August 30 2014

styledotcom In honor of the #USOpen, 19 of the greatest tennis fashion moments:

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23 posts tagged "Anna Sui"

Five Days Of Glitter: Part Two


A little bit disco, a little bit hippie. That was the beauty vibe at Anna Sui’s Spring show, where her signature gypsy garb came accessorized with naturally tousled hair, a sun-kissed complexion, and, perhaps most thrillingly, eyelids generously coated in black-gold shimmer. So for today’s challenge, I turned to the ladies of the canyon (as interpreted by Pat McGrath) for a little glitter guidance.

The Glitter: Make Up For Ever Diamond Powder in Gold and Glitter in gold.

The Application: You’ll recognize the traditional Glitter. The Diamond Powder is essentially a finer-milled version. Both, I quickly learned, require a little help from additional product to stay put. To mirror, or rather attempt to mirror, McGrath’s handiwork, I started with a base of MUFE Aqua Cream in Taupe #15; one coat is plenty. The product is super-dense and not very malleable, so be prepared to work fast. I coated the entire lid, extending slightly above the crease, with the Diamond Powder and then added extra Glitter at the inner corner.

The Upside: With a nearly neutral face, save for a peachy blush, eyelids covered in gold glitter actually aren’t too outrageous for daytime wear. Call me old-school, but I always thought glitter worked best at night; however, this look felt right around the clock, particularly when paired with a recently unearthed Gunne Sax blouse.

The Downside: If you’re someone who gets annoyed at the thought of glitter specks finding their way onto your clothes, your boyfriend, and the far corners of your bathroom, this is not for you. That is, it’s a look not achieved neatly. If surprise glitter sightings make you smile, on the other hand, you should be good to go.

The Final Word: A shimmery look that won’t feel ridiculous in the light of day.

Photo: Courtesy of Make Up For Ever; Luca Cannonieri /

Anna Sui’s Fragrant Tryst


As is typically the case with Anna Sui, there was plenty to see backstage at her Spring show this week. Aside from makeup maestro Pat McGrath’s “theatrical black glitter” eyes and hairstylist Garren’s Days of Heaven-inspired, middle-parted down ‘dos, Ms. Sui herself was mingling with models and reporters, showing off a fantastic, sparkly charcoal manicure with chunky sequins from her eponymous collection of hard-to-come-by lacquers. “We do the best glitter polishes,” she told us when we inquired about her pro tips. Over at the “beauty bar” Sui sets up every season to showcase her cosmetics line was her eyewear collection and a new fragrance that just bowed this week, available exclusively at the designer’s Soho boutique. Forbdden Affair, as the lemon, red currant, black currant, raspberry, violet, and rose petal accord eau is called, possesses a new technology that allegedly allows the fresh, fruity top notes to “re-burst” with extended wear. Former Anna Sui Beauty spokesmodel Agyness Deyn has been replaced by an ethereal-looking Lily Donaldson, who appears in the perfume’s ads and closed Sui’s show on Wednesday wearing a gilded coronet of flowers.

Photo: Courtesy of Anna Sui Beauty

Cover Girl Blasts Off


Backstage at Donna Karan and Anna Sui’s Spring shows, makeup artist and Cover Girl creative director Pat McGrath took us on a quick run through some of the bigger launches she’s got planned for the brand this year. Particularly noteworthy was the new Blast collection, featuring LashBlast Length Mascara, which is cleverly designed with product reservoirs at the tip of its brush to grab and extend fine, hard-to-reach corner lashes; Smoky ShadowBlast, a double-ended shadow stick for lining and smudging; and ShineBlast Lip Gloss. The range won’t officially hit stores until the end of the year, but Cover Girl has decided to release a limited quantity as a preview beginning today. (We saw McGrath demo one of the Smoky ShadowBlast sticks on Lily Donaldson, and for the record, it looked pretty darn good.) Click here to get in on the action while supplies last.

Photo: Courtesy of Cover Girl

Olio Lusso, The Backstage Skin Saver


Spending a concentrated amount of time pulling backstage duty each season, we have noticed a few secret weapons in makeup artists’ kits. Cosmetics, after all, can only go so far on their own. Tubs of Vaseline and tins of Smith’s Rosebud Salve make frequent appearances from New York to Paris, since, when combined with an eye shadow or pigment powder, each can create an instant grease paint for eyes, cheeks, and lips—and can even be turned into a colored mascara, as we saw Charlotte Willer whip up backstage at DKNY last month. For all skincare concerns, Pat McGrath keeps SK-II Signs Eye Masks on hand, so that in the event that an overtired, sallow-skinned model shows up in her chair—be it at Anna Sui, Dolce & Gabbana, or Balenciaga—she can instantly make dark circles and parched skin right as rain (“It takes just five minutes,” McGrath recently divulged of the cotton overlay’s super powers). Alternatively, Tom Pecheux prefers Rodin’s Olio Lusso for all complexion corrections and has toted the yellow elixir with him from Badgley Mischka to Balmain. Branded as a “skin scent” that doubles as a liquid moisturizer-cum-illuminator-cum-total miracle worker, Olio Lusso is packed with 11 essential oils, including ever popular and skin-regenerating argan, as well as apricot, evening primrose, and arnica, which reduces puffiness. The supple, glowing results are visible almost immediately, whether you use it as a primer pre-foundation or slather it on cathartically before bed. At a very basic level, though, it just feels (and smells) good, making it one of the best beauty tips we’ve come away with from the shows.

Photo: Courtesy of Rodin

Anna Sui: Lions And Tigers And Heavy Liner—Oh My!


Harking back to one of her favorite moments in time, Anna Sui ordered a familiar sixties-era beauty look for her Spring presentation yesterday. “We’re going to the Mod circus,” makeup artist Pat McGrath laughed as she applied black eyeliner and Twiggy-inspired spider lashes to models’ lids with heavy strokes of CoverGirl LashBlast. McGrath also dabbed on a pink cheek using CoverGirl’s new Simply Ageless Sculpting Blush, for that I-just-tamed-some-lions-in-a-minidress-and-knee-high-boots flush. The bigger story backstage was a repeat appearance of the Anna Sui beauty bar, in which the designer showcases all of the latest and greatest products in her cosmetics line. We’ve already talked about her fall foundations and nail lacquers, as well as her bodycare line, but new for review was Rock Me, Sui’s latest olfactory offering, with pear, peach skin, lily, and vanilla notes encased in a guitar-shaped flacon. It smells pretty similar to Sui Love, the passion fruit, jasmine, Italian violet, and musk scent that comes in the rainbow butterfly bottle, but has a slightly darker edge that’s bolstered by an ad campaign starring Agyness Deyn in leather, black nail polish, and studded gloves. It officially hit counters today, and all interested parties are invited to Sui’s Soho boutique on Greene Street between 6 and 8 p.m. to toast its arrival.

Photo: Courtesy of Anna Sui