23 posts tagged "Sally Hansen"
Mountains of mousse, teased hair, and side swoops are back—at least at Rodarte. Odile Gilbert said there was an “eighties intention” behind the look—which was evident by the inflated “bangs” that peaked over the brow and framed the face—as well as Debbie Harry of Blondie, who often sported a deep side part and a swoosh across the top. Gilbert created the look by dousing hair with John Frieda Frizz-Ease Curl Reviver Styling Mousse and blow-drying with a round brush to build body. She used a curling iron to set the flip, and added a slight wave to the length. For additional lift, a Mason Pearson bristle brush was used to back-comb the front section. The hair was then swung over the right shoulder, and a coiled cornrow was hidden near the nape of the neck, acting as a pincushion for the hand-painted extension that was added over the top. While we’ve seen printed looks from Gilbert in the past—like the cheetah-spotted bouffant she created at Jean Paul Gaultier Couture for Fall 2013—for this show she developed a pattern that she described as tweed meets zebra, meant to reflect fabrics used in the collection. After the extension that often contrasted the models’ hair color was secured, the length was conspicuously pinned to one side and shellacked (just as it was in the decade in which the style originated) with loads of Frizz-Ease Moisture Barrier Firm-Hold Hair Spray.
The nails were a different animal altogether (literally): with tortoiseshell patterns painted with a cosmetic sponge by manicurist Tracylee Percival. She first stamped two coats of Sally Hansen Complete Salon Manicure in Clay, a burnt orange, and accented it with patches of Cinnamon, a darker brown, for depth. (Both lacquers were made for yet another collaboration with the Mulleavy sisters, available in March.)
The inspiration for face painter James Kaliardos was a “wild L.A. girl—the real Los Angeles, not the red-carpet kind,” which he brought to life by applying NARS Larger Than Life Eyeliner in Via Veneto in an exaggerated V shape (for models with lids that touched the lash line, he implored Black Valley Eye Paint and an angled brush). Lashes were coated with Larger Than Life Lengthening Mascara, and arches were brushed up with Oural Brow Gel to give them an untamed and “animal-like” quality. To lift the eye and make it more graphic, Kaliardos applied a dot of Radiant Creamy Concealer underneath the eye that was paler than each model’s skin, which he said reminded him of either a leopard or Veruschka. The Matte Multiples in Altai and Anguilla (out spring 2014) were blended onto cheeks for color and contour. And the pinky-nude lip color was a combination of two Satin Lip Pencils in Biscayne Park and Floralies. Between the hair, manicures, and makeup, it was like a high-fashion zoo backstage.
The designer-beauty collaboration is certainly nothing new, but it has remained unmined by Rodarte’s Laura and Kate Mulleavy. Sure, there was that ill-fated MAC collection inspired by Juarez, Mexico, three years ago, but that’s ancient history now. Onwards and upwards to a nail partnership, as they say. For the first time ever, the design duo has teamed up with Sally Hansen to create three exclusive polish shades to complement their Santa Cruz-inspired Fall collection. But rather than revisit their eighties-era youth via outlandish varnish hues, the Mulleavys devised a relatively subdued palette for the season, including the creamy neutral Stocking Nude, which Sally Hansen nail ambassador and celebrity manicurist Tracylee topped with metallic French manicure tips in Gold Roses, a rose gold, and Platinum Star, a silver. You may need a certain constitution to pull off one of those tie-dyed bodysuits, but the lacquers should have more mass appeal when they launch later this year.
“It’s all about a military look,” Jin Soon Choi said as Prabal Gurung’s women-on-the-front-lines mood board loomed large in the distance (more on the full beauty look in a moment). While female combat fighters likely don’t have time for a mani appointment, that didn’t stop the nail artist from devising a “simple, elegant” motif in their honor. “This is powerful nail art,” she offered, using Gurung’s forthcoming polish collection with Sally Hansen, due out later this year, to paint on a gold base with its lacquer in Coat of Arms, which she topped with two diagonal strokes of Loden Green, an army-inspired olive, creating what Choi described as a “skinny V.” “It’s the new moon manicure,” she insisted—or at least a fun new take on an old classic.
