13 posts tagged "Hannah Murray"
After Fall’s barefaced beauty moment, we were thrilled to see so much colorful makeup last week in New York. And with day four of London fashion week almost wrapped up, it seems brights are going to be very big indeed for Spring—particularly on eyes. To better serve Mary Katrantzou’s stellar digitized prints, face painter Val Garland channeled a box of Laduree’s pastel macarons, which resulted in a wash of different eye shadows, including shades of lavender, aqua, and buttercup yellow—a happy hue that makeup artist Hannah Murray also played with backstage at Michael van der Ham. Over at Louise Gray, James O’Riley took things in a slightly darker direction, etching a creamy royal blue line around both upper and lower lash lines using MAC’s Waveline Fluidline and coating lashes with a mix of MAC Pro Hi-Def Chromacake in Cyan and its Pro Lash Mixing Medium for a flash of contrasting color. A bold lid is fast becoming this season’s accessory of choice, and if you plan on finally taking a dip into that drawer of violet, gold, and emerald green shadows and liner pens you’ve been hoarding for looking-at-only purposes, we’ve gleaned a few good tips over the past couple of weeks that may be of assistance: Use a pencil or a matte shadow as a base to hold looser pigments in place; a simple smudge of Vaseline or Aquaphor can give a flat powder pigment a modern wet look; and remember, according to Lancôme creative director of makeup Aaron De Mey, matching your shadow to your clothes in homage to Kiki de Montparnasse’s signature style can be a very good thing.
Saturday Night Fever hit New York last week with Marc Jacobs’ Studio 54 divas, Badgley Mischka’s angelic disco dolls, and Halston’s, well, Halstonettes. Now the designers at London’s Topshop Unique have caught the seventies vibe. Backstage, where makeup artist Hannah Murray was hard at work, it was all about groomed power arches, made to look brushed up à la Brooke Shields with individual pencil strokes, and a patent leather-finish red lip created using Topshop’s Lipstick Pencil in Flame topped off with its Gloss in Cardinal Sin. Employing the rickracking technique Guido Palau used at big and little Marc, coif master Paul Hanlon brushed out texture into what he described as triangle-shaped, voluminous “Saturday night” hair. The twist came in the form of extensions in an “antique pastel shade” used to bulk out tresses. As for that quintessential seventies glow, Lady Gaga’s go-to tanner, James Read, was charged with giving models a dark high-maintenance bronze with Saint Tropez’ wash-off mousse, which he layered three times for a “real retro impact.” (Anyone who noticed Gaga’s next-level fake-baked complexion at the VMAs two weekends ago knows that Read does not mess around.)
We told you it was in the works last summer, and more details have finally surfaced about Topshop’s proposed beauty line. Set to bow in May at its top 30 locations (the Soho store included!), the U.K. retailer will be launching two cosmetics ranges: a core line of staples and a seasonal trend collection. Both were designed by the company’s consulting makeup artist Hannah Murray, who works on its ad campaigns and happened to whip up those feral eyebrows backstage at Unique last weekend, using select items from the new range. The products are designed to echo fashion-forward colors often found in Topshop’s clothing and to foster a newfound willingness to experiment—in other words, true to the try-and-see mentality currently sweeping the beauty world. A cement-colored nail polish, a strong lavender eye kohl, and a smoky eye palette are positioned to help women get their basics or push the envelope, all within a price range of $8 to $20. Click here for a sneak peek at the new line. [WWD]