August 22 2014

styledotcom In the words of Tim Blanks, "devastatingly beautiful girls looking devastatingly beautiful."

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Mouthing Off At Rag & Bone


ragandboneGucci Westman claims that she knows more about Manchester United (a British soccer team), and coaches leaving and coming thanks to her designer husband David Neville, than she does about makeup—but we beg to differ. Inspired by the bright colors and fervor surrounding the impending World Cup in Brazil, the face painter took a new approach at Rag & Bone. “It’s [the label's] first-ever lip adventure—I’ve done a stain, but never anything this full-on,” she says. A blend of Revlon Super Lustrous Lipstick in Carnival and ColorBurst Matte Balm in Mischievous (out in January) was applied with a brush, but the rest of the face was made up using mostly fingers—Westman told her team to press the product into the skin for that lived-in look.

The lids were slightly more toned down in comparison to the models’ orange pouts—a combo of ColorStay Shadowlinks in Charcoal, Onyx, and Cocoa was applied and then wiped off using flat cotton swabs and makeup wipes. Post-shadow deconstruction, Westman applied a mix of Elizabeth Arden Eight Hour Cream, Dr. Hauschka Eye Contour Day Balm, and Revlon Skinlights Face Illuminator onto lids for extra sheen and rubbed a shimmery brown powder shadow along the lower lash line. Her inspiration: makeup leftovers after a really fun night out. “The next day you look pretty good, even though you’re hung-over,” she joked. The rest of the face was kept simple—defining only the brows with a pencil and using Illuminance Cream Shadow in Not Just Nudes on cheeks and Skinlights in Pink Light (also launching in January) on the cheekbones, bridge of the nose, and chin for additional glow. Westman topped everything off with a spritz of Evian Brumisateur Facial Mist to give the girls a fresh, dewy look.

Guido Palau set out to reinvent the brand’s cool, wearable hair using only two products. He made clean center parts with a comb and slicked strands down around the crown to the point just above the temples using Redken Forceful 23 finishing spray. For contrast and texture, he wet the length and worked in the lotion-like Satinwear 02 before letting the hair air-dry. And instead of being hidden, the ears became the focal point of the style—with small sections being pulled out in front and the rest tucked behind. “When girls are young, their ears stick out and it adds a certain charm—I wanted to emphasize that here,” he explains. We were certainly smitten.

Photo: Ivan Lattuada/Indigitialimages

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