55 posts tagged "Dick Page"
The king of minimalism didn’t stray far from his roots this season when it came to hair and makeup (although the designer did display a new hem length on the runway). But behind the barely there maquillage was a study in both physiology and proportion, explained makeup pro Dick Page. “Rather than projecting the idea of painting the face, I thought about how everything is mobile and three-dimensional…it’s almost like when you do a life drawing in art class and have to think about structure.” For brows and lashes, he mixed three parts gel to one part brown mascara to achieve the optimal shade and texture. On lids, he blended Shiseido Shimmering Cream Eye Color in Shoyu with a bit of moisturizer for a transparent finish, and applied the same shadow formula in Yuba to the inner corners to subtly catch the light. Page also concocted a custom shade of blush, with fairer girls receiving a ratio of two parts Lacquer Rouge in Metalrose (a reddish pink) to one part Hellebore (a plum), and used the same tones for darker complexions, only with the equation reversed. To apply, he pinched a cosmetic sponge to create a domed shape (seen above) that is optimal for working the product into the skin. A blend of foundation and Lacquer Rouge in Camel was tapped on to the lips for a muted effect.
Hairstylist Paul Hanlon kept things classic with what he described as an “old salon blow-dry.” He started by spritzing Moroccanoil Heat Styling Protection from midlength down, and added Volumizing Mousse all the way through. Then Hanlon blew strands dry in large sections using big, round brushes. For a hint of sexiness and as an ode to the forties (a reference given to him by Rodriguez), he added a deep side part, hair-sprayed the top to cancel any flyaways, and used a drop or two of Treatment Light on the ends for separation. Simple, yet impactful—just like the collection.
“If you think you look like shit, put on blush. Don’t sweat the concealer. There is this mythology that if you’re not dark under the eyes, you’ll look well—you won’t, that’s just not how it works. You want to look like you’ve been shagged, or you’ve had a run, or something good is going on in your life, [all of] which concealer doesn’t do. It just erases whatever mystery thing is bothering you.”
Above we pay homage to the makeup guru’s advice with an image of Catherine Deneuve from Belle de Jour, a woman who got her kicks (and pretty glow) by means other than the rosy cosmetic.
The look at Marc by Marc was characterized by a single—but colorful—gesture, explained makeup artist Dick Page. He disregarded trends and even the palette of the collection, citing only David Bowie as a reference. “It’s just a lop of color on the eye,” he stated rather matter-of-factly. To create this graphic blue block, he started by applying Shiseido Shimmering Cream Eye Color in Ice in a crescent shape with a brush—placing it along the lash line from inner to outer corner and filling in the lid. He followed this same pattern with a powder formula in Curacao, a shade from the Limited Edition Eye Color Bar, using a “windshield wiper” motion to lay down the pigment and diffuse the edges. “When the model is looking directly at you, I only wanted you to see a halo of color,” he said. Any fallout was cleaned up before applying a light layer of foundation, and lips were left bare, save for a moisturizing balm.
Guido Palau created an equally simplistic hairstyle with a bit of rock ‘n’ roll edge. He started by prepping damp strands with Redken Satinwear 02, and blew the hair straight and flat to the head. To add a bend, he wrapped sections around the barrel of a curling iron—starting midlength and leaving the ends out. Diamond Oil Shatterproof Shine was glossed over the top to add weight. “I wanted the hair to feel lank—not flyaway, floaty, or romantic,” said Palau. After misting all over with hairspray, he tucked strands behind the ears and wrapped a silk scarf around the neck (a technique we saw earlier in the week at Thakoon) to add back a bit of “natural movement.” And while some of the girls had a black or cream scarf incorporated into their looks on the runway, “as if they had caught their hair in it,” he explained, the accessory was removed from the rest of the models before hitting the catwalk.
If you were wondering what shade was slicked on nails, it was Jacobs’ favorite color, of course: Shiny (i.e., clear).
Compared to her older sis Beyoncé, who tends to stick to a consistent beauty routine (perfect highlighted, wavy locks; tawny makeup with a bit of shimmer; and a neutral pout), Solange Knowles takes a more adventurous approach, and has recently experimented with everything from lengthy box braids reminiscent of Janet Jackson circa Poetic Justice to vibrant red-orange lipstick straight out of a J.Crew catalog. Last night, the ever-present singer performed at Atlantis Super Wash Center in Brooklyn, for The Fader‘s #uncapped series, rocking edgy turquoise floating “banana” eyeliner in a crescent shape just above her curled lashes. It made us recall Dick Page’s work backstage at the Michael Kors Spring ’13 show (right) and, more recently, the electric-blue kohl under-liner from Chanel’s Resort runway (left). What do you think of Solange’s blue period?
Photos: Yoshi Okamoto; Getty Images; Luca Cannonieri / GoRunway.com
Phoebe Philo’s Céline show is one of the hottest tickets in Paris—so hot, in fact, getting backstage is a near-impossible task. But not if you’re Dick Page. The Shiseido artistic director of makeup, and longtime Philo collaborator, has been on face-painting duty here for seasons, including Fall 2013, which proved to be a big winner for the designer, thanks in small part to Page’s “natural, healthy, transparent beauty.” Here, Page provides a postcard from the trenches:
“It’s clean and pure. Lightly moisturized skin [with] a wash of foundation where needed to cover any blemishes or redness. I used dark brown concealer to shade around the lash lines—top and bottom—for a naturally shaded effect, and Shiseido’s eyebrow compact brushed through the brows to toughen them up. No mascara. Lips were treated with its Benefiance Lip Balm and muted slightly with a rose-beige camouflage concealer for a very natural lip finish. I did a little color toning on each girl individually, with beige/tawny/brown concealers applied with a fluffy blush brush across the cheeks, the bridge of the nose, and a little around the hairline, depending on the skin tone, leaving freckles and natural shadows [visible] under the eyes. The result? You don’t see makeup. You just see pretty girls in gorgeous clothes.”