7 posts tagged "ghd"
Miley Cyrus debuted a wig with bangs over the weekend that called to mind Marc Jacobs Spring 2014 bowl cut meets Anna Wintour. Strangely enough, she’s not the only 21-year-old sporting the conservative style: Selena Gomez wore an all-black version onstage at the Jingle Ball, in L.A. Who knew rebellion came in bob form?
Israeli artist Tal Peleg is taking face painting to new levels with her lid-topping creations. A lifelike rendering of sushi along the lash line, or a vignette of baby ducks, beats a smoky eye any day. [The Cut]
Cara Delevingne may have caused tweezer sales to plummet, but Marchesa’s new lattice-patterned version might help the tool get off the endangered-beauty-species list. Along with a corresponding compact mirror, matchstick-like emery boards, and mini makeup brushes, this scaled-down collection arrives just in time for the clutch-carrying holiday season. [Glamour]
WestHouse New York, a town-house-style boutique hotel, is set to open on December 23. In addition to a butler (available on request), amenities include a GHD professional performance hair drier and a 1-inch flatiron in each of the 173 rooms. So much better than the subpar hot tools we so often find ourselves stuck with on vacation. www.westhousehotelnewyork.com
The look at Victoria’s Secret hasn’t changed much in the eighteen years since Angels in lacy underwear and million-dollar bras captured the world’s attention in more than 185 countries, but it’s the subtleties, hair pro Orlando Pita explained, that make all the difference. “In the past we’ve done a dry, sandy, beachy texture, but this year it’s shiny and glossy,” he said. While this may appear like a minor change to the naked eye, it makes a major impact on high-def cameras.
For face painter Dick Page, he aimed to make the girls look a bit more “scruffy,” which caught the attention of one of the executive producers of the fashion show. (Scruffy and sexy might not normally go hand in hand, but when it comes to Page, you have to trust that the finished product will be spot-on.) During the huddle with both beauty gurus, last year’s look was discussed: Lipstick should give way to a more balm-y, just bitten mouth; the shadow should be a bit more smudgy (and therein lies the scruff); and absolutely no glitter should be used.
To get the glistening waves, Pita prepped the strands with Victoria’s Secret So Sexy Body & Hold Volumizing Mousse and blew them dry with a round, vented ceramic brush from ghd to build body. Next, he glued in multiple levels of extensions—opting for a tone that played up the lightest shade seen in each model’s roots. “Dark hair, especially, can look really dense on television; this [trick] gives it depth and makes it look more natural,” he said. The ends were razored to approximately each girl’s natural length, and strands were misted liberally with So Sexy Style Hold & Finish Hairspray. Using his signature technique (where the middle of the hair is wrapped under and over the barrel of a curling iron, in this case a 1.5 inch version—leaving the ends out), Pita created loose curls before finger combing and finishing with more hair spray. To get the look at home, however, he suggests using an easier-to-wield flatiron, like the forthcoming tri-zone styler from ghd. As for the part, there was great debate as to whether it should be in the middle or slightly off center, but the final decision was to follow the way each model’s hair naturally fell—keeping their individuality intact. (If you’re wondering, Karlie Kloss will be maintaining her signature bob.)
“I’ve been given a very strict directive, but I’m going to fuck with it like I do,” Page said of the makeup. After the recent death of Lou Reed and listening to The Velvet Underground & Nico, the master of maquillage came up with the “scruffy Angel” concept. To achieve it, he used a black-brown liner pencil on the inner rim and ran it imperfectly along the top lashes before smudging the pigment up and over the lid. To intensify the outer corners, Page dusted the dark chocolate shade from the VS Makeup Eye Shadow Quad in Eye Contact in a “V” shape, then applied the shimmery gold color over the inner half of the eye to catch the light. Instead of traditional blush, he warmed up Color Drama Lipstick in Taken on the inside of his forearm and used a cosmetic wedge to apply it to cheeks (a similar method was employed at Narcisco Rodriguez this past season). “I want them to look like they’ve had a really good shag, or anything else unorthodox that would make you pink in the face…like excitable shopping,” Page quipped. The skin was then layered with a sheer foundation using a brush—allowing the color to come through much like a natural flush. “I want to have final control over the complexion,” he said of his approach. Color Drama Lipstick in True (for models walking in the Pink portion of the show) or Flawless (worn by the rest of the girls) was pressed onto lips, then top lashes were coated with Volume Lift Mascara in black, and brows were lightly defined with a pencil as a finishing touch.
The only things left to complete this slightly undone Angel: wings and sass. “This show is probably the closest you get to real modeling, where the girls are truly animating the clothes,” said Page. Or in this case, the lack thereof.
