46 posts tagged "Dick Page"
Today, L’Oréal announced that it’s adding cult indie cosmetics brand Urban Decay to its luxury division, which currently boasts labels like YSL Beauté and Ralph Lauren. “[Urban Decay] is the makeup specialist we needed to fully satisfy young women in search of playful colors…at an accessible price point,” said L’Oréal Luxe president Nicolas Hieronimus. [WWD]
Following the likes of Clémence Poésy, Anja Rubik, and Chloë Sevigny, Finnish catwalker Suvi Koponen has been named the latest face of Chloé Eau de Parfum. Koponen is a favorite of the French house, having recently starred in Chloé’s Fall ready-to-wear ads. [Paris Vogue]
Speaking of models with blockbuster beauty contracts, Sui He landed the job as Shiseido’s new brand ambassador back in September. Today, a behind-the-scenes video with the Chinese stunner and makeup artist Dick Page hit the Web, giving us a first look at the forthcoming campaign. [Models.com]
Beyoncé’s Tumblr page has become a source of great joy for many of us, and this weekend’s update—a pic of the megastar with daughter Blue Ivy Carter on vacation—didn’t disappoint. Aside from her Aurélie Bidermann gold bling, what really stood out to us were the beach-y cornrows that reminded us of Beyoncé’s golden days in Destiny’s Child.
Two weeks into the Spring shows, and there are two dominant decades from which designers seem to be culling inspiration, which has had a sweeping impact on backstage beauty looks as well. While New York’s collective homage to nineties minimalism gave us the simple, no-makeup makeup that threatened to cast a “contours, not colors” spell over the season when things first got under way earlier in the month, an undercurrent of support for the sixties has meant a renewed focus on last season’s eyeliner love, which has been reimagined with a surprising pigment preference: blue. It has come in bright shades of aqua at shows like Clements Ribeiro, where makeup artist Cassie Lomas channeled the “innocent beauty” of Wes Anderson’s Moonrise Kingdom with a slick of Bourjois Metallise Eyeliner Pencil in Bleu Clinqiant, and Moschino Cheap And Chic, where Hannah Murray gave psychedelia an “urban kick” by etching MAC Pro’s Ultra Chromagraphic Pencil in Marine beneath the lower lash line. “[Michael Kors] just wanted to do an eye thing,” Dick Page explained of his similarly hued “floating lines” at the designer’s show, which he drew in a banana shape through the crease. Predictable shades of black got more competition from midnight iterations as well at shows like Mary Katrantzou, where Val Garland fashioned an inky elongated almond line with a blend of MAC Lipmixes in Blue and Red, and perhaps most notably at Altuzarra. “I think it’s so chic,” Tom Pecheux said of MAC’s Technakhol Pencil in Auto-de-blu—”a royal blue,” he declared backstage at the designer’s show—which he brushed along upper lash lines to a squared-off edge. That right there is endorsement enough for us.
There are two decades being mined at the New York shows this week, and Michael Kors managed to get both of them into one beauty look. “It’s sixties/nineties,” Orlando Pita said, referencing the super-sleek, deep side parts that he was giving models, creating an indentation in the back with a long elastic that was clipped behind the ears. The straightness, which he achieved with a blow-dryer and a few spritzes of his T3 Control Heat-Seeking Hair Spray, hammered home the homage. “The first time women straightened their hair was in the sixties, but they used actual irons,” Pita said in an impromptu session of hair history 101. “In the nineties, they finally created a straightening iron.” Karlie Kloss, Jac, and Frida Gustavsson got updos to accommodate the evening dresses they wore to close the show.
