Do Get It Twisted, Backstage at Marni
“Twisted” was the key word of the day backstage at Marni. Both makeup artist Tom Pecheux and hair pro Paul Hanlon used it to describe the look they created. For Hanlon, he was referring to the strands he plastered to the head—reminiscent of “brains,” “bird’s nests,” or “tree branches.” Consuelo Castiglioni said she was “a bit bored” of the simple styles she’d seen thus far in Milan, the mane master explained, so he crafted something more extreme—a look that might belong in an “enchanted forest” alongside the vibrant furs, floral prints, and feathers incorporated into the collection. He doused hair from roots to ends with mousse before coiling pieces over the top, covering the crown with a stocking cap and blowing it dry. “Basically, it’s the same effect as if you had a towel on your head and you keep twisting it around,” he explained of his technique. The top half was then locked in place with hairspray, but the length was left down and “dry.” Of the finished product he said: “It’s like a wicker basket—you don’t know where the hair stops or starts.”
To give the skin a “waxy” feeling, Pecheux reached for a highlighter, but not in a shade one would normally think to dab on the high planes of the face. Instead of your typical metallic, he employed MAC Cream Colour Base in Breaking Ground (a mauve-y gray) on the lips, lids, and brows. “Under the light it gives [the complexion] a weird tone and texture,” he noted. The products used to contour the cheeks were equally as unexpected as the chunky heels spotted on today’s runway: Lipstick in Siss (a deep nude) and Myself (a rose hue) were used to create an unusual flush. Lashes were left bare, and powder was dusted on sparingly to cancel shine in certain places (such as under the eyes). “Since the hair is so fucked up [meant in the most complimentary sense of the word], we needed the skin to be extremely polished,” he said.