16 posts tagged "Burberry"
Throwback Thursday is a column on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.
The Moment: Lived-in Locks
The Motivation: Remember the days when your mother told you to brush your hair before leaving the house, and a perfectly coiffed ‘do was the look du jour? Well, those days are long gone. Never has there been a time more obsessed with looking undone (Alexander Wang, Proenza Schouler, Christopher Kane, Burberry, Versace, Roberto Cavalli, and Bottega Veneta—cases in point). Our inspiration? The above shot from a 1989 issue of French Glamour. The French have always been masters at achieving the I-just-rolled-out-of-bed-and-look-like-this hair, and if the carefree strands we’ve seen on the New York, London, and Milan catwalks are anything to go by, we’re bound to see the style in its natural habitat: Paris.
Katie Holmes Expands Partnership With Bobbi Brown; Big Surgeries, Little Results; and Burberry’s Rock ‘n’ Roll Rhythm
Katie Holmes has been on a beauty roll this year after teaming up with Bobbi Brown back in September and buying into Alterna haircare in January. In an interview with WWD today announcing the new Bobbi & Katie Collection, the actress discussed her partnership with Brown. “I’ve loved every minute of it—Bobbi is so creative and so smart. I’m very inspired by her.” The makeup artist and entrepreneur expressed equal admiration. “Katie’s not just a face, she’s a true partner,” said Brown. “She’s ridiculously beautiful, and she really has a feel for what women want and need. She has a great eye for color and design.”
A new study published this week revealed that major procedures like brow- and facelifts often make less of a difference than we’re led to believe. According to a New York Times article analyzing its findings, raters estimated patients’ ages to be about 2.1 years younger, on average, than their chronological age before surgery, and 5.2 years younger after surgery, an overall difference of 3.1 years, with minimal changes in attractiveness, for example. Shelling out all that money and going under the knife to turn back the clock just a few years seems, well, a bit more vain now.
After reassuming control of its beauty division in April, Burberry has introduced its first in-house fragrance, Brit Rhythm, which targets men who love rock ‘n’ roll. “Music has become such an integral part of our world, from the digital site that we have—Burberry Acoustic—to the things that we do at all the shows with the music team here that I set up,” said Christopher Bailey. The label’s chief creative officer continued to say that the scent captures “that kind of adrenaline feeling that you get from music. The effect of hairs rising on the back of your neck. The moment when you are anticipating your favorite band coming on, or when you are listening to a beautiful piece.”
Edie Campbell has had a few memorable runway turns—many of them opening ones—at some of the season’s biggest shows thus far. But if you had to do a double take when you saw her at Marc Jacobs, or at Burberry and Christopher Kane, you were likely not alone. “The same Edie Campbell with the heavy, Anita Pallenberg fringe and the long flaxen layers who starred in Spring campaigns for Burberry and Saint Laurent?” you may have been asking yourself of the girl with the black mullet-y shag. They’re one and the same, it turns out, thanks to the transformative cut and color Guido Palau gave her before the shows started, which has proved pivotal to the season since. Palau shouted out Edie as one of his reference points for the wigs every girl wore at Jacobs’ acclaimed presentation in New York, while Campbell herself continues to score big bookings, at least partially, because of the crop. “It’s a bit different, but it feels more me than the long hair,” the Brit It girl said of the style while backstage at Jil Sander yesterday, admitting that she doesn’t really even think about it as that drastic of a change anymore. “The novelty wears off,” Campbell said. Telling us that she plans on sticking with her short-hair persona for a while, there is one thing she’ll have to start considering: grow-out. “I haven’t really thought about roots at all!” Campbell revealed, explaining that she hasn’t gotten a color touch-up since her initial dye job a few months back.
Jil Sander was Campbell’s one stop in Milan, but she’ll be in Paris, she assured us. Where, exactly, she couldn’t say—”I don’t want to count all of my eggs before they hatch, but there ought to be some good ones,” she joked. For now, though, the full-time art-history student is back in London before heading to Seville to do some research—then to Paris. “It cuts out how much time I spend in the makeup chair,” she says of life as a matriculated model.
Last season, Christopher Bailey and his trusted face painter, Wendy Rowe, served up a surprise for Burberry Prorsum beauty watchers the world over. After countless shows that featured natural skin and shaded lids, the duo executed a perfectly precise dark crimson lip for Spring. There were no such twists and turns backstage for Fall, although you’d be hard-pressed to find anyone who cared. The casting here is so good that it was a pleasure to just sit back and watch as Cara, Jourdan, Karlie, and the show’s opener and closer, Edie Campbell, moved in and out of the makeup artists’ chairs.
“This season, the Burberry girl is a little bit sixties and a bit mod; she is very cool,” Rowe pointed out, adding a slight variation to the house’s traditional groomed and glossy theme with a layering effort of Burberry Sheer Foundation and its Fresh Glow to give complexions a lit-from-within quality. The golden touches woven throughout the collection inspired a gilded highlight on the inner corners of eyes and on the Cupid’s bow of mouths, courtesy of Burberry Lip Glow in Trench Kiss. “I want the lips to look succulent, like they have just been kissed,” the Burberry artistic consultant explained, slicking on an additional coat of Burberry Lip Mist in Nude Honey. Nails were given this season’s favorite, deep garnet manicure with two coats of Burberry lacquer in Oxblood.
Making a subtle change to the status quo, hairstylist Neil Moodie took last season’s tousled texture and blow-dried it into submission. “I’m going for a smoother finish than what we have done in the past,” he explained, gluing color-matched extensions into models’ manes and using a large round-barreled brush to curl the ends under. In keeping with the slight sixties feel, Moodie applied a pump of Moroccanoil Volumizing Mousse and back-combed strands at the roots, allowing them to settle for ten minutes before brushing them out again. “It’s enough to give the hair a little height at the crown,” he pointed out of the technique.
The excitement level backstage at Burberry kicked up a few notches when Wendy Rowe picked up a bullet of red lipstick. It was as though time stopped, except for the singular, slow-motion movement of the makeup artist grabbing Burberry’s Lipstick in Siren, moving it ever closer to Constance Jablonski’s mouth. After many years of loyalty to an all-natural, earth-tone-only makeup palette, it appeared as though Christopher Bailey had decided to make a bold beauty move. “We’re doing a Norman Parkinson woman,” Rowe revealed. “She’s retro but also modern and has a definite forties look about her.”
The crimson pout was the focal point of the look, and Rowe ensured it wasn’t too done. “It needs to look sassy and sexy,” she insisted, applying the creamy scarlet pigment with a brush and blotting it as she went. “[The Burberry woman] is a bit cheeky and flirty this season,” Rowe continued, blending in the brand’s new-for-spring Fresh Glow Foundation, which she dotted with its forthcoming Illuminator.
“Natural and definitely not too glamorous” were the house codes that Neil Moodie abided by when it came to the hair, which he prepped with Bumble and Bumble Does It All Styling Spray and gave an off-kilter center part. Running a few sections through a curling iron to create movement through the lengths, Moodie finished things off with a touch of Bumble and Bumble Brilliantine on the ends of the hair for the appearance of a healthy, moisturized mane—wear and tear from almost two weeks of back-to-back shows not withstanding.