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August 22 2014

styledotcom In the words of Tim Blanks, "devastatingly beautiful girls looking devastatingly beautiful." stylem.ag/1tp7tXy pic.twitter.com/8SfR8yU7y7

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176 posts tagged "Redken"

DIY Rihanna’s Epic Ponytail

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Real-life beauty trends don’t always reflect what we see on the runways, but when it comes to Rihanna, ordinary rules don’t apply. The bona fide fashion icon recently stepped out in NYC sporting cutoffs, a fistful of designer bags, and a superlong ponytail similar to the ones we spotted at Chanel, Kenzo, Valentino, and Bottega Veneta. Selena Gomez tried the trend, too, tying off her sleek pony with a simple black ribbon at the Teen Choice Awards last week. We’re guessing faux strands played a part in both cases, but anyone can go to great lengths by following the steps hair pro Guido Palau took backstage at Bottega: Blow-dry damp hair with a smoothing lotion (like Redken Align) and use a flatiron for sleekness. Part as desired (Rihanna and Selena both divided down the center) and secure your tail at ear level with an elastic. For extra fullness, wrap the base with extensions—hiding the evidence with a small section of hair wound around the band. Want a blunt, clean finish like Selena’s? Hack off the ends with scissors. To get RiRi’s undone look, pull a few pieces out around your face, give the crown a tug for volume, and leave the ends intact.

Photos: Getty

Windswept Supermodel Hair Now Comes in a Can

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My hair routine is just that—a routine. While the length has varied over the years (from way-too-long to sensibly-above-the-shoulders), I’ve been washing and blow-drying with a round brush every two days since high school. After years of practice, it’s a relatively easy process. My only problem? “Your hair is too shiny!” my stylist announced after trying to coax out beachy waves. (Cue the hashtag #firstworldproblems.) Turns out, glossy strands simply aren’t cut out for the “I just woke up like this” look I’ve been aiming for. I’ve tried every texturizer, dry shampoo, and salt spritz on the market, but wasn’t satisfied until Redken’s new Wind Blown 05 Dry Finishing Spray landed on my desk. Instead of weighing down my hair with a sticky residue, the featherlight formula instantly adds volume, undone curls, and a fuzzy matte texture with zero crunch (i.e., all the characteristics a model’s hair exhibits when hit with a strategic fan blast on set). Even better, I didn’t feel the need to wash it out immediately the next day. For breezy, slightly rumpled strands, mist liberally all over dry hair, rough up with your fingers, and channel the SoCal-surfer-meets-supermodel within.

Available September 1. $18; redken.com for salon locations

Photos: Getty; Courtesy of Redken

Skip the Elastic and Try This Ponytail Trick Seen at Valentino Couture Instead

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valentino-couture“It’s Ophelia,” said makeup pro Pat McGrath of the “serenely beautiful, ethereal girls” at Valentino. The overall effect was centered on pale, highlighted skin and deft contouring. McGrath used light gray shades around the eyes and a white hue on the lids, sweeping brown mascara through lashes as a finishing touch. A tiny bit of concealer to perfect complexions, a dash of lip balm, and it was done. “It’s about sculpting with light and shade,” she noted.

To make hair appear wet, Guido Palau misted Redken Shine Flash all over before crafting waves with a series of clips—ultimately leaving strands down save for a small section twisted around the length like a loose ponytail holder. (We suggest you steal this move straight off the runway and whip it out next time you find yourself missing an elastic or simply want to pull back curls without creating a dent.) “The beauty of the Valentino woman is very well defined: She’s always very serene and feminine,” Palau explained of the finished package.

Photo: Gianni Pucci/ Indigitalimages.com

Get the Deets Behind the Mirrored Liner at Dior Couture

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dior-couture-fw-2014-beautyPeter Philips spent his whole weekend single-handedly cutting seventy pairs of silver adhesive eyeliner that he used on the Dior Couture runway. And just hours before the show began, he received word that the house had worked out a way to produce them. (Look for them on-counter around the holidays.) “The collection explored contradictions, so we wanted to keep it pretty and pure. I just wanted to add one element that was highly contrasting and artificial,” he explained. Metallic liner emerged as the ideal counterpoint to the mirror-and-orchid set. Philips calls it the “empty eye”—meaning no mascara—bolstered by a little white kohl to fade out the lower lashes and a sweep of yellow and white shadows from the forthcoming Candy Choc palette under well-groomed brows. To even out the base, Philips reached for Dior’s new Star Foundation (for drier complexions, he used Capture), followed by a combo of Dior Blush in Rose Corolle and Starlight on the cheekbones (available internationally in October), and polished off pouts with Rouge Dior lipstick in Trompe L’Oeil (a peachy nude). Nails, too, were kept short, neat, and nude, with one coat of gel polish in Muguet followed by a layer of Dior Glow. “She looks like a fragile flower but with historical and futuristic crosscurrents,” he said. “When she moves, she catches the light.”

For hair, the look was natural and unforced. “It’s fresh and modern without reference to any past,” noted Guido Palau backstage. “Raf Simons’ Dior woman has put her clothes on and [needn't] over-bother with her hair.” Palau employed Redken Pillow Proof dry shampoo for texture, added a few extensions, and let the parts fall where they may. “We’re entering a transitional time in beauty where things seem to be much simpler. Women can’t complain anymore that they can’t do it,” he noted, adding with a smile, “which means there are no excuses anymore!”

Photo: Sonny Vandevelde / Indigitalimages.com

Wing Women: A Breakdown of the Beauty Look at Atelier Versace

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versace-atelier“Donatella said she wanted to do something different,” explained face painter Pat McGrath. “She wanted couture-modern, but also something graphic, aerodynamic, and fun.” McGrath realized this vision via a thick, two-toned wing in peacock teal. To provide dimension, she applied a lighter shade to the center of the lid and swept a darker hue up toward the temple. A delicate veil of shimmer powder, faux fringe, and “tons of mascara on top lashes only” completed the eyes. The rest of the face remained neutral: Groomed brows, light contouring on perfect skin, and a pale lip balanced out the dramatic shadow. Ditto for nails, which were “natural pale” but ultra-shiny.

The hair was high-gloss, too. “This chignon is very un-Donatella,” conceded hair guru Guido Palau. To lend topknots edge and structure, the pro employed Redken Hardwear gel to shape models’ strands. He then moved the classic style closer to punk territory by using Forceful 23 hairspray and ironing the bottom few inches into a geisha-style flourish. Stella Tennant stood out and received a customized look sans extensions. “Along with the makeup, it’s very rock ‘n’ roll,” noted Palau. “This is a strong woman.”

Photo: Sonny Vandevelde / Indigitalimages.com