8 posts tagged "Priti NYC"
Blue eye makeup was a big hit on the Spring runways and it has already had a few standout showings for Fall too—with good reason, according to Diane Kendal. “Midnight blue gives off a winter feel,” the makeup artist explained backstage at Thakoon, where she was layering NARS Single Eyeshadow in Outremer, a deep indigo, with its new-for-Fall Eye Paint in Ubangi, a similar shade of cobalt that was given a shimmering blue accent with its Duo Eyeshadow in Marie Galante. “The collection has fur stoles, but it’s inspired by summer clothes,” Kendal said, referencing the dragonflies and dandelion prints that adorned the designer’s pieces. “We wanted to reflect that with the makeup.” To wit, she implemented a warm-weather beauty staple that has long gotten the youth vote: glitter. “I’m using three of them,” Kendal effused, applying a liquid set to hold the deep bronze flecks that were diffused toward the outer corner of the eye, while gold sparkles were dusted across the center of lids, and a pink shade was tapered inward. Nails were flecked with clear silver sparkles, courtesy of a single coat of Priti NYC’s Bristol Fairy. To finish the face, Kendal chose to skip lip color—as well as lash lacquer. “Sometimes when you put on mascara it can look old,” she surmised.
Odile Gilbert instituted her own fun and flirty element into an otherwise simple series of chignons via a graphic, micro fringe glued halfway across the hairline. “It’s like you have a little hat on the side of the head,” she said, coating roots with Kérastase Paris Resistance Ciment Thermique to create a sleek finish, as she tightly pulled hair back away from the face, revealing a gem-encrusted ear cuff worn by ten of the shows more elite catwalkers, including Aline Weber, Bo Don, and Xiao Wen.
Spring is a time for renewal, revitalization—and a revamp of your nail color arsenal. According to popular opinion, this time of year is reserved for candy-colored confections, which strikes us as a little cliché but is admittedly par for the course; there’s something about 65-degree days that calls for light and airy lacquers—whenever those days may come. Here, a selection of some of our favorite early arrivals.
Rococo Nail Apparel in Sandrine
Described by Rococo founders Ange and Vernice Walker as a “Parisian blue,” there is certainly something about this periwinkle crème varnish that seems fitting for a sunny stroll along the Seine (or the Hudson).
NCLA Don’t Call Me Peachy, available February 2013 at www.shopncla.com
Part of the SoCal brand’s perfectly pastel Life’s a Beach collection, this melon-tinged neutral is a bright twist on nude that works well with a surprising number of different skin tones.
Lacquer and Lace
Essie Embrace the Lace
Essie has finally joined the nail-wrap revolution with the debut of its Sleek Stick collection of printed overlays. Even though the gilded ivory latticework scrawled onto a pale pink background on these tips is easily removed with cuticle oil, it’s pretty difficult to part ways with it once it’s on.
Deborah Lippmann Girls set in Marnie
If you thought one season of HBO’s hit show Girls was not enough to inspire a beauty collection, you’d be wrong—at least in Deborah Lippmann’s estimation. The manicure maven just debuted a four-piece line inspired by each of the show’s four protagonists, including this prim and proper light rose in homage to Allison Williams’ gallerina character.
Priti NYC nail lacquer in Envy
A long day on the slopes deserves a long overdue manicure—or so the thinking goes over at Priti NYC, which just launched its four-piece Apres Ski collection. What better way to clutch that cup of hot coca then with well-polished, frosty yellow tips?
If there’s one thing you can say about Stella McCartney’s woman, it’s that she’s got great skin. “Very clean skin and beautiful, groomed eyebrows,” confirmed Pat McGrath, who has been on face-painting duty here for quite some time. And that much was still true for Spring, as McCartney ordered up on-site facials for all the girls courtesy of a steam-cleaning with Sunday Riley’s Ceramic Slip Cleanser and a mask of the clay wash mixed with its Good Genes fluid followed by a few drops of its extra-nourishing Juno Serum. “They’re all coming in and they all look so gorgeous already,” McCartney said as she wove in and out of aisles inspecting Anja Rubik and Joan Smalls’ makeup.
Natural beauty was only part of the story here today, though—despite Priti NYC’s Kim D’Amato’s “fifty shades of neutral” nails painted with a trio of her organic lacquers in Sweet Pea, Mediterranean Belles, and Fairy’s Petticoat. “Normally, we do nothing,” McGrath deadpanned, “but we’ve gone back into color.” They sure have; true fashion aficionados will have fond memories of the blue eyelashes the designer and the makeup artist collaborated on last March. This season, they’ve gone green. “It’s just on the inside rim of the eye,” McGrath explained of the CoverGirl Queen Collection Vivid Impact Eyeliner in Jade, which she topped with a few swipes of black mascara on top lashes only. There was some talk between McCartney and McGrath as to whether or not the pencil was working—”it might register too much,” the latter explained of the pop of color that required a certain subtlety. But after a quick inspiection in the bright lights of the pre-show rehearsal, McCartney gave it the OK.