Halloween may not be until next Wednesday, but most people (read: adults who love cosplay and can’t drink All Hallows Eve-themed cocktails into the wee hours of the morning on weekdays) will be celebrating this weekend. While full-on fake blood and zombie adaptations of everyone from Taylor Swift to Kim and Kanye might not be up everyone’s alley, it’s decidedly lame to show up to a party without some form of festive ornamentation—even if that just means a themed nail overlay. Luckily, there are quite a few to choose from. Right in time for the candy-coated holiday, Sally Hansen has released five new motifs for its incredibly popular Salon Effects collection, in Numbskull, a white base with black crossbones; Spun for You, black-on-silver spider webs; Batty for You, black winged creatures on a purple base; Patch-O-Lanterns, orange eye and mouth cutouts on a black background; and our personal favorite, How Corny, which literally amounts to a handful of candy corn. The drugstore brand has some competition from Kiss, another mass nail giant that has debuted a range of easy-on imPRESS tips in designs like webbed French tips, and a host of limited-edition prints for its Nail Dress line as well, including a super fun mix-and-match, black-on-orange spider print. It’s not, say, a really believable Honey Boo Boo outfit, but it’s something.
Available at drugstores.
Beauty And The Beat: Sleigh Bells’ Alexis Krauss Goes From Business Casual To “Bombastic, Energetic, And Tough”
With a varied career path that has included stints singing in the teen pop group RubyBlue and teaching the fourth grade, you’d hardly expect Alexis Krauss to have a soft spot for spiked leather jackets, big hoop earrings, and blunt jet-black bangs. Yet the Sleigh Bells front woman has developed a badass onstage persona that pairs perfectly with the band’s chainsaw rock sound. Since forming the Brooklyn-based outfit with Derek Miller in 2008, the twosome has released two albums (the latest, Reign of Terror, came out earlier this year) and garnered a diverse range of fans—including M.I.A., who signed them to her music label—and the throngs of kids who come to their sold-out shows to watch Krauss sing, dance, and headbang her way through the set. How does she maintain the high-level energy, night after night? “I try to stay as sober, well rested, and active as possible,” she explains, adding, “I bring my bike on the road with me and lately I’ve been practicing a lot of hot yoga—it’s an incredible challenge but the payoff is worth it!” Before heading out on a two-month tour, which takes Sleigh Bells across the U.S. and through Europe, Krauss let Style.com in on a few of her other tricks, including how to trim tough-girl bangs, doing your own nail art, and what it feels like to get a custom-made jacket from Nicola Formichetti.
What has been the biggest difference between releasing the first and second albums?
Our confidence levels. We are more assertive and more capable of making smarter business and creative decisions. We’ve learned to never compromise and to never succumb to the pressure or expectations of others. We no longer feel like the new kids on the block, and as a result we are more comfortable being who we want to be.
Rock ‘n’ roll has its fair share of tough girls. What is it about certain symbols of toughness—be it leather jackets or jet-black hair—that you think appeals to a lot of female performers?
I can only speak for myself, and in our case the band’s aesthetic is inextricably linked to the music we make. I want my style to represent our sound, which is bombastic, energetic, and tough while also being playful, innocent, and feminine. I like wearing clothes that represent that juxtaposition, whether it be pairing a studded leather jacket with a pair of pastel daisy dukes or classic white Keds with shredded fishnet stockings. I’m also constantly referencing the looks of rock ‘n’ roll’s most badass women, like Joan Jett, Cyndi Lauper, Lita Ford, Debbie Harry, or Mary Weiss, to name a few.
So your look is pretty thought-out?
Honestly, it’s something that I’m constantly thinking about and cultivating. When I began performing in Sleigh Bells I was still teaching fourth grade, and it took some time to transition my wardrobe from business casual to what it is today. I did tons of research looking into designers and cultivating relationships with my favorites. I love working closely with small labels such as Obesity & Speed and Bambi and Manson to create looks that are compatible with mine and the band’s sensibilities. Like many women I love experimenting with clothing and makeup and I’m always pushing myself to take risks and try different things.