36 posts tagged "Stella McCartney"
At this point, nail art seems a bit passé. However, when you can perfectly execute the embellishments from Stella McCartney’s Resort collection on fingertips, we have to applaud. And apparently, so does McCartney, as she re-posted this photo from a rather dexterous fan to her Instagram account. Another gem the designer shared via social media just hours ago: this kiss from Cara Delevingne—arriving just in time for Valentine’s Day.
Today marks the Year of the Horse, and the fashion community appears to be celebrating with a few snaps of their own. Model Hanne Gaby Odiele (who we’ve heard is quite taken with My Little Pony) shared a street-style image of herself parading around in a pink poncho and unicorn accessories. (Note: The fact that the magical unicorn is not recognized as an actual breed of horse in the scientific community does not concern us here at Style.com—it counts.) Makeup artist Tom Pecheux’s sidekick, Pascal, looks quite comfortable at the stable. And Stella McCartney’s photo takes home the title of Best in Show: Her stud’s daring, nose-grazing braid feels fresh—the rest of the barn is bound to follow suit.
In contrast to the normal kerfuffle, the backstage scene at Stella McCartney’s Pre-Fall presentation was relatively calm—almost serene. This could be attributed to the fact that the models were treated to expedited spa services by Sunday Riley. When I arrived, a steamed washcloth was being draped over the likes of Hanne Gaby Odiele, prepping her face for a quick four-minute mask consisting of Ceramic Slip Cleanser (containing French green clay to tighten pores and black pepper to ramp up circulation) and Good Genes (a treatment with lactic acid to exfoliate and licorice to brighten). After this first step was wiped away, Start Over eye cream—described as a “high-tech cucumber”—was applied to de-puff. To seal in moisture like “saran wrap,” the brand’s forthcoming facial oil (out in March), Artemis, was smoothed from forehead to chin. This blend of lemon ironbark, lemon myrtle, grapefruit, black cumin seed oil, and milk thistle seed oil tones, takes down redness, and, more important, absorbs quickly so that the girls could be passed on to face painter Neil Young.
“It’s one of those makeups that’s like a recipe; some girls need three ingredients and some need five,” Young said of the fresh-faced look. Concealer was applied only where needed, a taupe powder was used on “less angular” models to contour, and MAC Power Blush in Blushbaby was used to “cheat it a bit” and create a natural flush in a few cases. Lips were dabbed with balm, and brows were brushed up. The hair by Antoinette Beenders was equally as easy: Aveda Pure Abundance Style-Prep was spritzed at the crown, and ends were smoothed with Dry Remedy Daily Moisturizing Oil before blow-drying to enhance any natural texture. “It should look like the girls slept on it and put their hands through it,” Beenders explained. To finish, strands were tucked behind the ears for “toughness,” and for those with shorter cuts, the length was twisted into a knot near the nape of the neck. Will the undone hair and no-makeup makeup movement we saw for Spring 2014 continue to reign for fall? Hard to believe the answer is only a few weeks away.
Hairstylist Eugene Souleiman said he didn’t look to the actual collection for inspiration, but instead thought more about the Stella McCartney woman. “There are a lot of florals in this show, and the prints are quite textural and light, so I didn’t want to do anything that bore a resemblance to [those elements],” he explained. The solution: A boy-meets-girl ponytail on fresh strands. “I’m a huge advocate of swamp hair, but the reaction to that this season is something much cleaner,” he said. Using zero product, he added a bit of volume with a round brush and blow-dryer, then made a deep side part, “like an old man’s hairstyle, when he’s trying to comb over a piece of hair to hide something,” Souleiman quipped. The length was tied back at the nape of the neck with a string of black elastic—a method the pro prefers over a band because it keeps the tail “tight and controlled.” Any loose bits that fell out were left alone, as they lent a notion of fragility to the strict style. The end result was a “masculine shape,” described Souleiman, with a soft, free-flowing texture that kept things feminine.
As for the makeup, Pat McGrath said it was “rebellious,” imploring graphic liner to lend some edge. The look was based on a photo McCartney saw of Guinevere Van Seenus in Craig McDean’s new book (Amber, Guinevere, and Kate Photographed by Craig McDean: 1993-2005), for which the face painter had created a winged eye. To make it runway-worthy, McGrath ran a “brown-gray” pencil along the upper lash lines and flicked it out onto the outer corners and pulled it down toward the tear duct—forming sharp points on the diagonal. The lower lashes were also rimmed in the chestnut hue. For intensity, a hand-mixed, liquid version of the liner shade was run over the top. “She’s a stronger, tougher girl this season,” added McGrath. But with the beautifully painted ceilings of the Opera Garnier floating overhead and Sir Paul McCartney sweetly playing the harmonica for his granddaughter backstage, I felt worlds away from the slightly badass image the designer had in mind.
Stella McCartney is looking for a new beauty partner. Five years after L’Oréal acquired her skincare and fragrance brands, the two companies are parting ways. [WWD]
The rights to the most-watched Internet commercial of all time belong to Dove. The well-loved hair- and body-care brand’s “Real Beauty Sketches” has garnered more than 114 million views on YouTube and other digital-video platforms. [NYDN]
Despite opinions to the contrary, there are reportedly preventative advantages of “pre-toxing,” or getting Botox injections when you’re young—before wrinkles actually form. And the idea is gaining steam. Of the 6.1 million Botox injections that were performed last year, almost 100,000 were for patients in their twenties. [ABC News]
Botox or no Botox, Madonna is a study in how to maintain a youthful appearance, whatever your age. How does she do it? The likelihood is we’ll never know. But there is one product the queen of pop is willing to big up: “There’s this new line of products called Éminence, made with natural ingredients, and that’s what I’m using right now,” she recently revealed. Talk about some good free press. [Hollywood Life]
Rita Ora is feeling blue—literally. The R&B star has debuted a new cobalt dye job. [E!]