24 posts tagged "L’Oréal"
We revealed what keeps fashion week regulars like makeup artist James Kaliardos and hairstylist Odile Gilbert going during the month-long parade through New York, London, Milan, and Paris. Now, the Style.com team shares the beauty must-haves they’ll be stashing in their bags and keeping in their bathrooms for the Spring 2014 season:
Nicole Phelps, executive editor
“I had my first facial with superstar esthetician Joanna Vargas last week. As her devotees well know, Vargas likes to tailor her facials to the seasons and the skin’s response to them. It may be Spring ’14 fashion week, but weather-wise here in New York it’s still the end of summer. Vargas’ new Fall Superfoods Facial is designed to address the ravages of three months in the sun. For me, that meant patchy dryness and SPF-induced bumps along the hairline, as well as some trouble spots on my chin. Vargas addressed them all, using the all-natural and organic skin care products, like the Vitamin C Face Wash (shown above), she’s known for. My favorite part of the facial was the pumpkin purée and avocado mask, which smelled almost good enough to eat and left my face looking dewy and fresh. If only Joanna would create a facial designed to heal the effects of four weeks of fashion shows.
Matthew Schneier, deputy editor
Marina Larroudé, market director
“I’m obsessed with Clé de Peau Beauté concealer (shown above) and use it every day—no matter if it’s fashion week or not. The only thing that’s different is the frequency that I go to Drybar, which is pretty much every other day. It helps that there’s a location only a block away from my house where I can book early morning appointments.”
Kate Cerigo, senior designer
“When my skin is looking ‘blah’ after a string of late nights I use Korres Wild Rose + Vitamin C Advanced Brightening Sleeping Facial (shown above) before bed and wake up to a more refreshed face.”
Kristin Anderson, assistant editor, special projects
“In the throes of fashion week, I’ll be trimming the excess from my makeup routine, and opting for Dr. Jart+ Black Label Detox BB Cream. This glowy, medium coverage BB eliminates the need for concealer and SPF. The botanical formula also treats any pesky, stress-related spots. And rather than risking a sticky finger situation, I’ll be toting the luxuriously packaged lip oil from Hourglass Cosmetics (shown above).”
Amber Kallor, senior beauty editor
“Yves Saint Laurent’s Le Teint Touche Éclat foundation (shown above) offers the brightening magic of their famous pen—for your entire face, which is especially helpful when my skin can’t keep pace with my hectic schedule. Before bed (usually somewhere around 2 a.m.) I treat myself and computer-strained eyes to Skyn Iceland Hydro Cooling Firming Eye Gels, which de-puff with ginkgo biloba leaf extract and firm with hydrolyzed elastin.”
Emily Farra, editorial coordinator
“Long days in the office tend to dry out my skin, so over the next few weeks I’ll be relying on my favorite new face oil with rosehip extract from Boots Botanics. Not only does it smell clean (not musky) and keep my skin looking fresh for 12 plus hours, but it only costs $9 so I can slather it on guilt-free. An afternoon dose of this rosewater spritz (shown above) reactivates the oil and serves as a wake-up call when caffeine isn’t cutting it anymore. As for my hair, I’m using leather bow clips from American Apparel, in neutral colors like black and camel, to get it off my face while I work on the computer all day.”
Katharine K. Zarrella, associate news editor
“I have somewhat of a red lip obsession, and when Chanel discontinued my favorite stain last year, I had a bit of a panic. Earlier this month, my hairstylist, Michael Angelo at Wonderland Beauty Parlor, introduced me to Beauté’s lip stain in Fever and lip cream in Masochist (both shown above). I’ll be wearing them every single day, because no matter how tired I feel, painting on the perfect rouge pout always provides a much-needed kick of rejuvenation.”
Brittany Adams, associate fashion editor
“Running between all the shows, presentations, and events during fashion week is enough to make even the most polished girl look a little rough around the edges. I’ve tried nearly every primer on the market and keep returning to L’Oréal Studio Secrets Professional Magic Perfecting Base (shown above). I dab a little bit on my nose and forehead to make me look perfectly matte and smooth before walking into each appointment. I also carry around a can of Bumble and Bumble Thickening Dryspun Finish spray, which gives my hair volume and texture on the go.”
Rachel Walgrove, social media editor
“Bags are for arms, not eyes. Benefit Cosmetics Boi-ing Industrial Strength Concealer is my look-alive go-to for fashion season and beyond.”
Today, L’Oréal announced that it’s adding cult indie cosmetics brand Urban Decay to its luxury division, which currently boasts labels like YSL Beauté and Ralph Lauren. “[Urban Decay] is the makeup specialist we needed to fully satisfy young women in search of playful colors…at an accessible price point,” said L’Oréal Luxe president Nicolas Hieronimus. [WWD]
Following the likes of Clémence Poésy, Anja Rubik, and Chloë Sevigny, Finnish catwalker Suvi Koponen has been named the latest face of Chloé Eau de Parfum. Koponen is a favorite of the French house, having recently starred in Chloé’s Fall ready-to-wear ads. [Paris Vogue]
Speaking of models with blockbuster beauty contracts, Sui He landed the job as Shiseido’s new brand ambassador back in September. Today, a behind-the-scenes video with the Chinese stunner and makeup artist Dick Page hit the Web, giving us a first look at the forthcoming campaign. [Models.com]
Beyoncé’s Tumblr page has become a source of great joy for many of us, and this weekend’s update—a pic of the megastar with daughter Blue Ivy Carter on vacation—didn’t disappoint. Aside from her Aurélie Bidermann gold bling, what really stood out to us were the beach-y cornrows that reminded us of Beyoncé’s golden days in Destiny’s Child.
