4 posts tagged "Carolyn Murphy"
When Lauren Remington Platt stopped by the Style.com offices to update me on Vênsette—a website that offers door-to-door hair and makeup services in 90 minutes or less by pros Platt screens herself—I wish she had brought along a member of her team. With two evening events on my plate and zero time, my game plan was to run a brush through my hair, apply lipstick in the cab, and call it a night out. So goes my typical routine—and that of millions of other women in New York. Therefore, it comes as no surprise that her business has taken off—an app is in the works and the principal engineer of Gilt Groupe was recently brought on board to completely redesign the site. And starting Monday, you’ll find photo diaries from some of the brand’s high-profile clients (including Harley Viera Newton, Linda Fargo, Carolyn Murphy, Carly Cushnie and Michelle Ochs of Cushnie Et Ochs, among others) that document them getting ready for the slew of seasonal parties that fill their iCals this time of year. Whether you’re seeking inspiration to DIY your own holiday look (or need to find a reason to hire someone to create it for you), Vênsette provides.
Last night, I sat down with Jason Wu to chat about his new 15-piece collection for Lancôme. There were rumors of a collaboration backstage at his Fall 2013 show, but now the designer finally divulges all the deets:
Out of all the beauty brands to choose from, why partner with Lancôme?
Lancôme makes some of the most luxurious and beautiful products in the world. I’ve made it no secret that I’m a beauty junkie and I love makeup. It’s always been such an important part of my shows, and I felt like this was a really natural progression for me.
The eye-shadow palettes are completely customized and the shades were chosen by you and are exclusive to your collection. Where did your inspiration for the colors come from?
My inspiration came from, literally, my career. I’ve always loved to use color in many different ways—sometimes subtle, sometimes really bold. I took a collection of my favorite colors and put them into makeup in a way that was wearable, sophisticated, and a statement all at the same time.
There’s a bit of a beauty backstory to the final look from your Fall 2013 show. Let’s talk about that.
We were still in development with the makeup during the last show, and the purple [now available in the Violet Streak palette] was one of the first colors [I chose]. It actually inspired the colors for my [Fall] collection, because we were thinking about using it on every girl’s eyelids. And I said: “Why don’t we put a purple dress at the end?” It just felt so right. Actually, incorporating the makeup colors into the palette of the collection was really interesting to me.
Why did you choose navy mascara over black?
Who doesn’t want navy mascara? Navy is a color that looks good on everyone, and I use it all the time [for my runway collections]. To me, it’s the chicer cousin to black. It just felt like something women would want and all the girls I work with will want. It’s a really interesting twist on a classic.
I noticed there are a lot of variations of red in the line—three crimson-colored lipsticks and three nail polishes.
For my first collection—my first of many collections—with Lancôme, I decided that I wanted to do the three basic reds that every woman should have in her arsenal: a bright red, a medium red, and a burgundy. [Red] is something that’s so glamorous, I had to make it for my collection.
When should you ideally wear each shade? Is it seasonal? Or is it more of a day-to-night concept?
Bright red is really good for spring/summer because…it’s just chic. And burgundy is a great wine color, so why wouldn’t you want it for fall/winter?
What about the shade in the middle?
There’s always a place for red lips! For that mood, and that mood, and every mood in between [points his finger three separate times] there’s a red. Wouldn’t you agree?
Definitely. Are you for wearing a bold lip and eye together?
I like to play up one feature, but I think it’s always about the balance. When you accentuate the lip, it’s about a more subtle eye. And when it’s a major eye, it’s about a subtle lip. I think balance is quite modern.
Which piece in the line are you most proud of?
That’s a hard one, but the navy mascara. I think it’s so special and Lancôme doesn’t [carry it in its existing range], so they dug it out of their archives to make it available for this collection.
I heard you designed two gorgeous lace makeup bags to hold all of your new cosmetics.
Oh, my God, it’s going to be so chic. We had a transparent lace raincoat in the Fall collection, and I thought it would be the perfect beauty bag, so it became one.
Will customers receive one when they buy your products?
Yes, and we vow for it to be the chicest gift-with-purchase you’ll ever see!
Who was your muse for the line?
Martha Hunt. She opened my show for Fall. She’s the only girl I asked to come with me tonight for this event. I felt like the second I met her she [became] one of my muses. She just wears makeup so incredibly well. In fact, she did the hair and makeup test for this collection and looked good in everything. I felt so comfortable with [Hunt] that we finalized the collection on her.
From all of your shows, do you have a favorite beauty look?
Yes, Spring 2013: the dual-toned red lip with a defined brow on Carolyn Murphy. Best thing ever. It’s so glamorous you can’t stand it. Who could resist that?
Where do you find the time between designing for your own label and acting as artistic director for Hugo Boss womenswear to create an entire range of makeup?
I try to sleep as little as possible. That’s the secret. I just really love what I do. I’m really passionate about it. I need to do things. I need to create all the time. That’s what keeps me going.
