103 posts tagged "Nose Candy"
As Diana Vreeland famously said, “The eye has to travel…” and now your nose can, too. Each season, Maiyet cofounders Paul van Zyl and Kristy Caylor partner with artisans around the world on everything from fabric to jewelry. And for their first eau de parfum, they pulled scents from those same regions. Think unexpected, earthy, slightly androgynous notes: There’s saffron, jasmine, and sandalwood from India, where Van Zyl and Caylor work with hand-loomers and embroiderers; patchouli from Indonesia, where they source their batik patterns; myrrh from East Africa, where they do their metalworking; as well as Italian bergamot, Madagascan vanilla, Haitian vetiver, and American cedar. In keeping with Maiyet’s ethical mind-set, Barneys partnered with the Kustha Project, an organization that promotes economic empowerment through fair trade and labor, to harvest the myrrh. Even better: Five percent of each Maiyet bottle purchased this week will be donated to the cause—so you can smell good and do good while your senses enjoy a jet-lag-free escape.
Maiyet Eau de Parfum, $195, available at Barneys New York.
Hugo Boss wants you to stop and smell the roses—preferably in a sharp tux. The label’s newest fragrance, Boss Ma Vie, was created with simple pleasures in mind (i.e., not conscious uncoupling). To capture the concept in the new campaign, artistic director Jason Wu styled Boss ambassador Gwyneth Paltrow in a plunging take on the classic tuxedo. “The tuxedo suit [has] impeccability and precision, mixed with feminine details, [which] is what brings the softness,” Wu said. Similarly, the scent’s three notes—cactus blossom, rosebud, and cedarwood—symbolize modernity, femininity, and confidence, respectively. Not sure you can wear the pants like Gwyneth? Wu has an answer for that. “I think the key element in pulling off a look is beautiful tailoring, which is the Hugo Boss DNA—a great shape and a confident woman.” A flawless blow-out and strategic spritz of perfume certainly help, too.
Available September 1. Boss Ma Vie Pour Femme, $80; hugoboss.com
To spritz or not to spritz, that is the question. Style.com/Arabia critic and perfume industry legend Luca Turin reviews the latest fragrance launches and answers this age-old question.
Name: Guerlain La Petite Robe Noire Couture
Notes: Raspberry, rose, vetiver
Nomenclature: Spicy rose
“One of the mysteries of perfumery is the skillful management of both time and distance: In the olden days, as my 15-year-old son refers to anything that happened before 2000, many fragrances smelled downright wrong close up and early on. What the great perfumers like Jacques Guerlain and Germaine Cellier (to name but two) wanted was a delayed effect that would magically “knock out” the intended victim two hours in, at a range corresponding to the diagonal of a dinner table.
In this respect, LPRN Couture is a stunning success. Up close it is a strange cacophony of fruity, spicy, and floral notes, as if Nahéma had collided with Coco Mademoiselle. Step back—or better still—walk out of the room and come back after a few minutes, and you will immediately understand that this stage makeup was never intended for close-ups, but works best when you forget it and suddenly wonder, What’s that great smell?
One thing that especially endears it to me is the weird long-term freshness that Thierry Wasser somehow builds into the fabric of his fragrances, as if he alone was privy to a licorice-lavender accord that goes on forever. Beautiful work, and under the present low-cost, reduced-palette circumstances, borderline miraculous. I give it 4.5 stars, to leave room for proper 5-star miracles.”
See guerlain.com for more information
For another review from Turin’s bimonthly column, click here.
On a fateful winter night in December 2013, fashion’s elite descended upon Dallas for Chanel’s Métiers d’Art runway show and after-party that boasted a mechanical bull. While the ice storm and cross-country trips to Texas are thankfully behind us, the popularity of the Wild West motif and fringe has been going strong ever since. Stark Waxing Studio has taken inspiration from this same theme in the creation of its latest candle trio: Gold Rush (a combo of green sage, grass, cardamom, and basil); Moonshine (a boozy blend of aged bourbon, malt, cherry, and butterscotch); and Frontier (an eclectic mix of geranium, leather, smoke, and oakmoss). With their earthy tones, each eau conjures up images of cozy nights nestled around a bonfire, crisp country air, worn-in cowboy boots, and days spent on an exquisite-smelling range. We suggest lighting up Lone-Star-state-style before lazing around on a steamy summer night in the city—10-gallon hat and No. 5 holster optional.
$32 each; starkwaxingstudio.com
Many artists have taken to Instagram to create awareness of their work. Others, like @donalddrawbertson, have become household names and social media superstars simply by posting to the visual platform. And companies (such as Dior Beauty) are quickly catching on, commissioning artists to create exclusive, branded creations for their feeds. The latest label to jump on the virtual gallery bandwagon: Creed. The centuries-old fragrance house teamed up with watercolorist Marta Spendowska to illustrate the forthcoming Acqua Originale collection (launching August 3)—a range of five scents inspired by Olivier Creed’s travels. Spendowska began dabbling in art as a young child growing up in Poland, copying images of Communist leaders like Lenin and Stalin from calendars her father brought home (the only photographs available in the country at the time). She has since moved on to lighter and brighter subjects, recently wrapping a three-month-long project where she produced 100 portraits of women in fashion (search the hashtag #100FashionGirls). As for her newest gig with Creed, she focused not on catwalkers’ sharp cheekbones, but the architectural angles of perfume bottles, combining her “love for landscape and watercolor in a representative way.” And if one was to think about the parallels between perfumery and Spendowska’s painting, this partnership makes perfect sense. Similar to how perfume transforms on skin, so too does watercolor. “I love suspense and imperfection,” she noted. “I’ve played with acrylics and oils, but the moment I see them just sitting on the canvas, I get bored. I need a reaction on paper.”
Spendowska’s first illustration will post to Creed’s account (@creedboutique) on August 3.