Julianne Moore was only just named the new face of L’Oreal’s antiaging Cellular Renaissance line, and she’s already doling out the beauty wisdom. “I think it’s a privilege to age,” says the 51-year-old flame-haired actress. “Often as adult women, you hear people say that they wish they were younger—to which I say, enjoy where you are. Because by wishing that you are younger, you really only end up missing the year in which you’re living. So enjoy that year and every year that you have as long as you’re able.” [WWD]
Butter London has teamed up with Goop to offer a limited-edition three-pack of custom-blended polishes to loyal readers of Gwyneth Paltrow’s ever-growing lifestyle website. Get while the getting’s good. [Goop]
Nicki Minaj’s Pink Friday fragrance has finally arrived—as has its elaborate commercial, which features a black-clad Minaj laying on a bed of black roses, which turn a shade of bright fuchsia after she pricks her finger on a thorn and bleeds bubblegum pink all over the set. Oh, she also puts in a pair of hot pink contact lenses at the end, you know, to hammer home the point. [MTV]
Clinique has partnered with model Petra Nemcova’s Happy Hearts Fund and will start raising funds for the foundation dedicated to rebuilding schools in disaster-stricken areas through profits earned from its Happy Heart women’s fragrance and a series of limited-edition “Make Someone Happy” T-shirts. [WWD]
Topshop Unique’s girl is effortlessly cool and understatedly chic—a profile that was made infinitely clear with a quick peruse of the show’s front row. Next to Elle Fanning sat Leigh Lezark, who was a stone’s throw away from Poppy Delevingne, Pixie Geldof, Tallulah Harlech, and Olivia Palermo. “She’s the girl that everyone wants to be,” hairstylist Anthony Turner confirmed backstage, where the It-ness of it all was reinforced with a gaggle of the season’s biggest catwalkers. Cara, Jourdan, et al. got Turner’s low side parts, which were tucked behind the ears and treated with L’Oréal Beach Frizz for a shine-free, matte texture. “It’s the day after the night before,” he explained, throwing in a “nineties Kate Moss” reference as well as the words “very cool” to describe strands, thus completing the season’s hair inspiration trifecta. As models lined up before the show, Turner roughed up the hairline and broke up sections in the back, creating a randomness to the otherwise uniform coifs.
“It’s nineties grunge meets punk,” makeup artist Hannah Murray further elaborated, giving a “pretty edge” to designer Kate Phelan’s white and pale yellow palette. Mixing two Topshop Makeup Blushes in Prime Time and Flush, Murray made a makeshift, rosy eye shadow, which she dabbed with the silvery shade from its Eyeshadow Palette in Constellation to give lids a sheer iridescence. Cheeks were contoured using Topshop Lips in Beguiled, a vampish dark red that was layered with a dollop of its Balm for a dewy finish. To ensure the girls didn’t look “too done,” Murray took mouths down with a finger-patting of foundation while manicurist Anatole Rainey reprised Spring’s “nothing nail” with Topshop Nails in Nice & Neutral.
“Seventies disco punk” was where makeup artist Lucia Pieroni firmly placed the makeup look backstage at Jonathan Saunders, confirming our suspicions that the designer’s woman had loosened up from her more precise, uptight beginnings. “It’s the day after a big night out,” Pieroni elaborated, cuing up a requisite lived-in liner look of the day-old variety.
Giving skin a “gorgeous, dewy finish” with highlights courtesy of luminescent shades of MAC Cream Colour Base in Luna and Hush, Pieroni relied on her trusty MAC Eye Kohl in Smolder, a rich black, to rim lids, slicking on a touch of grease and smudging the line with her fingers. The pencil was also used in between lashes, instead of mascara, to enhance the undone feel. Added to this was a stamped-on bordeaux lip, which Pieroni created with a deliberate etching of MAC Lip Pencil in Burgundy, a rich wine hue that she was adamant about keeping in the center of mouths, rather than traced around the edges. “Keep [the lips] heart-shaped and perfect,” she instructed her team, adding a dollop of clear gloss in the center of pouts, right before models hit the runway.
“She’s a bit dangerous and has attitude,” Paul Hanlon elaborated, repurposing the D-word that guided him through much of the New York shows. Spritzing hair with L’Oréal Studio Matte & Messy Salt Spray through the mid-lengths, Hanlon worked the product through the ends with his fingers and a diffuser to bring a natural movement to the look. Random sections were given a gentle wave to keep them from appearing too uniform. Then, coating his hands with L’Oréal Studio Silk & Gloss Straight Cream, Hanlon swept side parts over to the left, sculpting them over one eye to add “mystery.” Elnett Diamond Hold & Shine Hairspray kept strands in place and flyaways at bay.