August 31 2014

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2 posts tagged "Carolina Castiglioni"

Beauty 411: Carolina Castiglioni of Marni


carolina-castiglioniFor those of us whose fashion sensibilities tend toward the bohemian, Marni is the ultimate style pipe dream—the art-teacher-with-a-trust-fund wardrobe we’ve always fantasized about. Birthed in 1994 by the impossibly chic Consuelo Castiglioni as a new branch of the family’s iconic fur company, it has since then built a distinct identity for itself—playful patterns, quirky silhouettes, clever use of fur, futuristic fabrics and textures, bold colors in unexpected combinations—and in turn garnered a rabid following among those women for whom dressing is a both artful and distinctly personal affair. The epitome of that woman is Carolina Castiglioni, Consuelo’s daughter and the brand’s director of special projects. Here, in honor of the house’s Fall 2014 collection, Carolina shares her top beauty (and more) essentials.

“I love the perfume because it isn’t too sweet, but wonderfully spicy and different from any other scent.”

“My favorite moisturizer is Weleda Calendula Cream, and for a body treatment I like to make my own. I create a customized mixture of oils from three parts almond oil, two parts wheat germ oil, and one part jojoba oil. On my nails—which I always just polish with a transparent lacquer—I use Dr. Hauschka Neem Nail Oil Pen; it’s made for both the nails and nail beds.”

See and

“For cuts I go see Enzo at Di Luca; he is very precise and I appreciate that. And my hair care products come from Di Luca as well. I especially love their coconut shampoo, pH emollient conditioner, and vitamin oil for the scalp.”

Di Luca, Piazza Cinque Giornate 3, Milano;

“My whole family exercises with a personal trainer named Armandino. We all meet during the company lunch break and do aerobic exercises together.”

“My favorite restaurant in Milano is Trattoria Arlati and, of course, I love to order risotto alla Milanese.”

Trattoria Artlati, via Alberto Nota, 47, Milano, 20126, +39 02 643 3327;

On Fragrance And Family: Real Talk With Marni’s Carolina Castiglioni


There’s a certain trust that family businesses inspire in consumers, as the idea of a personal, direct relationship with an original creator is always reassuring. So it goes with Marni. Founded almost twenty years ago, the Italian brand still operates under the reign of founder Consuelo Castiglioni, and also happens to employ most of her family—a lot of whom were on hand last night at KaDeWe, Berlin’s prestigious department store, to officially launch Marni’s first signature scent. The champagne and cocktail reception that ushered in the beginning of Fashion Week Berlin summoned the city’s fashion elite: photographer Ellen von Unwerth, Vogue‘s Christiane Arp, and German style icon Nadine Warmuth all gathered around a gigantic replica of the immediately iconic polka-dotted flacon, which served as a larger-than-life centerpiece in the cavernous room. The evening peaked with a special performance by fashion darling and punk protégé Jesse Jo Stark, instantly giving the bergamot, pepper, cardamom, rose, cinnamon bark, and incense perfume an edge of rock ’n’ roll cool. On the eve of the scent’s international release (the fragrance launches stateside in February), caught up with Carolina Castiglioni (pictured with her mother, Consuelo, above), to discuss the process of perfume creation, which, it turns out, was the product of passion, focused determination, and a move to “bridge the gap” between the Marni faithful and those for whom the brand is strictly aspirational.

So what took you so long? Why launch a scent now?
The reason is because we wanted to find the right partner. We’ve been, for many years, talking about fragrances, but then we had to look for a good partner. And when we met Estée Lauder, we said, “Okay, they are the perfect one for us,” because they are, of course, a leader in the market, but what is important to us is that they trust our brand identity. They gave us the freedom to interpret the Marni aesthetic and to select everything: the bottle, the packaging, the display in shops—everything. And also the scent. We had complete freedom to create the scent.

What was that process like?
My mother doesn’t like sweet fragrances, so more in the direction of incense, wood—something spicy. The idea was to have more of a masculine fragrance, but with a touch of femininity. So we decided to use the black rose, which is, yes, a flower, but not too sweet or girly of a flower. So the first part of the process was to smell all the raw materials, then we selected what was “yes” and what was “no.” Then we went through many, many trials.

Tell me about the bottle. Where did the idea to use the polka dots come from?
We wanted it to embody all of the iconic qualities of the Marni brand. You can see the characteristic dotted pattern, the prêt-à-porter logo, the subtle play with proportions between the container and the cap—it is all mirroring the brand’s signature style.

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