But there must be some caffeine in the mix. What’s your Starbucks order?
Iced black coffee. Nothing else. Very simple.
You always have a true look at your shows—it’s never a bare face. Do you know what you’re doing for Spring 2014?
I absolutely do and it involves this collection, but I’m not going to tell you what it is! But it’s going to be a statement. Expect another look.
I can’t wait.
Jason Wu for Lancôme launches in September exclusively at Nordstrom and Bergdorf Goodman.
As August transitions into September and models return from their respective vacations (“I’ve been in Hawaii!” a glowing Alana Zimmer told us backstage at Richard Chai), a lot of girls are sporting gorgeous, naturally bronzed complexions at the Spring shows. But there was one summer tan that stood out from the crowd as we scanned the room at Jason Wu yesterday, our eyes coming to a firm stop on Carolyn Murphy. “Jason and I are actually friends,” Murphy said of Wu, who asked her to open his presentation yesterday. “I don’t really like to walk in shows,” the nineties supe admitted, “but I adore him. I really, really love his work and there’s a personal admiration there.” As Odile Gilbert coiffed Murphy’s almost corn-silk-streaked strands into a sleek braided updo, conversation turned to surfing. “I did look in the mirror the other day and think, ‘Oh my God—I’m too tan and too blond,” the longtime Estée Lauder face joked—the happy aftereffect of two months spent riding waves in Montauk, where Murphy has a fail-safe for keeping her hair and skin healthy while exposing herself to the elements. “The trick for me is to wet my hair first [before I get in the ocean]. Then I put a conditioner on it, like coconut oil or olive oil”—or Kérastase Chronologiste Essential Restorative Concentrate, if Gilbert has anything to say about it. “That’s the one we have to give to you,” the super stylist chimed in as she finished the show look. For sun protection, Murphy swears by SPF 50 or higher, like Coppertone’s Water Babies, but recognizes getting a little color is unavoidable. “I’m not going to wear one of those visors with a string around my chin. It’s just not gonna happen.”
So, is this the beginning of Murphy’s catwalk comeback? “Maybe,” she says coyly, pointing out that Wu will definitely be her only stop in New York—both on the runway and in the front row. “I kind of feel like being selective is a little more chic,” she says about show-hopping. “I’ve paid my dues after 20 years in the business.”
There was no mistaking Jason Wu’s intentions backstage for Spring, where models like Ming Xi, Cara Delevingne and Karlie Kloss were letting their nails and toes dry with two glistening black coats of OPI Suzi Skis in the Pyrenees, lips a perfect shade of cherry red, hair slicked into a masculine/feminine quiff. “It’s Helmut Newton,” hairstylist Odile Gilbert confirmed of the “expensive, elegant, but not vulgar” updos Wu asked her to create for the occasion. It would make sense, then, that the designer would get one of the famed photographer’s regular subjects to open his show.
“She’s special,” Gilbert joked as she tended to supermodel Carolyn Murphy’s blonder-than-usual strands. (“I’ve been surfing,” the Montauk regular confirmed of her freshly sunlit locks.) Prepping hair with Kérastase Elixir Ultime to impart a smooth texture while treating damage, Gilbert created a deep side part, slicking one side back and weaving what she called an “African braid” up the back with the bulk of the lengths, keeping her plait very close to the scalp. The other side offered up a feminine contrast to the masculine severity via a single glossy wave, which Gilbert secured with a halo of Kérastase Double-Force Hairspray. “The shine makes it modern,” she surmised of the finished product.
Makeup artist Diane Kendal continued the Helmut homage with a really strong crimson mouth and equally fierce brows. Starting with a freshly cleansed complexion courtesy of a steamed mask of Sunday Riley Good Genes treatment mixed with its Ceramic Slip cleanser plus a massage of Riley’s hydrating Juno Serum, Kendal created “fresh, dewy” skin that was deliberately contoured—a staple of Newton’s many nineties-era muses. Dusting MAC Sculpt & Shape powder in Taupe beneath cheekbones, Kendal dotted the apples with its Blush in Poised, adding highlights with MAC Iridescent Powder in Silver Dusk on top. Eyes were treated to a similar dose of Sculpt & Shape Powder in Taupe through the crease, which Kendal applied after a wash of its Pigment in Golden Yellow. An elongated stroke of black crème liner on the top lash line added definition to multiple swipes of MAC Haute and Naughty Mascara in Too Black before brows were beefed up to “boyish” proportions.
As for that lip, it was a work in progress with not one, not two, but five different steps. Kendal coated the entire pout with MAC Lip Pencil in Cherry, using its Lip Pencil in Vino, a darker wine stain, just around the outline. Then came a dose of MAC Lipstick in Lady at Play, a pink hue, which she topped with its Lipmix in Process Magenta, only in the center, and a sprinkling of its Pigment in Neo-Orange. Do try this at home.