262 posts tagged "Chanel"
Hairstylist Shin An’s signature dry-cutting technique has earned her devotees from coast to coast. Quite literally. Before heading west two years ago to open her eponymous salon in a breezy cottage (complete with sprawling patio for treatments alfresco) on Santa Monica’s Montana Avenue, An was wielding her shears in New York City, at Mark Garrison and Paul Labrecque. Her beauty cred is indisputable—she herself has one of the most enviable manes around, and hair master Philip B even named two products after her—so we were thrilled to have An divulge some of her own favorites on both coasts.
THE NAIL DESTINATION: Paul Labrecque Salon & Spa
“Whenever I am in New York, I stop in to see Aurora [Binu]. She truly gives the best manicure and pedicure I’ve ever had.”
Paul Labrecque Salon & Spa, 171 East 65th Street, New York, 212-988-7816; paullabrecque.com
THE HEALING TEAM
“I go see Dr. Mao and Dr. Dao in Santa Monica. They cover all areas of wellness and nutrition, and have helped two friends of mine with fertility issues. Then I see Philip Trigiani, a healer and acupuncturist, when I’m in New York. Philip has helped me relieve pain throughout the years.”
THE MASSAGE MUST: Chopra Center
“I love to go to the Chopra Center in La Costa for massages. Merwan [Ramsden] really knows what to do. Pure therapy and relaxation!”
THE NATURAL-FOOD STOP: Santa Monica Farmers’ Market
“I shop for all my produce at the Santa Monica Farmers’ Market. They have the freshest variety of everything, and it’s so close to home.”
See www.smgov.net for more information
THE BROW GURU: Brittney Gray at Shin
“Brittney is a master at shaping! She tweezes my brows to perfection instead of using wax.”
Shin Hair, 1025 Montana Avenue, Santa Monica, 310-310-3128; www.shinhair.com
THE HAIR HELPER: Star Peterson at Shin
“My girl Star! She knows exactly what works for my head shape, and understands me. I am probably her most difficult client ever.”
Shin Hair, 1025 Montana Avenue, Santa Monica, 310-310-3128; www.shinhair.com
THE GETAWAY: Croatia
“One of my favorite places is Dubrovnik, Croatia. The Adriatic Sea is breathtakingly beautiful and untouched. I love to stay at the Hotel Argentina. The views are amazing, and they have an infinity pool that goes right into the sea—so gorgeous! I always take a car out to eat at Velji Do, a mountaintop restaurant; the views are breathtaking, and only locals know about this spot. To make a reservation, you have to call a day before and place your order in advance. My favorite meal is the lamb and potatoes that they cook for five hours. Everything is locally grown, they have the best bread, and make their own cheese and milk—you can’t get more organic than that!”
“It’s important for me to shake up my workout routines to keep them interesting. I try to fit in time about five to six days a week with a combination that really works for my body. A personal trainer, Effie, incorporates weights, cardio, and balance all in one session. I also see Paul Abbott at Foundation Pilates. He is a master with the Reformer and has accumulated over five hundred different exercises in his dojo. And finally, the famous Santa Monica stairs: an unbelievable workout that’s completely free.”
For Effie, email@example.com; and for Paul Abbott, firstname.lastname@example.org
THE SKIN ROUTINE
“The Bamboo Mint Scrub by Ko’an has everything you need in a face [exfoliator], and a girl needs all the help she can get. And I love Tatcha’s Gold Camellia Beauty Oil—I honestly use this all over my body, face, and hair. The scent is so delish.”
THE SIGNATURE SCENT BLEND
“I love earthy scents, so I layer Malin + Goetz Cannabis oil and Chanel Sycomore perfume. At least two people a day ask me what I’m wearing, and I always feel bad because it’s my own perfect, personal blend of two scents.”
THE MAKEUP MUSTS
“The Kimiko Hydrating Tint SPF 20 is literally the only makeup I wear. It makes my skin look and feel dewy. For nails, I love the brand Julep. The colors are bright and intense, and the new Freedom Polymer Topcoat is the best; high shine, and it dries in five minutes.”
THE STYLING ESSENTIAL: Liqwd
“Liqwd Volume Catalyst is the best [body booster] on the market, and the scent is beyond. We sell it at the salon, and I can’t get enough!”
THE SPA PIT STOP: Crystal Spa
“I have to say, I always feel at home when I go to a good old-fashion Korean spa like Crystal. You don’t go here for the ambience, but they take the body scrub to a different level. They are beyond thorough and finish off the treatment with an amazing hair wash and face mask. I always sleep better after these treatments, and the best part: It’s $90! I’ve tried all of the fancy spas in L.A., and this is by far my favorite hidden gem!”
3500 West 6th Street, Suite 321, Los Angeles, 213-487-5600; www.crystalspala.com
Karl Lagerfeld turned the Grand Palais into a double-C-branded gallery, complete with a Chanel No. 5 robot, a canvas dripping with pearls, and a towering sculpture of the female form comprised of the chain-link leather straps that normally hang from the house’s signature handbags. But the girls who walked the runway were no starving artists, a point made clear by their luxe, textural suits and quilted cream and black leather portfolios.
“In my head, I was thinking that [the models] should look like those expert art ladies that are dressed in all black and slightly eccentric,” said hair guru Sam McKnight of the “downtown New York” and “slightly eighties” muse. Similar to Fendi, the models were fitted with architectural black, blonde, and brunette wigs that he described as “a cross between Darth Vader and a seventies flick.” The faux strands were bulked up with extensions and prepped with a wave-maker, industrial-strength hair spray and gel to give them a stiff, paintbrush-like quality. On site, the hair was tailored to each girl and flared out using a flatiron, then polished off with Oribe Dry Texturizing Spray to lend a flat finish.
