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July 10 2014

styledotcom Tim Blanks throws back to @MichaelKors's Spring '99 collection. Watch: stylem.ag/1kaSme7 pic.twitter.com/Ry9qRRbmZH

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49 posts tagged "Gucci"

Charlotte Casiraghi Reigns as the Face of Gucci Beauty

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charlotte-gucci

Charlotte Casiraghi, fifth in line to the throne of Monaco and granddaughter to Grace Kelly, may not wear the crown of the sovereign city-state (yet), but Gucci has a prime role for the equestrian-loving princess in the meantime: She will serve as the face for the house’s highly anticipated cosmetics range due out in September, reports WWD. It’s not Casiraghi’s first gig with the Italian label, as she previously joined forces with creative director Frida Giannini to develop a riding collection exclusively for her horseback-riding endeavors and fronted its Forever Now campaign, where she posed with well-groomed ponies and glossy golden retrievers. Here’s hoping the royal shares the spotlight with more baby animals in the brand’s new beauty ads.

Photo: Courtesy of Gucci

Blake Lively Talks Hair, Overcoming Her Fear of the Red Carpet, and Where She Partied Post-Met Ball

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The Metropolitan Museum of Art's COSTUME INSTITUTE Benefit Celebrating the Opening of Charles James: Beyond Fashion and the Anna Wintour Costume Center - Red Carpet ArrivalsBlake Lively knows how to make an entrance—one flip of her honey-colored hair has the power to set off hundreds of flashbulbs simultaneously. But walking a red carpet isn’t a “comfortable” place for the blond bombshell (having husband Ryan Reynolds as Gucci-clad arm candy, however, certainly boosted her confidence at Monday’s Met ball—as it would any woman on this planet). “It’s always easier with help. I’ll get my sisters out there. I’ll bring my high school mascot if I need to! It’s always such an intimidating experience,” Lively explained. Last year, she and “dear friend” Florence Welch braced the wall of paparazzi together: “We said, ‘We’re like the kid at prom who doesn’t have a date, we have to go together.’ We were trying to only take pictures together on the red carpet so people knew we had a friend. But then they said, ‘You have to take pictures separately—stop that!’”

This time around, Lively wore a Gucci dress accented by Gucci’s Première fragrance—which she mists and walks through to create an “aura of scent.” And her punky ponytail (seen at the 2013 ball) gave way to a forties-inspired “one-sided victory roll” to show off her Lorraine Schwartz earrings. “Both sides is a little much and a little too on the nose,” she noted of her hairstyle choice. But getting primped, donning custom ruby drops, and breathing the same air as Beyoncé was no match for the exclusive after-party to which only Lively, Reynolds, Welch, and her agent were invited. “The whole Met ball, we were like, ‘OK, we’re going to get hot fudge sundaes and frozen hot chocolate. That was a pretty great midnight snack and [it was fun] to walk into Serendipity in ball gowns. They actually had to kick us out because we were there for so long. The [staff] was like, ‘We do need to go home now,’” she said, laughing. “That was the highlight of the evening for me in a sense.”

But ice cream wasn’t the only crowning moment for Lively this week—the cherry on top was championing Gucci’s Chime for Change project, an initiative co-founded by Frida Giannini, Salma Hayek, and Beyoncé that supports multiple women’s charities and projects dedicated to health, education, and justice. “Women you look up to are giving voices to women who don’t have that,” she said of the power trio. “People’s value is so much greater than the monetary amount they can donate; their awareness and their investment in following the cause, seeing the outcome, and sharing it with other people can exponentially increase the productivity of these grassroots charities.” With the sale of five select Gucci fragrances—Flora, Guilty Pour Femme and Pour Homme, Première, and Made to Measure—consumers will receive a code that can be redeemed on the Chime for Change website and donated to the cause of their choice. (For example: One code can provide two days of education, food, and health care for a student in Kenya.) Lively might lack self-confidence on the crimson carpet, but making an impact both on and off it has never been an issue.

Photo: Courtesy of BFAnyc.com

Flashback Friday: At Long Lash

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willyFlashback Friday is a feature on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.

The Model: Willy van Rooy

The Moment: Full Fringe

The Motivation: With the rise of Kardashian and Ko., faux lashes have lost a little of their Old Hollywood appeal. And admittedly, we’ve never been that adept at gluing on fake fringe. This season, however, we may just have to step up our skills. Makeup artists are lashing out on the reg—from Pat McGrath at Gucci and Versace to Lucia Pieroni at Rochas. In lieu of reality TV, however, we plan to look at the runways and shots like this British Vogue image for beauty inspiration. The photo was captured in 1967, but judging by what’s trending on the Fall 2014 catwalks, we doubt anyone would bat an eyelash if we said this was snapped in the past few weeks.

Photo: David Bailey for Vogue U.K., 1967; courtesy of www.supermodelobsession.tumblr.com

Beauty Time Warp

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doutzenThe sixties are alive and well this season and everyone, from New York to London to Milan, is getting in the spirit. Eugene Souleiman channeled Françoise Hardy at Peter Som; Pat McGrath was inspired by Britt Ekland at Gucci; Mia Farrow was the icon on Paul Hanlon’s mind at Moschino; and today at Versace, Guido Palau crafted a slight bump in the hair—a surefire marker of the very groovy decade. When it comes to appliances, however, we don’t usually expect a throwback. White Sands, a haircare company, developed an attachment for your blow-dryer that acts like the “salon hoods or bonnets” of yesteryear, setting curls or locking in moisture from treatments, hands-free. Model Doutzen Kroes even appeared to be wearing a similar contraption on set this week. Will the concept take off like Mary Quant’s miniskirt or the bikini post-Beach Party? If the runways are any indication, going back in time just may be the wave of the future.

Photo: Instagram

Getting Into the Swing of Things, Backstage at Gucci

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gucciThe Gucci woman always has sex appeal, but in lieu of the bombshell beauty we’ve come to expect, a swinging sixties character took her place this season. To channel the era and icons like Marianne Faithfull and Britt Ekland, Pat McGrath used a taupe-y gray shadow to emphasize the crease and employed a combination of black pencil and liquid liner along the upper and lower lashes—extending the shape straight past the outer corners but not winging it up, she explained. After rimming the waterline with a beige pencil to open up the eyes, a full strip of falsies was placed on both top and bottom to complete the lush look and play off the shag furs and psychedelic pastel tones in the collection.

Mane master Luigi Murenu mentioned Faithfull as a jumping-off point for the “disheveled but beautiful” hair, but also noted a more contemporary reference: “a more coiffed Kate Moss.” He made a side part and swept the hair across models’ foreheads before bending the length around a curling iron for texture. The ends were flat-ironed to lend “strength and modernity” to the style. For “personality” and to keep strands in control on the catwalk, he gently twisted back a small section on either side of the face and joined them at the middle of the head, discreetly pinning everything into place before misting all over with hairspray. “Last season there was a lot more structure,” he said, but whimsy (a word not usually associated with the Italian house) was in full force today.

Photo: Sonny Vandevelde; Indigitalimages.com