On any given day, a front-row Salma Hayek sighting is something to write home about. But not when Kristen Stewart is seated across the catwalk. In the wake of a scandal that has dominated the pages of gossip rags over the past few months, the actress was in Paris this morning, paparazzi be damned, to support Nicolas Ghesquière’s Spring Balenciaga collection. Stewart, who took in the show wearing a pale yellow motorcycle jacket and printed jeans, refers to Ghesquière as a “kindred spirit,” which is likely what has made the duo’s recent collaboration on Balenciaga’s Florabotanica fragrance such a compelling one. Inspired by the surrealist floral prints that colored his Fall 2011 collection, Ghesquière had duality on the brain when conceiving the brand’s new beauty offering, specifically the darker side of conventionally pretty blooms that are readily considered harmless. “Flowers can be carnivorous or venomous—contain poisons,” he points out, and it is that “mystery” that he was hoping to bottle.

If the elaborate fairy tale woven around the vetiver, amber, carnation, mint, and “experimental rose” flacon is to be believed, the floral essences used here were distilled from petalled plants that shot up from torn paper shards containing a reclusive designer’s sketches, which were embedded into hostile ground only to be found by a girl who had “the inspiration of a muse.” In the real-life version of the parable, of course, the designer (Ghesquière) met the muse (Stewart) on a shoot after the then 12-year-old starred in David Fincher’s Panic Room. “I had not forgotten her,” Ghesquière has said of Stewart, who boasts a beauty that is “pure and uncontrollable,” in his estimation—or in other words, very Balenciaga. Here, fresh off a press tour for her new movie On the Road and only a month away from the media frenzy that will be the conclusion of the Twilight saga, Stewart met up with Style.com to talk fragrance, front-row intimidation, and why Ghesquière’s Spring lineup may be her most favorite yet.

Up until now, Balenciaga’s only fragrance face has been Charlotte Gainsbourg. What’s it like to be in that kind of company?
I wish I could choose a better word, but I think she’s stunning. I sat next to her at the show [last season]—which was the first experience I had at Balenciaga—and I was so ridiculously intimidated by her! I didn’t even say hi. I was just kind of muted by her. It’s an odd relationship that us actors are allowed to have with fashion. For me it started at an extraordinarily young age. I met Nicolas [Ghesquière] when I was 12 [on] this little project that felt very similar to a photo shoot. A rack of clothes comes in and you can just pick out what’s from that company. [Balenciaga] was the first fashion brand I recognized.

Were you drawn to the clothes then?
I’ve never done anything tactfully. I just wanted to be around Nicolas. It’s like movies. You find kindred spirits. You say, “We need to make something together.” My creative vision is not clothes but…I want to be around that.

Nicolas has said that your “rebellious femininity” is what made you a good fit for Florabotanica. That characteristic seems to have followed you around a lot recently, especially in your work. Do you think it’s a pretty true character assessment?
Especially recently right now—maybe this is my age—you either have the boldness of heart or lack of fear that might differ from other people or you don’t. A true rebel, someone who is genuinely, authentically rebellious, has no idea that they’re doing it. It’s just natural. If you’re aware of it than you’re a contrived, fake person. Having Snow White [and the Huntsman] and On the Road—even Balenciaga—everyone is saying, “You’re taking on these strong roles,” and everyone is asking if I’m trying to convey these strong female roles. And objectively, yes, I am. But there’s also a void there right now and people want to fill it.

You’ve been wearing a lot of Balenciaga since joining the house officially. Have you had any favorite fashion moments with the line?
[Nicolas] made my Cannes dress. And I went to the Met ball with him. And we sat down together and I watched him draw this…thing. I think he would say that I had something to do with it, but that’s bullshit. I just sat there. I do love those graphic sweatshirts [from Fall 2012]. And the sheer long dresses—and the shoes! I love all of the shoes so much. I must say, I’ve seen the new [Spring] collection—and it’ so unbelievably cool. You need to know yourself pretty well to wear it, or it wears you. It makes total sense that it’s happening now, though. I don’t want this to sound arrogant, but it was made for me.

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