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Style File Blog

may 22, 2012

Designer update

Therapy’s In Session With Prada And Polanski

10:05 AM
Yesterday, amid the many other films at Cannes was a notable short: Roman Polanski's newmini-film...

Dept. of culture

In The Kitchen With Ricky Lauren

04:05 PM

more from the style file blog ›
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Beauty Throwdown: Battle, Highlighting Pen

January 11, 2012  12:41 pm

When YSL enlisted makeup artist-turned-beauty entrepreneur Terry de Gunzburg (the Terry behind the By Terry product range) to create its Touche Eclat nearly 20 years ago, it was an instant hit. One part concealer and one part highlighter, the gold-encased pen inevitably ends up on anyone who is anyone’s makeup must-haves list for the way it manages to blur dark circles with light-reflecting pigments that leave behind a universally flattering sheen. Nearly two decades on, and Touche Eclat remains the top-selling item for the luxury line and has spawned more than its fair share of imitators. Some have come close, but none of them have been able to truly grasp the power of the original pen. That hasn’t stopped more and more brands from trying, though. The latest contender to offer up its own take on the cult favorite is Maybelline New York, which has just launched its Dream Lumi Touch Highlighting Concealer. And so, without further ado, we give you our latest product face-off.

The Original: First, let’s talk applicator. YSL’s is a substantial, gilded tube with a bottom click mechanism that emits a surprisingly satisfying sound every time it dispenses a bit of product. As far as the brush tip is concerned, the fibers used are gentle against the skin, even in those super-sensitive eye contours where we tend to pile on this silky-smooth highlighter, which never cakes or smudges. And with seven shades to choose from, every skin tone can get in on the action.

The Newcomer: Maybelline’s wand is significantly lighter-weight, making it very easy to wield. Rather than a click pen mechanism, this one works by twisting, which is slightly less satisfying, but just as effective. With equally soft, gentle fibers and a shade range of six neutral tones, the Dream Lumi Touch stacks up to Touche Eclat so far. But it’s with the formula that the real difference lies. Maybelline’s brightener/concealer hybrid, while smooth and readily absorbed into the skin, doesn’t have the same easy glide and silken formula of YSL’s, which means it’s not as efficiently manipulated after being dispensed. Also, while it functions beautifully as a concealer—it camouflaged some very stubborn raccoon eyes still left over from overzealous weekend revelry—the instant illuminating quality of its predecessor just isn’t there.

The Bottom Line: We have to commend any beauty brand for trying to reimagine an item that is such a beauty classic. And while Maybelline certainly manages to offer up an impressive contender, it just doesn’t match up to the radiant-infusing perfection that is the original YSL version. Perfection that, in our humble opinion, is worth every last one of the $40 it commands. But should you be in the market for a damn fine concealer, we encourage you to opt for the Dream Lumi; it is $8 very well-spent.

Photo: Courtesy of

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Backstage At Chloé, A Vision In Caramel

October 4, 2011  6:00 pm

With the arrival of new designer Clare Waight Keller, the Chloé girl has gotten “a little bit more chic and caramel-y” for Spring, according to makeup artist Lucia Pieroni, who built on the “super-gorgeous, super-natural” makeup that typically colors this show by enabling yet another appearance of Spring’s monochrome makeup trend. Pieroni layered honey-hued pigments onto lids, cheeks, and lips accordingly, relying on four key products tailored to match individual skin tones to ensure a uniform finish: MAC Paintpots in Groundwork and Constructivist, which were dotted with its Metal X Eye Shadow in Fusion Gold around the temples for highlight, and its Lipsticks in Fresh Brew and Myth. “It’s not a nude mouth,” Pieroni stressed as she filled in brows with MAC Eyeshadow in Copperplate, Omega, and Typographic and slicked lashes with a few coats of brown mascara. “It’s meant to be quite present,” albeit neutral-toned, she said, which suited Waight Keller’s “very tonal and makeup-y” look just fine. Hair guru Eugene Souleiman added to the series of adjectives that best describe the quintessential Chloé girl, calling her “sexy, gorgeous, fresh, raw, young, and healthy,” before getting slightly more specific and pointing out that his product-less coifs were meant to look like “French Vogue fashion editors”—so, you know, chic. “We’re just using water and shampoo, ” he said lathering strands with Wella Enrich Volume Shampoo or its Brilliance line for dry, color-treated manes. “I wanted the hair to be light and free so it moved,” he explained.

Photo: Luca Cannonieri / GoRunway.com

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Kate Moss, The Makeup; Dysport Bests Botox; And More…

June 21, 2011  2:00 pm

Kate Moss, the makeup, is happening—and soon. The superest of them all will release her first color collection with Rimmel London in September. [Independent]

Liya Kebede made Estée Lauder history when she became its first-ever black spokesmodel, but it appears as though L’Oréal has nabbed the Ethiopian beauty. The French company just announced Kebede as its latest global beauty ambassador. [Us]

A new study pits Botox against its competitor Dysport. So, who has smoother moves when it comes to banishing fine lines and wrinkles? All signs point to Dysport. [Time]

Attention, silver foxes: The protein that coordinates the communication between color-supplying stem cells and hair follicle stem cells has been discovered. The end of gray could be upon us. [msnbc]

Photo: Mark Boland / Getty Images

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