23 posts tagged "Versace"
Flashback Friday is a feature on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.
The Model: Willy van Rooy
The Moment: Full Fringe
The Motivation: With the rise of Kardashian and Ko., faux lashes have lost a little of their Old Hollywood appeal. And admittedly, we’ve never been that adept at gluing on fake fringe. This season, however, we may just have to step up our skills. Makeup artists are lashing out on the reg—from Pat McGrath at Gucci and Versace to Lucia Pieroni at Rochas. In lieu of reality TV, however, we plan to look at the runways and shots like this British Vogue image for beauty inspiration. The photo was captured in 1967, but judging by what’s trending on the Fall 2014 catwalks, we doubt anyone would bat an eyelash if we said this was snapped in the past few weeks.
The sixties are alive and well this season and everyone, from New York to London to Milan, is getting in the spirit. Eugene Souleiman channeled Françoise Hardy at Peter Som; Pat McGrath was inspired by Britt Ekland at Gucci; Mia Farrow was the icon on Paul Hanlon’s mind at Moschino; and today at Versace, Guido Palau crafted a slight bump in the hair—a surefire marker of the very groovy decade. When it comes to appliances, however, we don’t usually expect a throwback. White Sands, a haircare company, developed an attachment for your blow-dryer that acts like the “salon hoods or bonnets” of yesteryear, setting curls or locking in moisture from treatments, hands-free. Model Doutzen Kroes even appeared to be wearing a similar contraption on set this week. Will the concept take off like Mary Quant’s miniskirt or the bikini post-Beach Party? If the runways are any indication, going back in time just may be the wave of the future.
“Donatella simply wanted glamorous, but more of a clean glamour,” explained Pat McGrath. Gone was the smudgy liner from Spring 2014, but the double set of faux lashes remained. Eyes were further emphasized with a taupe shadow in the contours, and brows were softly groomed. A tawny lipstick and gloss polished off the lips. “This is her version of natural makeup,” McGrath said of the designer, who sports a strangely similar look.
The sixties were referenced yet again backstage by Guido Palau, who called upon the era by creating volume at the crown. After extensions were added in for thickness, the rest of the hair was kept “poker straight” using a combination of Redken Pillow Proof Two Day Extender and Guts (a volumizing spray foam), then subsequently flatironed. After backcombing the Bardot-esque bump in with a rattail comb, the style was set with Forceful 23 hair spray. “Per the usual, it’s very glamorous hair for a very high-maintenance woman,” Palau summarized. Seeing as this is the house of Versace, we would expect nothing less.
Sandra Bullock embraced the high-low concept last night in London at a screening of Gravity—beauty-style. She paired polished makeup (including a red lip and extra-thick lashes) with the undone waves designers and hairstylists embraced all season long. “There’s nothing cooler than not doing your hair and wearing an amazing dress,” said Guido Palau, a belief he made a reality at show after show (Roberto Cavalli, Bottega Veneta, and Versace, to name just three). It appears that Bullock is in full agreement.
Throwback Thursday is a column on Beauty Counter in which we pore over the pages of our favorite glossies from decades past in search of a little modern-day makeup and hair inspiration.
The Moment: Lived-in Locks
The Motivation: Remember the days when your mother told you to brush your hair before leaving the house, and a perfectly coiffed ‘do was the look du jour? Well, those days are long gone. Never has there been a time more obsessed with looking undone (Alexander Wang, Proenza Schouler, Christopher Kane, Burberry, Versace, Roberto Cavalli, and Bottega Veneta—cases in point). Our inspiration? The above shot from a 1989 issue of French Glamour. The French have always been masters at achieving the I-just-rolled-out-of-bed-and-look-like-this hair, and if the carefree strands we’ve seen on the New York, London, and Milan catwalks are anything to go by, we’re bound to see the style in its natural habitat: Paris.