4 posts tagged "Bleach London"
Minnie Mouse first debuted her red and white polka-dot dress and matching bow in 1928. Now she’s getting a modern update by Anna Sui, who dressed her in (what else?) black, along with the designer’s signature purple for the holidays. From mascara to mouse-shaped lipstick bullets, you’ll find a rocker version of the rodent on b-glowing.com—all part of a limited-edition collaboration with the online retailer.
In other product news, Bleach hair salon in London released a line of products including at-home bleaching kits and non-permanent dyes in punk-inspired shades like peach, rose, and “bruised violet.”
British makeup artist Wendy Rowe talks to Byrdie.com about how she tames Cara Delevingne’s famous arches. All it takes is some Elnett and a mascara wand.
Sephora is at your service on Google. Starting tomorrow, the store is launching Google Helpouts, where you can chat face-to-face with a pro about how to perfect your smoky eye gone awry or finally find a foundation that matches your skin tone. It appears that this chain is taking a cue from the chorus of The Spinners’ seventies hit “I’ll Be Around”: “Whenever you call me, I’ll be there/ Whenever you want me, I’ll be there/ Whenever you need me, I’ll be there/ I’ll be around.”
After a Brazilian blowout blunder, Jennifer Aniston steps out with a shorter cut. The bob is somewhat reminiscent of “The Rachel,” but don’t mention that to Aniston—she’d rather shave her head than wear the style that spawned millions of face-framing layers and chunky highlights. [EOnline.com]
Forty is the New 20 for Cosmetic Procedures; Downstairs Dye Jobs; the New Fountain of Youth Elixir; and More
Most gals will tell you they want to look 25 forever, but that goal is unrealistic for a certain subset of “high-powered New York professional women of a certain age” and their go-to dermatologist, Dr. Macrene Alexiades-Armenakas, profiled in The New York Times today. The doctor’s patients, “who do not want to be forced to downshift their careers because of a perception that they are too old…seek not so much the fountain of youth as its corollary, eternal early-middle age”—somewhere between 45 and 55. Maintaining a less-is-more philosophy, Alexiades-Armenakas uses a combination of peels, laser treatments, and custom-developed skincare products to achieve a more natural look.
Speaking of the fountain of youth, The Telegraph posted a report today about Fountain The Beauty Molecule, a new beauty elixir that delivers a strong dose of resveratrol, the potent antioxidant found in red wine, which has anti-inflammatory and antiaging benefits. According to the company, one teaspoon of the concentrate (the first water-soluble resveratrol supplement on the market) each day is all you need to start seeing results. Drinking to your looks is something we can get behind.
Technicolor tresses are nothing new, but colorful dye jobs down there? The bikini area is a brave new territory for London-based hairstylist Alex Brownsell (who owns the popular salon Bleach and is the mastermind behind the tresses of Florence Welch and Sky Ferreira, and, most recently, Rihanna’s ice-gray locks). According to Brownsell, “We’ve done multicolor, pink and blue hearts—hearts are very popular—tie-dye, and leopard print.” She continued, “I found waxing more intimate than the dyeing; the dyeing is quite chilled out.”
While 53 percent of respondents to a recent U.K. survey admitted to purchasing beauty products from celebrity lines (from the likes of One Direction, Lindsay Lohan, the Kardashians, and countless others), 52 percent of participants said the star-backed potions are “not good value for money” or poor quality. To be fair, 87 percent specified they preferred labels created by more likable household names such as Iman, Salma Hayek, Jennifer Lopez, and Cindy Crawford, who seem to know what they’re doing—and look like it, too.
After cornering the market on dip-dye jobs and pastel-colored streaks across the U.K., Bleach London’s Alex Brownsell secured a fashionable New York fan base in September when she set up a pop-up shop at Milk Studios during the Spring shows. For her next trick, Brownsell is working with the original fashion icon: Barbie. Inspired by Mattel’s new Barbie Design Printables, an online program that lets you sketch your own patterns and then print them out directly onto hair extensions (the kit comes with 16 extensions for you and 6 for Barbie herself), Brownsell has created eight designs to showcase her color-combining skills—and the sheer fun of the program. Brownsell got her talented staff in on the digital dye jobs as well; their original creations are being posted in daily increments on a dedicated Tumblr set up for the occasion. So far, we’re partial to colorist Grace Clayton’s Rude Riri, which features strands that are red at the roots and spotted through the lengths in homage to what the 21-year-old calls “East London Rihanna.” Into it—and presumably, the beauty-inclined arts and crafts lover on your holiday gift list will be, too.
While New York showgoers may still be mourning the loss of the taco bar at Milk Studios a few seasons back, the West Side venue has a new collaboration up its sleeve for Spring. Bleach, British hair colorist Alex Brownsell and her partner Samantha Teasdale’s hip London hair haunt, will open its TIGI-sponsored pop-up on the first floor beginning today. After moving their homespun operation out of Brownsell’s flat and into a space in Dalston a year ago, the salon’s special brand of lightening, then tie-dyeing, ombré-streaking, and dip-dyeing locks has become a hit with U.K. cool kids like Alison Mosshart, Florence Welch, Pixie Geldof, and Alice Dellal. Now, Bleach has its eyes set on Manhattan. “We’ve really only come because people asked us to. We get so much attention here,” says Brownsell, who is also on the hunt for a permanent location.
Along with the custom-blended “stains,” as she refers to her preferred mix of nonpermanent high-pigment dyes and vegetable dyes that impart that coveted “worn-in texture,” visitors to Bleach at Milk will also benefit from Brownsell’s know-how, which has a wunderkind quality to it. “I didn’t train at a salon forever. All of my techniques are kind of from the kitchen, so I use my hands a lot.” She’s also very ready to suggest colors that complement individual complexions—and those that don’t. “If someone has a cool skin tone, you can’t put a bright orange with it because they’ll look green.”
While you may be tempted to just follow the lead of Kate Bosworth and the like and embrace the dip-dye trend that just won’t die, there are some new, as-yet-unproliferated ways to get your color on, too. “We’ve been doing a lot of pastel highlights, so painting people’s regular highlights with pastels—and colored fringes. I think people are getting a little more daring about putting the color at the tops of their head instead of just on the tips,” Brownsell says. The range of options is limitless, really, which is why Brownsell and Teasdale enlisted photographer Matt Irwin to shoot a ‘zine of sorts showcasing what exactly they’re capable of. “We’ve done two now,” Brownsell explains of the super-saturated, “not a cheesy hair magazine” shown above that debuted at Bleach’s Topshop pop-up-turned-permanent installation in Oxford Circus earlier this year. “The London one was a lot of cool girls we know. For New York we actually did the casting on Facebook,” which resulted in a mix of stylish scenesters, including singer Sky Ferreira and DJ Chelsea Leyland. Whatever you do, just don’t pick pink. “We did a lot of that in the beginning. At the moment people are doing mint green.”