August 31 2014

styledotcom How to dress when the temps start to drop:

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32 posts tagged "Alexander McQueen"

Flashback Friday: The Eyes Have It



Flashback Friday is a feature on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.

The Model: Christy Turlington

The Moment: Bejeweled Lids

The Motivation: At first glance this may not appear to be a beauty shot, but look a little closer and you’ll be sure to spot Christy Turlington’s sparkling lash lines. Much has been placed on lids in the past: neon stickers at Atelier Versace; gold string at Dries Van Noten; neoprene at Fendi; lace, pearls, and jumbo glitter at Chanel. And Fall 2014 was no different. Makeup maestro Pat McGrath created incredibly beautiful “mothlike” lashes and brows at Alexander McQueen with hand-cut feathers, and used liquid latex instead of standard shadow at Dior. And seeing as eyes are the windows to the soul, why not add some extreme embellishment to attract even more attention?

Photo: Arthur Elgort for Vogue UK, 1990; courtesy of

The Cornrow Is Back—Even Chanel Agrees



When photos of Kristen Stewart’s forthcoming Chanel campaign leaked online this week, the first thing I noticed (aside from the select pieces of Karl Lagerfeld’s Métiers d’Art collection) was her hair. In lieu of the double-C-stamped feathers or Lady Gaga-style bows previously seen on the Paris-meets-Dallas runway, Stewart sported cornrows. While I appreciated the sneak preview, I wasn’t exactly shocked—this particular plait has been having a moment of late, making appearances at Adam Selman, Marchesa, Simone Rocha, and Alexander McQueen for Fall 2014. Despite this season’s revival, the braid’s history stems back to the Stone Age. In this month’s The Look feature, we investigate the origins of the cornrow—from cave wall to catwalk.

Secret Confections


elle-italiaThis season, makeup artists reached for all sorts of unconventional beauty tools—dental floss at Anthony Vaccarello, liquid latex at Dior, and feathers at Alexander McQueen—but you’ll never guess where makeup artist Vincent Oquendo nabbed the star-shaped toppings he sprinkled on lids for the March issue of Italian ELLE. While a magician of maquillage never spills his best-kept secrets, he did give me a hint: It’s a sweet-smelling place you go to treat yourself and stray from your diet.

Photo: Instagram

Conic Cornrows and Owl Eyes, Backstage at Alexander McQueen


mcqueenLashes and cornrows—two of the trends we’ve seen time and again this season—were taken to breathtaking extremes backstage. One could say that pushing things to the max was a signature of the late Alexander McQueen: “This was something Alexander really liked—it feels like a classic code of the house,” said Guido Palau. The never-ending plait dreamed up by the mane master and executed by a team of braiders was no doubt “severe,” but the long, flowing extensions that caught the wind on the runway gave the “silhouette a certain softness.”

“It’s futurism mixed with nature,” Pat McGrath said of the two gasp-inducing looks she devised for the show. “We decided to do the owl world in a punk eye makeup way.” Black spiky feathers hand cut and designed by the face painter were painstakingly glued one by one onto the brows and top lashes. “When would I ever make it easy?” she quipped of the dramatic maquillage that took nearly four and a half hours to complete. Her second creation (worn by the majority of the models) played with shading and light in lieu of plumes—using brick red, silver, and gold metallic pigments to lend a “futuristic” feeling to the face. The end result not only incited a frenzy of flashes from photographers (particularly around the catwalkers with those phenomenal “mothlike” eyes), but also perfectly captured the “McQueen world of innocence, romance, and darkness” with a sensitivity and boldness that won’t soon be forgotten.

Photo: Sonny Vandevelde;

Flashback Friday: RoboGirl


Thierry Mugler 1990's; Emma Sjoberg-cropFlashback Fridays is a feature on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.

The Model: Emma Sjoberg

The Moment: Cyborg Headwear

The Motivation: Fashion and beauty aficionados have long been obsessed with the idea of a futuristic world (and what we would wear in it). And as we embark on yet another year, we were inspired by this heavy-metal Thierry Mugler ad from the late ’90s—and instantly reminded of the Tron-influenced silver and gold helmets seen at Alexander McQueen for Spring 2014. We don’t know what the future has in the store, but we hope it involves shiny headgear. Just think, no more bad hair days—ever.