21 posts tagged "Make Up For Ever"
When Make Up For Ever launched its lineup of Aqua Creams two years ago, it brought something new to the market in the form of 25 super-saturated eye color pots that happened to be incredibly waterproof. A godsend for makeup artists working on outdoor film and television sets, the occasional face-painting beachgoer, and anyone looking for no-mess makeup, the mother of pearl-enriched, silky textured hues can be blended together or worn alone, without any risk of smudging or fading. Now, MUFE is making another groundbreaking move with the launch of its new Aqua Shadows. Boasting the same element-proof blend of waxes, oils, and polymers as well as silica powder for a soft finish, 12 new neutral-to-dark shades with matte or pearly finishes have been reimagined in chubby pencil form. This means thin lash-rimming lines or full, smudged-out lids are both easily attainable with a simple scrawl. And just like their predecessor, once these shadows are on, they’re not coming off.
Though it was mostly drawings on display last night at Courtney Love’s art exhibition And She’s Not Even Pretty, there was a certain John Galliano wedding dress (which never made it down the aisle) that had the likes of Julian Schnabel, Humberto Leon, and Eddie Borgo buzzing. While the words hand-scrawled on the white gown aren’t quite fit to print, the material with which they were written is just as noteworthy. “[It's] lipstick,” Love revealed of the aggressive sanguine pigment during a conversation that covered everything from her Jewish roots to getting noise complaints from high-profile neighbors. (While she was working on her pieces for the show, one David Bowie apparently called the police on Love for “playing Fleetwood Mac at 9 A.M.—explain that to me?!”) The scarlet letters have an equally head-scratching origin. According to the artist, she was very close to scoring the lead role in Baz Luhrmann’s 2001 hit Moulin Rouge (“Baz says this in Vanity Fair. He got in a huge amount of trouble from Nicole [Kidman's] people because directors don’t do that,” Love insisted). “When [Luhrmann] was directing [the movie], he wanted a bluer red [lipstick], so he got this blue-red from Make Up For Ever and they gave me some. I was like, Oh, fucking more reminders,” Love continued of her back stock of the brand’s Rouge Artist Intense #43 Moulin Rouge Satin Vibrant Red bullet. “The point is, I was a little drunk and I just wanted to deface it.” And so she did—both the lipstick and the gown. The double devastation is on view at Fred Torres Collaborations, 527 W. 29th St., NYC, through June 15.
Beauty And The Beat: Little Hurricane’s CC On Bridging The Drummer Gender Gap And The Merits Of Waterproof Primer
Celeste “CC” Spina has been playing drums since she was 10, but it took a short-lived career as a chef followed by a serendipitous Craigslist posting to finally get behind the kit in an actual band. She joined singer-songwriter Anthony “Tone” Catalano to form the San Diego duo Little Hurricane, whose debut album Homewrecker (out next week) lives up to the group’s name as something small but powerful; think bluesy rock tracks that sound just as good when played to thousands at Lollapalooza as they do soundtracking an episode of Gossip Girl (GG fans will likely recognize the song “Haunted Heart”). Although CC prefers wearing vintage dresses and styling her hair in long, side-swept waves, she’s no delicate flower—just look at her inked-up arm for proof. “I got my first tattoo at 18,” she says. On the eve of their big album release, CC spoke with Style.com about sweat-proof primers, stocking up on dried fruit, and an American Apparel staple that, in a twist of irony, prevents her from flashing an entire audience.
What does someone not familiar with Little Hurricane need to know going into your debut album Homewrecker?
It’s rock, but there’s blues, folk, country, punk, and funk lurking there as well, [and] it’s full of personal stories of heartache and hope. It’s a true DIY album, recorded while touring the West Coast.
You’ve been compared to—and have yourself talked about—Meg White. Do you ever feel like you need to differentiate yourself from other blues-rock duos with female drummers?
Being compared to someone else is part of playing music and every band goes through it. I like that most female drummers are viewed as a novelty; it’s great motivation to be a better drummer. Being on an all-guy drum line was really challenging when I played as a kid. It sets me apart in a different way now, and I love that. I just really try to be myself. It wouldn’t be any fun to just copy another band.
Like many of our latter-day lipstick-loving peers, there’s nothing we covet more than a richly pigmented, nearly, if not entirely, matte bullet. But there is a time and a place for something a bit lighter in weight and color—a time, like, say, when the New York spring shows up two months early. We’re talking about lipstick that, though pigmented, is sheer enough to apply entirely sans mirror—let’s call it an un-lipstick. This spring, we will be rotating a trio of new varieties that fit the bill. Make Up For Ever’s Rouge Artist Natural is a precise counterpoint to the line’s Rouge Artist Intense in that it offers a similarly extensive palette in a new, airy, slightly glossy cupuacu butter-packed formula. We are particularly partial to the Iridescent Orange Pink (#N35) and Watermelon (#N41), both of which provide a sheer pop of color. Then there’s Fresh’s Sugar Coral, the latest incarnation of its wildly successful Tinted Lip Treatment line. A perfectly warm-weather-ready deep peach, this blackcurrant seed oil-enriched stick hydrates while protecting pouts from harmful UV rays with an SPF of 15. Finally, we give you Lipstick Queen’s Saint Eden, which follows in the footsteps of the brand’s previous un-lipstick innovations, Medieval and Blue Jean. This time around the brand’s founder, Poppy King, has dreamed up a totally easy-wearing hue that imparts a wash of transparent fuchsia-red. All three make a pretty good argument for giving your regular bullet a break.
The preshow rehearsal backstage at Dries Van Noten went a little longer than usual this afternoon, which meant we had a fair bit of time to kill before speaking with hairstylist Paul Hanlon and makeup artist Peter Philips. So we did what any fashion-obsessive would: We peeked at the models’ racks to get a preview of the show before it started. “There was a big exhibit of Asian clothing at the Victoria & Albert Museum in London, and Dries took pictures and printed those pieces onto other pieces,” Philips confirmed of the Japanese-inspired motifs we spied next to Tilda L.’s and Monika S.’s cards. “You get a print of a jacket on a jacket,” Philips explained, pointing out that he took a single color reference from these fabrics and reimagined it in the makeup.
“It’s about color-blocking,” he said, using three variations of an orange undercurrent from the collection on eyes, including two discontinued shades of Make Up For Ever Eye Shadow in no. 66, a mustard, and no. 78, a rusty mandarin, and Chanel’s Ombre Essentielle Soft Touch Eye Shadow in Tigerlily, a “fresh” tangerine according to Philips. Skin was kept pale to contrast with the bright lids, while lips were lined and filled with Chanel Crayon Lèvres Lip Liner in no. 35 Natural for a muted, matte finish.
As a Smiths’ best-of album played on the sound system, Hanlon was perfecting yet another iteration of Fall’s favorite updo, the ponytail. “Make sure the little bits in the front have spray on them to hold them down,” he directed his team, smoothing the front of a short side part across the forehead and over the ears before securing texturized lengths with a black elastic that would ultimately be removed. “There are no hairbands,” he said explaining that after a hefty portion of hairspray and a hit of heat from the blow-dryer, the fasteners would be cut out to leave behind a slight indentation. “It’s a little detail,” he said, calling the overall look “natural and easy—very real,” the better to balance out Van Noten’s opulent, detailed designs.