Dick Page was on a similar tip, although the Shiseido artistic director wasn’t quite ready to call his colored, banana liner applications retro. “[Kors] just wanted to do an eye thing. [This is] a floating line,” he declared of the single stroke of its Luminizing Satin Eye Color Trio in Jungle, a punchy green, that he gave brunettes, and the Punky Blues palette that he saved for blondes, both of which changed shades underneath a series of plastic pastel sunglasses. A wash of white pigment along the upper lash line and a few swipes of Shiseido’s Perfect Mascara Full Definition in Black helped open the eyes while its Luminizing Satin Face Color in Highbeam White brought light to cheekbones, jawlines, and foreheads. Lips were painted and then blotted down to a barely perceptible nude with Shiseido’s Perfect Rouge in Vision, a dusty rose—not that it mattered; after Kloss passed her new Perfect 10 cookies around to Page, Lindsey Wixson, and Magdalena Frackowiak (and this reporter), there wasn’t much visible lipstick left to speak of.
The beauty buzz at the Spring shows thus far has been largely about a return to simplicity. With a few notable exceptions, it’s been all clean skin and unfussy hair that is without reference and purposely devoid of too much glamour (read: volume). But after Narciso Rodriguez’s winning show, now seems like a good time to point out that while all the minimalism may seem like a newfound, palate-cleansing idea, it does indeed have a reference point in Narciso Rodriguez, the longtime king of understated chic.
“It’s vintage Narciso—and Calvin,” Shiseido artistic director Dick Page pointed out of the phenomenon that he, too, was partaking in backstage at Rodriguez’s Spring show, with a bare face and a glossy lid. Page, who met Rodriguez when the latter was working at Calvin Klein, has been painting faces for the designer for years. “Without being super conceptual about it, we’re doing nothing,” he explained of the makeup look, which, to be fair, was as barebones as it gets. Skin was given a slight highlight with Shiseido’s Luminizing Satin Face Color in Soft Beam Gold, brows were brushed up and filled in using its Shimmering Cream Eye Color in Sable and Caviar, and lips and lids were coated in its Benefiance Full Correction Lip Treatment for a shiny flash of gloss. “It just felt right,” Page said. “The girls have to belong to the clothes and the collection; that’s the most important thing.”
Paul Hanlon’s center-parted strands, spritzed with By Byron Spirulina Hairspray, had “structure, sophistication, and shine,” which felt similarly right—a testament to the wunderkind’s skills as it was his first-ever Narciso show. “I’m very honored. I’m a big fan,” Hanlon said of the opportunity to replace Eugene Souleiman, who had been the third piece of the Rodriguez-Page trifecta for quite some time. “I’ve always been aware of who [Narciso's] woman is,” Hanlon confirmed, adding that to him, “the history is important.” So he dug into the archives a little bit, while adding his own updated touch in the form a hint of disheveledness achieved by “shaking” the hair out so it fell “very sporadically” before models hit the runway. Deborah Lippmann’s impeccably buffed nails finished the look—by which all other pared-down beauty looks this season will heretofore be judged.
A warm cheek and wind-blown hair are par for the course backstage at Michael Kors, whose sporty woman has frequently just come in from skiing, sunning, or a safari, as was the case last season. For Fall, she hit the slopes again and had just returned to the lodge for an après-ski cool-down when we caught up with her. “It’s an American well-bred couple , and they’ve just come back to have a little cocktail,” Orlando Pita explained. “So she takes her hair back, twists it into a little knot, and puts a bobby pin on the side,” the hairdresser continued, displaying a sheet of clips that had been spray-painted alternating shades of matte bronze, black, and white. “It’s a little undone,” Pita added of the style, using his T3 Elevate Heat-Seeking Volumizing Spray to add a bit of texture, taking extra care not to blow-dry “too much.”
“It’s more like après-sex,” Shiseido artistic director Dick Page interjected, using the brand’s forthcoming Lacquer Rouge in Drama, a deep crimson, to coat lips and blend a creamy flush from the apples of models’ cheeks all the way down to the jaw, “the way you’d get if you were cold, or hot, or excited,” Page explained. Shiseido’s Luminizing Satin Face Color in Soft Beam Gold and High Beam White dusted along lids and cheekbones added a transparent glow. “Blush makes everyone look better,” the face painter surmised. “It’s a very simple way to look and feel glamorous.”