July 26 2014

styledotcom This is what a Lady Dior handbag smells like:

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2 posts tagged "David Neville"

Flashback Friday: In Search of Bright Lights


stella-tenantFlashback Fridays is a feature on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.

The Model: Stella Tennant

The Moment: Nearly Neon

The Motivation: With New York fashion week right around the corner, now is the time we start wondering what beauty looks and trends we’ll discover at the tents (or, in the case of many a designer, the multiple off-site locations). Barely-there makeup was de rigueur last season, but there was the occasional jolt of color that brightened our day—take, for example, Gucci Westman’s traffic-stopping orange pouts at Rag & Bone. It may have been a first for Marcus Wainwright and David Neville, but Stella Tennant and readers of this 1995 issue of i-D were already well versed in the power of electro-tangerine lips. The model’s loud mouth is a prime example of what we’d love to see more of for Fall 2014 to counteract the cold, gray skies we’ll likely have to endure while schlepping from show to show.

Photo: Craig McDean for i-D, 1995; courtesy of

Mouthing Off At Rag & Bone


ragandboneGucci Westman claims that she knows more about Manchester United (a British soccer team), and coaches leaving and coming thanks to her designer husband David Neville, than she does about makeup—but we beg to differ. Inspired by the bright colors and fervor surrounding the impending World Cup in Brazil, the face painter took a new approach at Rag & Bone. “It’s [the label's] first-ever lip adventure—I’ve done a stain, but never anything this full-on,” she says. A blend of Revlon Super Lustrous Lipstick in Carnival and ColorBurst Matte Balm in Mischievous (out in January) was applied with a brush, but the rest of the face was made up using mostly fingers—Westman told her team to press the product into the skin for that lived-in look.

The lids were slightly more toned down in comparison to the models’ orange pouts—a combo of ColorStay Shadowlinks in Charcoal, Onyx, and Cocoa was applied and then wiped off using flat cotton swabs and makeup wipes. Post-shadow deconstruction, Westman applied a mix of Elizabeth Arden Eight Hour Cream, Dr. Hauschka Eye Contour Day Balm, and Revlon Skinlights Face Illuminator onto lids for extra sheen and rubbed a shimmery brown powder shadow along the lower lash line. Her inspiration: makeup leftovers after a really fun night out. “The next day you look pretty good, even though you’re hung-over,” she joked. The rest of the face was kept simple—defining only the brows with a pencil and using Illuminance Cream Shadow in Not Just Nudes on cheeks and Skinlights in Pink Light (also launching in January) on the cheekbones, bridge of the nose, and chin for additional glow. Westman topped everything off with a spritz of Evian Brumisateur Facial Mist to give the girls a fresh, dewy look.

Guido Palau set out to reinvent the brand’s cool, wearable hair using only two products. He made clean center parts with a comb and slicked strands down around the crown to the point just above the temples using Redken Forceful 23 finishing spray. For contrast and texture, he wet the length and worked in the lotion-like Satinwear 02 before letting the hair air-dry. And instead of being hidden, the ears became the focal point of the style—with small sections being pulled out in front and the rest tucked behind. “When girls are young, their ears stick out and it adds a certain charm—I wanted to emphasize that here,” he explains. We were certainly smitten.

Photo: Ivan Lattuada/Indigitialimages