229 posts tagged "Guido Palau"
Wild card Catherine Bellis made history yesterday when she beat out Dominika Cibulkova, a player ranked 13th in the world, in the first round of the U.S. Open. The 15-year-old is the youngest player to win a match at the tournament since Anna Kournikova in 1996—a record set before Bellis was even born. The teenager’s beauty moves were just as on-point as her game: She wore a banded ponytail seen on the runway at Valentino’s Fall ’14 show. Here, hair pro Guido Palau breaks down how to get the winning look.
2. Blow strands straight with a natural bristle brush and create a clean center part.
3. Comb hair straight back, creating a slight lift at the crown, and then gather the length into a low ponytail.
4. Place elastics every 2 to 3 inches down the ponytail and pull strands gently between each band to create a “puff.”
5. Finish with Redken Control Addict 28 finishing spray. Tennis visor optional.
Real-life beauty trends don’t always reflect what we see on the runways, but when it comes to Rihanna, ordinary rules don’t apply. The bona fide fashion icon recently stepped out in NYC sporting cutoffs, a fistful of designer bags, and a superlong ponytail similar to the ones we spotted at Chanel, Kenzo, Valentino, and Bottega Veneta. Selena Gomez tried the trend, too, tying off her sleek pony with a simple black ribbon at the Teen Choice Awards last week. We’re guessing faux strands played a part in both cases, but anyone can go to great lengths by following the steps hair pro Guido Palau took backstage at Bottega: Blow-dry damp hair with a smoothing lotion (like Redken Align) and use a flatiron for sleekness. Part as desired (Rihanna and Selena both divided down the center) and secure your tail at ear level with an elastic. For extra fullness, wrap the base with extensions—hiding the evidence with a small section of hair wound around the band. Want a blunt, clean finish like Selena’s? Hack off the ends with scissors. To get RiRi’s undone look, pull a few pieces out around your face, give the crown a tug for volume, and leave the ends intact.
We analyzed the best ads of Fall 2014 in our latest feature, “On the Campaign Trail,” but legendary supes and photogs aside, the one beauty look that reigned supreme across the board was the bob. From long iterations (e.g., the lob) in Jimmy Choo and Lancaster’s imagery, to short, angular chops at Bottega Veneta and Dior, designers seemed to agree on at least one thing: losing a few inches is the freshest way to face a new season. Here, your hair inspo for the cooler months ahead.
“It’s Ophelia,” said makeup pro Pat McGrath of the “serenely beautiful, ethereal girls” at Valentino. The overall effect was centered on pale, highlighted skin and deft contouring. McGrath used light gray shades around the eyes and a white hue on the lids, sweeping brown mascara through lashes as a finishing touch. A tiny bit of concealer to perfect complexions, a dash of lip balm, and it was done. “It’s about sculpting with light and shade,” she noted.
To make hair appear wet, Guido Palau misted Redken Shine Flash all over before crafting waves with a series of clips—ultimately leaving strands down save for a small section twisted around the length like a loose ponytail holder. (We suggest you steal this move straight off the runway and whip it out next time you find yourself missing an elastic or simply want to pull back curls without creating a dent.) “The beauty of the Valentino woman is very well defined: She’s always very serene and feminine,” Palau explained of the finished package.
Peter Philips spent his whole weekend single-handedly cutting seventy pairs of silver adhesive eyeliner that he used on the Dior Couture runway. And just hours before the show began, he received word that the house had worked out a way to produce them. (Look for them on-counter around the holidays.) “The collection explored contradictions, so we wanted to keep it pretty and pure. I just wanted to add one element that was highly contrasting and artificial,” he explained. Metallic liner emerged as the ideal counterpoint to the mirror-and-orchid set. Philips calls it the “empty eye”—meaning no mascara—bolstered by a little white kohl to fade out the lower lashes and a sweep of yellow and white shadows from the forthcoming Candy Choc palette under well-groomed brows. To even out the base, Philips reached for Dior’s new Star Foundation (for drier complexions, he used Capture), followed by a combo of Dior Blush in Rose Corolle and Starlight on the cheekbones (available internationally in October), and polished off pouts with Rouge Dior lipstick in Trompe L’Oeil (a peachy nude). Nails, too, were kept short, neat, and nude, with one coat of gel polish in Muguet followed by a layer of Dior Glow. “She looks like a fragile flower but with historical and futuristic crosscurrents,” he said. “When she moves, she catches the light.”
For hair, the look was natural and unforced. “It’s fresh and modern without reference to any past,” noted Guido Palau backstage. “Raf Simons’ Dior woman has put her clothes on and [needn't] over-bother with her hair.” Palau employed Redken Pillow Proof dry shampoo for texture, added a few extensions, and let the parts fall where they may. “We’re entering a transitional time in beauty where things seem to be much simpler. Women can’t complain anymore that they can’t do it,” he noted, adding with a smile, “which means there are no excuses anymore!”