Style.com

July 31 2014

styledotcom 12 celeb-inspired looks, and where to buy them: stylem.ag/1pqIaCM pic.twitter.com/DbiSNzNsXD

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123 posts tagged "NARS Cosmetics"

What We’re Wearing This Week: NARS’ Libertango

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magazine-nail-polishStyle.com’s resident nail polish guru (and photo editor), Nicola Kast, beats the workday blues by hitting the bottle. Here, she shares the lacquer she’s loving this week.

Long summer days lounging poolside require a good read, and what better book to curl up with during the dog days than the latest issue of Style.com/Print. Kast admired her handiwork on the pages inside, but matched her manicure to the vermillion border on our cover. “I’m sure I’ll find plenty of inspiration as I flip (and re-flip) through—whether it’s the feature on Jeremy Scott for Moschino or Tommy Ton’s street-style pics,” she said. Get your copy and get inspired…or just take it to the nail salon and kill some time.

NARS Opaque Nail Polish in Libertango, $19; narscosmetics.com

Getting Better With Age: Jessica Lange Is the New Face of Marc Jacobs Beauty

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jessica-lange“I don’t put things into demographics or ages, I’m inspired by great women,” said Marc Jacobs at a soiree in Paris last night celebrating the European launch of his beauty line and its new face, 64-year-old Jessica Lange. “I love women with a strong voice and vision. I like people who are dynamic and creative. And again, women who indulge in fashion and beauty as part of their life, but it’s not their whole life.” Lange’s voice carried through the cloud-filled air at the designer’s Fall 2014 show, and yesterday evening the lyrics to “Somewhere Over the Rainbow” resounded through a room projected with a film starring the acclaimed actress shot by David Sims (which will appear in the window of Sephora on the Champs-Élysées come March 6). As I interviewed Jacobs and Lange’s lips and smoky eyes (the work of face painter Diane Kendal) panned across the walls, he explained: “It was important to set precedent just like we do with our fashion shows. What we’ll do with beauty is that we want to surprise, we don’t want to fall into a formula. We want to be able to respond to our inspirations at any given moment and go with it, and over time it will tell the story that beauty isn’t for this person or that person, it’s for anyone who wants it.”

It appears that a number of others are on the same page this week: NARS Cosmetics’ signed Charlotte Rampling; Angela Lindvall made an appearance at Balmain alongside modern-day supers like Karlie Kloss and Joan Smalls; and Rick Owens cast not only his employees but catwalk legends like Kirsten Owen, Ann Oost, and Hannelore Knuts. Perhaps the fashion world is becoming a little less enthralled by the barely legal (and often years away from legal), hot young things and like their women how they like their wine: aged to perfection.

NARS’ New Face: Charlotte Rampling

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charlotte-rampling

Cosmetic giant NARS announced 68-year-old Charlotte Rampling as the brand’s new face earlier today. The British actress, a muse of founder and creative director François Nars, is set to star in a black-and-white campaign shot by Nars himself. “She is a natural beauty that feels strong yet relatable,” the company’s founder told WWD. “Charlotte’s ability of transformation is unparalleled. Whether captured in pieces of artwork, through the lens of a magazine photographer, or on film and the big screen, she has an amazing power to encompass a character.” With the brand’s impending twentieth anniversary, Nars believes that Rampling’s strength and mysterious air make her the perfect fit. It’s refreshing to see a real lady (and not a teenage model) steal the spotlight—and with labels like The Row (who cast 65-year-old Linda Rodin for their Pre-Fall lookbook) setting the trend for more senior moments, it appears the fountain of youth is quickly becoming overrated.

Photo: Courtesy of Marc Jacobs

“Little Moments” Make a Big Impact, Backstage at Christopher Kane

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christopherkaneOutside of the clothes, brows were the stars of the show at Christopher Kane. Makeup artist Lucia Pieroni brushed arches up and filled them in with NARS Brow Perfector, the finished product resembling a young Brooke Shields. “These brows should look naturally full, not painted on,” Pieroni explained. She created a “shaft of light” down the center of faces with Illuminator in Copacabana and a forthcoming Dual-Intensity Eyeshadow in Andromeda. Highlights were placed over cheekbones, the bridge and tip of the nose, Cupid’s bow, and chin. A touch of Pure Matte Lipstick in Bangkok was pressed onto models’ mouths like a stain, and lashes—in what has become a defining feature for Fall 2014—were left bare.

Kane simply wanted “the girls to look like how they look,” said mane master Guido Palau. “Younger designers don’t tend to reference iconic women—they get off on how the model looks naturally. Little moments rather than big moments,” he noted. To craft these “little moments,” Palau used Redken’s Shine Flash for texture and sheen, keeping the length fairly straight and flat. To finish, he made a sharp center part and nonchalantly tucked the hair behind the ears. In the end, these subtle nuances brought the larger picture to life.

Photo: Sonny Vandevelde; Indigitalimages.com

Going Matchy-Matchy, Backstage at Marc Jacobs

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Marc Jacobs

Spring’s bombed-out beach and choppy, bowl-style wigs gave way to a more “tonal” look that was as hauntingly beautiful as the night sky and cumulus clouds that floated above the Marc Jacobs runway. Instead of evoking kids who cut their own hair, these faux strands (inspired by Jessica Lange, whose voice carried through the air, and Polly Allen Mellen) were precise, blunt, and graphic—a job that could only be tasked to a master such as Guido Palau. “It’s so perfect that it looks futuristic; there’s no era reference when you look at the girls,” he explained. The five hair colors developed by Victoria Hunter at Whittemore House Salon were “pulled back” and “off”—almost like an “old lady” would layer watercolor-like hues over gray—creating an odd, mink-y brown, blond, or silvery white tinged with pink or purple, Palau said. “It’s like an illustration come to life,” he added. “Everything matches.”

Mimicking the colors and textures of the fabrics in the collection, François Nars focused his efforts on the eyes. A light gray shadow was dusted over the lid and accented by “touches of chocolate” outlining the crease and, lightly, the lower lash line. Brows were bleached and then dyed the same shade as the wig. “You used to see that on Vogue covers in the sixties; hairdressers would match the brows to the hair color,” he noted. Nars Lip Gloss in Striptease, a nude laced with silver, was dabbed onto the lips with his fingertip to catch the light.

Manicurist Marian Newman extended the color palette all the way down to models’ fingers, painting nails with five custom-blended lacquers from the designer’s eponymous cosmetics collection that ranged from pale porcelain to purple-y mushroom (available for Fall 2014). The total package was, as Palau described, “a bit eerie and unsettling,” but completely calculated and immaculate—obviously the work of a man who strives for perfection.

Photo: Alessandro Garofalo