10 posts tagged "Neil Moodie"
Some things you can be pretty sure of when it comes to Burberry Prorsum: They will have an A-list front row, they’ll have the hottest models walking in the show (Cara Delevingne, Jourdan Dunn, Edie Campbell, and Suki Waterhouse for starters), and the hair and makeup will be both effortless and wearable.
Today the house delivered on all fronts. Inspired by the painted pieces in the collection, makeup artist Wendy Rowe used broad brushstrokes to apply an aubergine powder across lids. To make the color movable, she topped it with Burberry Fresh Glow (a liquid highlighter). “The [shadow] should look a little haphazard, almost like the girls have applied it themselves,” she said. To complement the eyes, a new, plum-toned Burberry nail lacquer also made an appearance: Elderberry (available Fall 2014).
Neil Moodie created what he described as “day two hair.” Bumble and Bumble Tonic and a curling iron were used to form natural waves that looked groomed but not overstyled. Just before the girls took to the runway, Moodie tucked the length into the collars of the multiple trenchcoats in the collection and pulled some strands loose to complete the cool-girl persona.
There was a departure from the norm in Kensington Gardens today. The Burberry girl is still ever present, but she’s taken twee and turned it modern.
Makeup artist Wendy Rowe went for a flower petal effect on eyes, using soft and sugary hues that echoed the pastel coats and lace dresses that made their way down the runway. Graduated tones of pink (from a forthcoming eye shadow quad) in a velvety finish covered lids and were smoked alluringly under the lash line. Determined to avoid “old lady territory,” Rowe kept lashes bare to modernize the look. The obligatory sculpting came into play to hone some killer cheekbones, and Lip Mist in Trench Kiss was added for a touch of nude.
Hair was a simple affair at the hands of Neil Moodie, who, after blow-drying strands, added Moroccanoil Frizz Control with his fingertips for a bit of natural texture. “It should look like the hair had a blow dry about two days ago,” he explained.
Meanwhile, an exciting development in the nail arena occurred with the unveiling of six new limited-edition Burberry nail lacquers—each perfectly corresponding to a bag in the collection. If we can’t get our hands on the macaroon-colored clutches come Spring, at least we can wear the same shade on our fingertips.
Last season, Christopher Bailey and his trusted face painter, Wendy Rowe, served up a surprise for Burberry Prorsum beauty watchers the world over. After countless shows that featured natural skin and shaded lids, the duo executed a perfectly precise dark crimson lip for Spring. There were no such twists and turns backstage for Fall, although you’d be hard-pressed to find anyone who cared. The casting here is so good that it was a pleasure to just sit back and watch as Cara, Jourdan, Karlie, and the show’s opener and closer, Edie Campbell, moved in and out of the makeup artists’ chairs.
“This season, the Burberry girl is a little bit sixties and a bit mod; she is very cool,” Rowe pointed out, adding a slight variation to the house’s traditional groomed and glossy theme with a layering effort of Burberry Sheer Foundation and its Fresh Glow to give complexions a lit-from-within quality. The golden touches woven throughout the collection inspired a gilded highlight on the inner corners of eyes and on the Cupid’s bow of mouths, courtesy of Burberry Lip Glow in Trench Kiss. “I want the lips to look succulent, like they have just been kissed,” the Burberry artistic consultant explained, slicking on an additional coat of Burberry Lip Mist in Nude Honey. Nails were given this season’s favorite, deep garnet manicure with two coats of Burberry lacquer in Oxblood.
Making a subtle change to the status quo, hairstylist Neil Moodie took last season’s tousled texture and blow-dried it into submission. “I’m going for a smoother finish than what we have done in the past,” he explained, gluing color-matched extensions into models’ manes and using a large round-barreled brush to curl the ends under. In keeping with the slight sixties feel, Moodie applied a pump of Moroccanoil Volumizing Mousse and back-combed strands at the roots, allowing them to settle for ten minutes before brushing them out again. “It’s enough to give the hair a little height at the crown,” he pointed out of the technique.
The excitement level backstage at Burberry kicked up a few notches when Wendy Rowe picked up a bullet of red lipstick. It was as though time stopped, except for the singular, slow-motion movement of the makeup artist grabbing Burberry’s Lipstick in Siren, moving it ever closer to Constance Jablonski’s mouth. After many years of loyalty to an all-natural, earth-tone-only makeup palette, it appeared as though Christopher Bailey had decided to make a bold beauty move. “We’re doing a Norman Parkinson woman,” Rowe revealed. “She’s retro but also modern and has a definite forties look about her.”
The crimson pout was the focal point of the look, and Rowe ensured it wasn’t too done. “It needs to look sassy and sexy,” she insisted, applying the creamy scarlet pigment with a brush and blotting it as she went. “[The Burberry woman] is a bit cheeky and flirty this season,” Rowe continued, blending in the brand’s new-for-spring Fresh Glow Foundation, which she dotted with its forthcoming Illuminator.
“Natural and definitely not too glamorous” were the house codes that Neil Moodie abided by when it came to the hair, which he prepped with Bumble and Bumble Does It All Styling Spray and gave an off-kilter center part. Running a few sections through a curling iron to create movement through the lengths, Moodie finished things off with a touch of Bumble and Bumble Brilliantine on the ends of the hair for the appearance of a healthy, moisturized mane—wear and tear from almost two weeks of back-to-back shows not withstanding.
Christopher Bailey’s Burberry woman has a fairly consistent beauty look. Perfect dewy skin, sepia-toned lids, a nude-rose mouth, and some well-placed highlighted contours are par for the course here, and somehow, the winning combination doesn’t get old—even when it’s given a slightly more specific direction. “He wanted a girl who had been going out in the town all week and then retreated to her country estate for the weekend,” Bailey’s trusted face painter Wendy Rowe said of the “field and country” theme of the designer’s Fall collection. “She loves the excitement of city life, but she’s not afraid to get her hands dirty in the country.” So how does this translate in makeup terms? With a wind-blown flush and a modern update on the smoky eye, according to Rowe.
Using a palette of Burberry Eyeshadows that corresponded with the colors in Bailey’s clothes, Rowe traced its Dark Sable along the upper lashline to create depth before blending its Midnight Brown across the lid and pressing Mulberry, a burnt berry, into the crease. A few purposeful swipes of its Gold Trench defined the lower lashes. “There are no hard lines, none of the usual heaviness on the lid,” Rowe explained of the beautifully slept-in, diffused halo of neutral tones. The cold snap of a Yorkshire morning played across the cheeks courtesy of Burberry Blush in Earthy, and a mix of the brand’s Mocha Glow and Sepia Pink Lipsticks gave mouths a sumptuous, velvety finish.
Neil Moodie followed suit, “undressing” the hair rather than ramping it up. “She had a big blow-dry to start the week, but by the time she’s reached the country, it’s come undone and the waves have dropped,” the hairstylist elaborated, coating damp tresses with Bumble and Bumble’s Prep and its Thickening Spray before diffusing heat throughout the lengths and breaking up the ends with his fingers. A large curling iron added loose texture at random, while Bumble’s Brilliantine shine cream created additional separation and an expensive-looking sheen.