Considering the endless spells of dry heat, Australian summers typically beget beauty routines that mainly consist of sunblock and lashings of waterproof mascara; it’s no surprise, then, that fashion week Australia always runs the risk of favoring a “no makeup” makeup look over more complex trends. What we saw this week was anything but, however, thanks to a thriving creative spirit and the imported face-painting stylings of British makeup maverick Val Garland. “What I love about Australians is that they have no fear and are willing to give it a go. They’re very enthusiastic, and you feel like everyone is so happy to be here,” said Garland, who made a surprise cameo at the shows this season. Here, we round up the ten best backstage moments from the week that was.
Lisa Ho’s woman never lacks sensuality, and Val Garland gave it to her in spades, courtesy of a dark, lacquered lip—”Like an oil slick,” she said of the precise texture—and gloriously glossy skin. Bodies were given that quintessential Bondi glow with the cult-favorite gradual tanning product Summer by Beauty Department, while ghd hair director and session stylist Alan White added “a power element” to strands via a segmented hair parting and a dual texture that was accented with tinted extensions in midnight blue. By cutting the extensions two inches beneath models’ own hair, White aimed to “create chicness, not a color statement,” he explained.
Watson x Watson
If you were in the market for a true-blue Aussie beach experience, you didn’t need to look any further than Watson x Watson, Somer and Liberty Watson’s young upstart line. “It’s when you go to the beach and your hair soaks up the elements like salt and it grows in texture,” Redken hair director Philip Barwick explained of the saturated strands that were pulled back into a half-up bun. “The shape comes from when you get out of the water and brush it off your face and the ends of the hair are blown out and windy.” The makeup here was similarly summery, inspired by the pink zinc that was a popular staple for eighties-era teen queens. To prevent the look from becoming too juvenile, Maybelline artists added a touch of glamour via bronzed contours and a clean base.
We Are Handsome
“[It] references the relationship that Guy Bourdin and Charles Jourdan had,” stylist Jolyon Mason explained of the direction for the swimwear label’s presentation, which manifested itself into a preference for the photographer’s beloved jewel-toned smoky eyes, high-blush contours, and shiny red lips. Fluffy seventies disco hair and tanned limbs, courtesy of St. Tropez, rounded out the homage, which got a small dose of the here and now via crazy and colorful nail decals from Rock Beauty London.
Michael Lo Sordo
Michael Lo Sordo loves geometry. The designer (who was recently nominated as a finalist for the Australian Woolmark Prize) kept his hair-and-makeup look sleek, simple, and contoured for Spring but asked his face-painting team to add a few, er, points of interest: blue triangles were painted onto models’ temples to serve as “futuristic beauty spots,” rather than architectural cat-eyes, as was the case when a similar technique was employed backstage at Erdem for Fall 2012.
At first glance, the beauty look at Shakuhachi was a little Givenchy Spring 2012, but makeup artist Natasha Severino’s references had nothing to do with the underwater theme Riccardo Tisci honed three seasons ago. “My brief was ‘techno chic,’ ” she explained backstage. “There were a lot of metallics and prints in the collection, and the silhouettes were almost raver. We wanted something to offset the metallic fabrics and shoes, so we decided to go with a white pigment powder overlaid with a glitter.” To add a touch of “glitz,” Severino stuck a single Swarovski Crystal underneath the lower lash line to provide an “extra ping” as models walked down the runway.
Being the new face of YSL’s Opium may be Emily Blunt’s beauty world debut, but it certainly isn’t the first time she’s been asked to front a product. Why hold out? “None were as classy as [YSL],” the actress says of the other offers. Smart girl. [Telegraph]
Pop star, fragrance mogul, and ghd spokeswoman Katy Perry may have no need for sunscreen thanks to a busy touring schedule that keeps her indoors “like a vampire,” but she has plenty use for long-lasting manicures. “Gels are just an amazing invention; you can bang your hands against anything! And those Sally Hansen Salon Effects strips are genius. All of my dancers are using them.” [Allure]
According to backstage regular and What Not to Wear’s resident coiffing star Ted Gibson, the “lob” is still very much en vogue. “It works with fashion, but it looks really fresh-straight or wavy or curly,” Gibson says of the collarbone-grazing style. [Fashion Etc]
We told you two months back that Katy Perry was adding a spokesperson gig for ghd hair straighteners to her roster of beauty endorsements. Now the ad visuals have arrived replete with predictable, Perry-esque adjectives like “pouty” and “colorful.” [Grazia]
It’s official: Kate Middleton will be wearing her hair down for the royal wedding on April 29. All the better for a diamond-encrusted crown, if you ask us. [Daily Mail]
“I think that promoting insecurity in the form of plastic surgery is infinitely more harmful than an artistic expression related to body modification,” says Lady Gaga. In other words, lip injections = bad; prosthetic facial horns = good. [E!]
With a coveted seat on the American Idol judging panel and a new album due out this month, J. Lo has secured the title of People‘s most beautiful person of the year—and the coveted role as our April Beauty Icon. More on that come Friday. [Reuters]