Eugene Souleiman stayed the simplicity course to complement Stella’s clothes with hair that was “quite cool and not too conceptual.” Rehydrating lengths but not ends, Souleiman dried hair while twisting it to impart a slight texture. “It’s a little dirty,” he explained of the intentional rawness he left through the tips before “squashing” front sections of a middle part down and behind the ears. “We’re not reinventing the wheel here,” he joked, although there was a deliberateness to the ease. “If we did a small head, it would have looked too graphic, too futuristic,” the coiffing star explained of why he steered clear of an updo. “This,” he said, motioning to the super-natural style, “is the real future.”
Our style in the summer months has, over the years, become more or less like a uniform: pared-down cotton separates in solids and stripes with easy, slip-on sandals—a.k.a. ensembles that can withstand the sweltering New York humidity. That said, any nod to style is reserved for accessories: jewelry, bags, and, of course, nail polish—the only beauty product immune to summer’s sweat-inducing effects. Since our nails remain one of our few means of summertime creative expression they are in a constant state of flux, which isn’t a bad thing these days; in the current climate of manicure mania, there are more than enough colors to go around. With that in mind, we present the ten shades we’ll be playing with all summer long. Happy finger painting!
Think Dark Pink
Tenoverten Polish in Elizabeth
The cool Tribeca nail enclave has, in the brief time it’s been open, already earned a devoted fan base, and its premier line of polishes will likely follow suit. We’re particularly fond of the intensely pigmented fuchsia Elizabeth, named for the hip Nolita street in downtown New York.
Orly Polish in Glowstick and Melt Your Popsicle
Something about the summer inspires us to incorporate colors into our repertoire that are most certainly never found in nature. And these highlighter marker-inspired lacquers definitely fit the bill. Too unnatural? Just use them as an accent or the tip of a French manicure, instead of an allover shade.
$8.50 each, www.orlybeauty.com.
Essie Nail Polish in Mojito Madness
A light, creamy spearmint shade, this varnish looks as fresh on the nails as the delicious boozy beverage it’s named after does on a hot summer day.
Va Va Vamp
Eres Nail Lacquer in Damas
A rich brown with hints of red, this polish reminds us of our Chanel Vamp-loving days of the late nineties—in the best way possible. It’s an ideal fingernail hue for those of you whose skin remains on the lighter side of pale all summer long.
$25, at Eres stores.
A Coral Worth Coveting
YSL Nail Lacquer in Corail Divin
All corals are not created equal, and YSL’s excellent take on the classic color—part of the luxury brand’s impossibly chic new lacquer line (we also love the Bleu Majorelle)—is a testament to this fact. It’s a truly elegant adaptation of the Boca Raton mainstay.
The Fall runways may have been littered with nude nails, but no matter; nothing manages to lift our mood, particularly in the springtime, quite like freshly varnished, colored tips. With the New York weather still fully complying with our winter-be-gone mentality, we thought it the ideal time to present you with some new polish possibilities. Here, our picks from the latest lacquer launches, separated for your convenience into five color families. Let the finger-painting begin.
The ocean’s myriad, jewel-toned greens and blues have inspired pretty mints like Avon’s Aqua Fantasy ($5, www.avon.com), true teals embodied best by Priti’s Partridge Breast ($12.50, www.pritinyc.com), and even a reprise of that frenzy-enducing shade of pale, earthy jade, like OPI’s Thanks a Windmillion ($8.50, www.opi.com). Rounding out the under-the-sea offerings are Butter London’s totally beautiful Slapper ($14, www.butterlondon.com), a bright, creamy azure, and Deborah Lippmann’s very aptly named Mermaid’s Dream ($18, www.deborahlippmann.com), a fantastic blend of gold glitter-flecked aquamarine.
Beauty brands always roll out a parade of candy-colored pastels as the warmer months approach, and this year is no exception. The best of the sherbet-colored bunch? Sally Hansen’s Smooth Perfect polishes in Air, a baby blue, and Sorbet, a delectable peach ($5.99 each, www.drugstore.com), and MAC’s Midsummer’s Dream ($16, www.maccosmetics.com), a new riff on classic cotton candy pink. Also worth the trouble of two coats: Essie’s To Buy or Not to Buy ($8, www.essie.com), a pretty lilac, and our personal favorite, Nails Inc’s new Nottinghill Carnival ($9.50, www.sephora.com), an optimistic canary yellow that is pretty much happiness, bottled.