18 posts tagged "Ashley Olsen"
It is fair to say that both Mary-Kate and Ashley Olsen have mastered the art of the smudged smoky eye. Never forced or too “done”—their shadow always looks perfectly lived-in. And last night at the opening of Club Monaco’s Fifth Avenue flagship in New York City, Ashley’s makeup was no exception. Instead of standard black or gray, a warm camel shade was wrapped around her eyes and run along the inner rims (similar to the sepia tone used at Chloé). Much like the look Diane Kendal created in Paris, she kept her skin bare but luminous, brows brushed up, and lips pared down. The one key difference between the celeb and models on the catwalk: black mascara was used on Ashley’s top and bottom lashes to define and add a subtle hint of drama.
Marilyn Monroe on a Scent That Never Loses Its Sex Appeal; When It Comes to Miley, We Called It; Double Your Fragrance Fun With the Olsen’s Latest Launch; and More
Chanel released its new ad for No. 5 (dropping November 11) and the recording the house dug up in Marilyn Monroe’s archives. Makes us want to swap out our oversize sleep shirts for the far sexier fragrance.
Not to brag or anything, but we figured out Miley Cyrus’ Lil’ Kim Halloween costume long before she debuted it on Instagram. Perhaps we should have gone as Long Island medium Theresa Caputo last night…
Two is often better than one—especially when an Olsen is involved. Mary-Kate and Ashley’s latest endeavor: two Elizabeth and James fragrances dubbed Nirvana Black and White launching in January at Sephora.
Those monthly beauty-box subscriptions filled with sample-size products often leave much to be desired, but the latest Glossybox by Net-a-Porter (available November 4) is seriously impressive. A full-size, bullet-shaped Ellis Faas Mascara, RGB Cuticle Oil, and Kevyn Aucoin eye shadow duo are included, along with trial tubes and cans from luxe brands like Natura Bissé, Klorane, and Philip B.
Makeup artist extraordinaire François Nars is releasing a book published by Rizzoli—Faery Lands: Tahiti—filled with sepia-toned imagery from his island (yes, all his), Motu Tané, off the coast of Bora Bora. It hits the shelves of NARS boutiques and bookstores mid-November.
When they talk about the Axe effect, we don’t think the brand had asphyxiation by body spray in mind. After being spritzed in a sixth-grade Brooklyn classroom, eight children were sent to the hospital. Unlike the commercials, no bodacious models in bikinis appeared. We can only imagine the disappointment of those 12-year-old boys. [Time]
Makeup artist and beauty editor of Line magazine, Francesca Tolot, released never-before-seen photos of the legendary Kate Moss, Bridget Hall, and Amber Valletta from a 1994 shoot with Herb Ritts. “She was like sunshine,” Tolot said of Moss, the model that ruled the grunge era. [Line-Mag.com]
You can wear Balmain head to toe—literally. While the house already has a line of hair extensions and stylers, it is adding nail polish to its range of beauty offerings. The limited-edition set, including three classic shades (red, black, and beige) and a matte top coat, is available exclusively at Harvey Nichols starting October 20. And while you’ll have to eat the international shipping fee, you’re still guaranteed to spend far less on these colors than you would on couture.
According to allure.com, there are beauty benefits to living in space. Not only will you age .007 seconds slower among the stars than you will on earth, but shampooing becomes an entirely new and hair-raising experience.
If there is anyone that knows the power of undone hair, it’s an Olsen. Hence, the five-bobbies-only rule mane-master Mark Townsend is forced to abide by when styling Mary-Kate. But don’t think Ashley doesn’t have her quirks: The pro trims her ends while blow-drying so that she doesn’t see the scissors. [The Coveteur]
They say that two heads are better than one (and, in the case of Mary-Kate and Ashley Olsen for The Row, that’s proven true). Maquillage master Tom Pecheux (pictured above with said twins), however, believes that it takes multiple hands to make great makeup. While he may be the star, getting models ready for a runway is definitely not a one-man show. Backstage at Anthony Vaccarello, he explained the importance of both connection and collaboration:
“It’s not only their work, but it’s the relationship between each person and me, and also the team. You can’t have a black sheep [backstage]—I mean, except me.”
“I was away for the weekend so I raced over to her apartment to see it this morning,” Mark Townsend told us last night, referring to the fresh brunette dye job that Mary-Kate Olsen debuted at the CFDA Awards. “I think she was just ready for a change,” Townsend surmised, gushing over the chocolaty brown shade Olsen chose with celebrity colorist Harry Josh. “I don’t think Mary-Kate or Ashley ever makes really rash decisions. They have really clear ideas. [No one] is more aware of their own sense of style. That’s why they’re nominated for a CFDA.”
Now they’re CFDA winners. The sister duo took home top honors at Lincoln Center, beating out Marc Jacobs and Proenza Schouler to snag the Womenswear Designer of the year prize—and they looked good doing it, thanks in part to Townsend, their longtime hairstylist. “They are blessed with some really good hair naturally. I can’t sit here and take credit for it,” Townsend said humbly. But it’s his well-trained hands that often help the girls realize their coiffing potential.
“I think this was the first time I’ve really pushed Mary-Kate,” Townsend determined of the pin-straight, middle-parted down do Olsen wore with her black The Row ensemble. “I wanted [her hair] to reflect the light,” he continued, explaining that he simply coated her strands with Dove Nutritive Therapy Nourishing Oil Care, applied heat, and flat-ironed just the mid-lengths. The secret step to ensuring a super-sleek finish? A few spritzes of Dove Extra Hold Hairspray on a wooden toothbrush. “It takes out any flyaways around the part or hairline,” he says.