24 posts tagged "Diane von Furstenberg"
Being a designer backstage on the day of your own show comes with a few perks—including on-site touch-ups with some of fashion’s best hair and makeup people. “Can you do what you did before,” Diane von Furstenberg beseeched James Kaliardos as he was applying the show’s look to a model in his chair. Von Furstenberg was looking to re-up on her ruddy smoky eye—and to dole out a few words of wisdom in the process. “The idea with the color,” she said, motioning to the MAC Chromagraphic Pencil in Process Magenta that Kaliardos was blending with its Lip Conditioner for a semimatte finish, “is whatever you’re doing, close the deal.”
“It’s a look that makes you win in life,” Kaliardos continued of the seventies glam-rock makeup, which featured diffused red lids, courtesy of MAC Cream Eyeshadow in Rusted Red from its forthcoming Fall trend palette that he blended with its Cream Eyeshadow in Oyster, a shimmering champagne, to add a highlight to the inner corners of eyes. Sculpting skin with warm shades of MAC Face and Body Foundation, Kaliardos filled in brows with its Eye Shadow in Omega before swiping on a few coats of its Haute & Naughty Mascara to enhance the drama. Toes were painted with a combination of Essie’s fuchsia Plumberry and Miami Nice to match models’ mouths.
Orlando Pita added to the “life is a party” inspiration—von Furstenberg’s party, specifically—with seventies-style sets that he side parted and treated to a few spritzes of his T3 Elevate Heat-Seeking Iron Volumizer hair spray and a one-and-a-half-inch curling iron to implement a slightly disheveled wave. “Diane is about inspiring women,” he said, prompting him to skip hair extensions to avoid total uniformity, catering instead to models’ individual lengths.
James Kaliardos and Orlando Pita don’t have to look too far to find beauty inspiration at Diane von Furstenberg, where they often reference the designer herself—from her Studio 54 days to her more recent globe-trotting jaunts to the far reaches of Africa, India, and beyond. But for Spring, von Furstenberg wanted something else. “After looking at four different hair tests on four different girls, she turned around and said, ‘Can we do that?’” Pita recalled of the moment Diane decided to make the look more about the models’ individuality and less referential of her own.
“These girls already have these amazing gifts of beauty, so we just want to enhance them,” Pita said of strands that came in center-parted, side-parted, straight, and wavy iterations—all of which mixed seamlessly with von Furstenberg’s colorful, varied collection. There was one curly girl, too, which afforded Pita the unavoidable opportunity of paying homage to the woman behind the brand. “[Katryn Kruger] looks a little like Diane so we’re going to do her hair like [Diane's].”
Kaliardos went with a more uniform makeup look, which started with a base of MAC’s new-for-spring Mineralize Moisture Fluid Liquid Foundation, some slight contouring with its forthcoming Sculpting Cream in Pure Sculpture, and a “ruddy, healthy, punchy” cheek courtesy of its Blushcreme in Tea Petal. “We’re using the same palette, but tailoring the look a little bit for each girl,” he explained of the slightly smoked-out lower lash line that he intensified or pared down with a stroke of MAC’s Pro Chromagraphic Pencil in NC15/NW20 and its Eyeshadow in Antique and Espresso. “It has a slight Indian vibe,” Kaliardos admitted of the dark, elongated shape as he added a few whips of MAC Haute & Naughty Mascara on the top and bottom lash lines and affixed a few individual lashes on the outer corners—which only served to make models like Kasia Struss and Joan Smalls look that much more gorgeous in their own unique ways.
Women’s Wear Daily is running a preview series on designers’ Spring collection inspirations—and a few of them offer a peek at the beauty looks we’ll be seeing at NYFW, too. For example: don’t be surprised if DVF’s sketched braided coronets, left, come to life on the runway. [WWD]
So turns out Kim Kardashian’s blonde hair tweets this week were fakes—or very deceiving, at least. “We bleached her hair to a golden blonde before applying a chocolate gloss, so the Tweets where during the process,” her colorist, George Papanikolas, explains of Kardashian’s new hair color, which is more like a gilded brunette. [Allure]
Botox to keep your acne at bay? Believe it. When injected directly into pores, the miracle vial can apparently decrease the size of them, slow oil production and eradicate breakouts. [Medical Daily]
Beauty Nostalgia is a new, weekly column on Beauty Counter in which we ask influencers, tastemakers, and some of our favorite industry experts to wax poetic on the sticks, salves, and sprays that helped shape who they are today.
The Pro: Diane von Furstenberg, designer and philanthropist
The Product: “Scent is so powerfully connected to memory. It’s a very personal thing. I still remember my mother’s perfume—it was called Bandit and it was very woodsy. The first scent I wore myself was Joy by Jean Patou and I loved it because it smelled like jasmine. I was a teenager at the time, and from when I was very young, I always wanted to be grown up. Perfume made me feel like that older, sophisticated woman I wanted to be. I have always applied perfume to the places where my skin comes together—my neck and the curves in my arms and legs. You want it to mix with your own skin and become a part of you. I still have the old bottles of Joy, but now I wear my own fragrance, Diane, every day, and now for summer, Sunny Diane. My first perfume taught me how powerful it could be and inspired me to create my own. It is really a weapon for seduction. It is all about confidence and that has always been my style!” —As told to Kari Molvar
Getting the scoop backstage at Diane von Furstenberg’s Fall show was just as much a lesson in etymology as a tutorial in hair and makeup. “It’s more like a rendezvous as opposed to a meeting,” Orlando Pita said, trying to hone in on the beauty mood from von Furstenberg’s collection. “A meeting has expectations, whereas a rendezvous has more mystery,” the coiffing star explained. Add to this clandestine spirit a nod to the 1930′s and you’ve got a tight, glossy chignon on your hands, which Pita side-parted and coated with a combination of Phyto Professionals Wet Gel and its Phytolisse Finishing Serum as well as a mist of its Phytolaque Soie Hair Spray—”all shiny things,” Pita joked.
Makeup artist James Kaliardos revisited this sense of 1930′s realism with a similarly shiny gray eye, which he swept onto lids in a half-moon shape using a blend of MAC Powerpoint Eyeliner in Gray Utility topped with its Eyeshadow in Linger Softly before dabbing an all-purpose gloss on the center of the lid only for a “surprising” matte versus shiny texture difference. “[Diane] inspires mystery and power,” Kaliardos mused of the designer as he built up brows, contouring cheeks with MAC Pro Sculpting Cream in Pure Sculpture and adding highlights with its Cream Color Base in Pearl as he went. Finishing touches came by way of an exaggerated natural lip and a deep berry manicure, courtesy of Yuna Park using Dior Vernis Rouge Garçonne.