September 2 2014

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Backstage At Christopher Kane: Pure And Simple


christopher-kane-makeup-ss-2014When determining the status of the look at Christopher Kane, things were far from complicated. “Christopher’s collection is very designed, very beautiful, and he likes to have a juxtaposition in the hair and makeup,” hairstylist Guido Palau explained. After strands were washed with Redken Cleansing Cream Shampoo and an off-center parting was made, he opted to work with each model’s natural texture. Fingers were Palau’s only tools, as he rough-dried everything with a few drops of Diamond Oil to cancel any frizz and finished with a spritz of Powder Refresh for volume. “A [polished] blow dry would only take away from the beauty of the collection,” he said.

Makeup artist Lucia Pieroni also elected to use her fingers over an arsenal of brushes. Models’ skin was massaged with NARS Optimal Brightening Concentrate to prep it for Radiant Cream Compact Foundation. Next, Pieroni strategically placed highlights on the cupid’s bow, cheekbones, temples, and eyelids with Illuminator in Copacabana for fairer skin tones, or Orgasm for darker complexions. Additional glow came courtesy of The Multiple in Copacabana (applied to the same areas), and lashes were left mascara-free but curled.

Barely-there nails completed the understated look with just a sweep of Leighton Denny Nail Colour in Starkers, followed by a clear and glossy topcoat. The total package was certainly a study in simplicity, but it undoubtedly allowed the pastels, prints, and graphic cutouts in the collection to take center stage.

Photos: Ivan Lattuada /

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