moss”—a favorite inspiration for Hanlon’s special brand of deconstructed chic. Prepping hair with Frédéric Fekkai Full Blown Volume Styling Whip to give it a bit of grip, Hanlon administered a relatively done-up blow-out to start. “We’re making it beautiful, then we’re destroying it,” he explained, “because if you start with a destroyed texture, it can look poor.” Then, spritzing with Fekkai’s Luscious Curls Wave Activating Spray, Hanlon ran sections of hair through a curling iron to give it movement, side-parting strands and “clumping” them together in the back with bobby pins, “as though it had been caught in a scarf.” Another pin was also slipped above the ear on one side in a haphazard way so that it appeared as though “the girls literally walked off the street and into the show.”