The painterly eyes by Peter Philips were inspired not only by the colors used in the pieces that flanked the catwalk but also by a print shown to him by the designer. “It looked a bit like a sample card for a paint company,” he said. To create a blank canvas, he instructed his team to even complexions with Chanel Vitalumière Aqua foundation. The brows were elongated and given a more angular shape with Crayon Sourcils Sculpting Eyebrow Pencil. And before sending the models along, lashes were curled and coated with black mascara, and lips moisturized with Rouge Coco Balm.
Then the lead makeup artist went to town, framing the eyes with thick swatches of black liquid eyeliner that extended past the outer corners, and topping the stenciled arches with the same formula. Next, he dipped a #21 brush into vibrant cakes of theatrical paint in pink, lavender, sky blue, yellow, green, and coral—employing short, uninhibited strokes of contrasting colors across the lids, above the brows, and along the lower lash lines. While the swatches appear to have been placed at random, there was a method to the madness: Philips used only one hue at a time and blotted each with a tissue before applying the next shade—being sure to leave space between blocks to prevent them from running into one another. In addition, only two colors were applied near the tear duct. “There’s a symmetry to the look, but also calculated mistakes,” he explained. As a finishing touch, a BIC lighter was employed to disinfect and soften the tip of the Le Crayon Khol Intense Eye Pencil in Noir before running it across the waterline. The end result was nothing short of a makeup masterpiece.
While we’ve seen some interesting things done with eyeliner in the past (Peter Philips at Chanel and Fendi anyone?), the bum shot that makeup artist Wendy Rowe posted on Instagram today was certainly cheeky. With denim recently incorporated into Anthony Vaccarello’s and Balmain’s collections, the hunt for that elusive pair that accentuates every curve without pulling across the front or gaping in the back is set to continue for Spring. Here, a black pencil offers a simple (albeit bold) solution to finding the perfect fit.
Peter Philips is known as the master of makeup invention, and when it came to the eyelashes at Dries Van Noten, he certainly spun standard string into beauty gold. After evening out complexions with foundation and powdering the skin, he dusted Chanel Soft Touch Eyeshadow in Ivory (a pearl tone with a hint of shimmer) to provide lids with “a bit of depth.” Then he added sparkle to lashes via metallic thread. “You can never find a gold mascara that does this, and [false] lashes look too drag queen-y,” Philips explained. After snipping the delicate cord into small pieces with a pair of manicuring scissors and dotting models’ natural fringe with eyelash glue, he placed the tinsel-like fibers individually with a pair of tweezers. To frame the face and make the eyebrows uniform, Philips traced slightly outside arches using the Crayon Sourcils Sculpting Eyebrow Pencil in a shade slightly darker than each girl’s hair color; taking away the curve and replacing it with an elongated and angular shape. Lips were toned down with a touch of base just before showtime.
Sharp side parts inspired by Tamara de Lempicka (an art deco painter with Polish roots) and Loulou de la Falaise (Yves Saint Laurent’s muse) were gilded with a mix of hair wax and gold leaf. Hairstylist Sam McKnight washed hair with Pantene Pro-V Aqua Light Shampoo so that it was free of product or shine that would detract from the graphic stripe. He used a steel tail comb to divide the hair from left to right, then worked Sebastian Mousse Forte through the top section and brushed strands behind the ears with a Mason Pearson. A net was pressed over the crown, hit with a blow-dryer, and set with hairspray. The length was left “raw” and misted with water to revive any natural texture. The end result was a look that would make King Midas proud.
Everything is going digital these days—a fact acknowledged by Karl Lagerfeld at Fendi this season. The concept was infused into the collection via graphic shapes rendered in close-cropped fur and bold blocks of chiffon, while face-painter Peter Philips translated the creative director’s “digital code” into one distinctive hit of “chemical peach” on the lips, a shade inspired by the show’s invitation (pictured above). After outlining the mouth with Make Up For Ever Aqua Lip Waterproof Lip Liner Pencil in 18C, he filled it in using Rouge Artist Intense in 39 straight from the tube. “It’s a bit of an odd [hue] that has a very classic feeling—it could be a sixties lipstick,” the face-painter explained, “but it’s also very futuristic looking.” The rest of the face was devoid of color, using foundation and powder not only to lend a “satin-matte” finish to models’ complexions, but for practical purposes as well: “It’s easier to brush the [clippings] from the wigs off of this type of texture,” he said. After running a thin stripe of Chanel Stylo Yeux Waterproof Long-Lasting Eyeliner in Ébène across the upper rims, he curled the top lashes and locked in the shape with Inimitable Waterproof Mascara.
The short and choppy mop tops, created by hairstylist Sam McKnight, were influenced by Lagerfeld’s original sketch, Linda Evangelista in the eighties, the Beatles, and “a little Japanese thing thrown in,” he said. To blur away the individual and create a singular army of Fendi-bots, black wigs were fitted to each girl and tailored into a bowlish shape using a razor. “I wanted to keep it looking wiggy,” McKnight added. “Not kid people into thinking this was real hair.” The imperfect crops were finished with a liberal dose of Oribe Dry Texturizing Spray for a “fluffy, not dirty” finish. If the Kaiser and the King of New York (Marc Jacobs) have given the bowl cut the green light, perhaps it’s time to think about using your dishware for things other than cereal, and replacing the spoon with a pair of scissors. Or maybe just trying the trend on for size at the nearest wig shop…