7 posts tagged "Victoria’s Secret Fashion Show"
Britney Spears Spritzes to Stake Her Claim; A Reason Male Journalists Should Stick to Reporting the News; and More-------
Britney Spears’ latest music video for “Perfume” premiered this afternoon. Apparently, she likes to “mark her territory” (i.e., her man) with her best-selling scent, Fantasy. Classy. Looks like that billion-dollar fragrance franchise is about to get yet another boost.
Today, General Motors appointed Mary Barra as its new CEO—cementing her as the first female to run an American car company. And in the Philippines, Pantene created a commercial that encourages women around the world to follow in Barra’s footsteps, sending a singular message: “Don’t let labels hold you back.” (And always enter a boardroom with shiny hair.) [Time]
And in other news from Time, the publication’s male staffers worked out with Michael Olajide Jr., who trains many of the Victoria’s Secret Angels for the notoriously half-naked runway show (airing tonight). Judging by their pathetic attempts at push-ups, we suggest these guys stick to writing. [Refinery29]
Old-Hollywood screen siren Constance Bennett shared her beauty secrets in this video. You’ll just need a “stimulating cream,” a few extra hours in the morning, and a maid. Other helpful tips she offered up: Don’t slack on applying blush. “Lots of women think that cream rouge is difficult to use, but maybe they’re just lazy,” she said. [Daily Mail]
Ok, not exactly. But for the past two days, I’ve been swept away in a pink bubble—one where everyone is tan (despite that we had our first snow of the season in NYC yesterday morning), has six-pack abs, and never gets cold prancing down a glittery runway in nothing but lacy underpinnings. Plus, these lithe ladies in lingerie actually eat—and I’m not talking about sipping a pressed juice or pecking at trail mix. Behati Prinsloo ordered in a burger last night, I split a tuna melt with Jasmine Tookes, and Joan Smalls didn’t hesitate in front of a plate full of chocolate strawberries. Not to mention, Karlie Kloss had her famous “kookies” on hand backstage. No, it’s not fair, but this is Victoria’s Secret, and all of these elements exist in perfect harmony. Here, the top nine things I learned from first timers (like Sara Sampaio) and winged veterans (such as Doutzen Kroes):
They spoil the surprise. “The second I got home [from the fitting] I told my boyfriend exactly what I was wearing,” said Tookes, whose beau is missing tonight’s production.
They don’t suck it in. “I have a jacket, so I don’t have to suck it in!” boasted Sara Sampaio. “Holding my breath would feel a bit awkward—I think it would show in my face,” added Martha Hunt.
They despise working out just as much as I do. “I don’t mind doing abs, but I hate squats,” revealed Samapaio. “I can’t handle my arms being sore, anywhere else I can deal with,” said Tookes.
They wear heels with robes (but only on game day). “My feet are getting used to the feel [of stilettos] so that the change into the shoes for the show isn’t as big,” explained Doutzen Kroes of her pre-show footwear from Tom Ford. “Plus, I think they’re cute.” But when asked if she wears this look on the reg, she said: “ No, no, no, it’s just for the cameras!”
They fake it. “It feels better to have a little bit of coverage—it’s almost like wearing tights,” Kroes said of her spray tan.
They exercise on the job. “The weight is all the way up top, so it’s hard on my back,” Kroes said of the wings she’ll be wearing on the runway tonight. “But they’re good for your stomach muscles.”
They have the moves like Jagger. No, Adam Levine isn’t performing again. “I was a dancer for ten years, and in college I was actually going to minor in ballet,” said Lindsay Ellingson, who worked with Mary Helen Bowers of Ballet Beautiful in preparation for tonight.
They do the Queen proud. “I’m most excited for the British invasion segment,” said Jourdann Dunn. “I’m happy to be out there repping for London.”
They wing it. “It’s my fourth show for Victoria’s Secret,” said Constance Jablonski. “The last three times I rehearsed [my end-of-the-runway move], and every single year I got on stage and forgot everything. This time, I’m not planning anything—I’m just going to follow the music and see how I feel.”
“It’s not really a fashion show—it’s a fantasia. This is what people, the civilians, think fashion shows are like…that everyone is gorgeous and busty. But we know, in the trenches, that fashion shows aren’t glamorous at all.”
The legendary face painter pulled back the proverbial (and for all intents and purposes, pink) curtain on the Victoria’s Secret fashion show. The backstage area—swathed from floor to ceiling in varying shades of rose chiffon—is quite lavish in comparison to fashion week. There are well-rested supers wrapped in silky, striped robes, chairs available to sit on, working WiFi, and more important, breathing room. These are all luxuries that those of us “in the trenches” rarely get to experience. Then again, when you’re accommodating Angels, the scene has to be stepped up.
The look at Victoria’s Secret hasn’t changed much in the eighteen years since Angels in lacy underwear and million-dollar bras captured the world’s attention in more than 185 countries, but it’s the subtleties, hair pro Orlando Pita explained, that make all the difference. “In the past we’ve done a dry, sandy, beachy texture, but this year it’s shiny and glossy,” he said. While this may appear like a minor change to the naked eye, it makes a major impact on high-def cameras.
For face painter Dick Page, he aimed to make the girls look a bit more “scruffy,” which caught the attention of one of the executive producers of the fashion show. (Scruffy and sexy might not normally go hand in hand, but when it comes to Page, you have to trust that the finished product will be spot-on.) During the huddle with both beauty gurus, last year’s look was discussed: Lipstick should give way to a more balm-y, just bitten mouth; the shadow should be a bit more smudgy (and therein lies the scruff); and absolutely no glitter should be used.
To get the glistening waves, Pita prepped the strands with Victoria’s Secret So Sexy Body & Hold Volumizing Mousse and blew them dry with a round, vented ceramic brush from ghd to build body. Next, he glued in multiple levels of extensions—opting for a tone that played up the lightest shade seen in each model’s roots. “Dark hair, especially, can look really dense on television; this [trick] gives it depth and makes it look more natural,” he said. The ends were razored to approximately each girl’s natural length, and strands were misted liberally with So Sexy Style Hold & Finish Hairspray. Using his signature technique (where the middle of the hair is wrapped under and over the barrel of a curling iron, in this case a 1.5 inch version—leaving the ends out), Pita created loose curls before finger combing and finishing with more hair spray. To get the look at home, however, he suggests using an easier-to-wield flatiron, like the forthcoming tri-zone styler from ghd. As for the part, there was great debate as to whether it should be in the middle or slightly off center, but the final decision was to follow the way each model’s hair naturally fell—keeping their individuality intact. (If you’re wondering, Karlie Kloss will be maintaining her signature bob.)
“I’ve been given a very strict directive, but I’m going to fuck with it like I do,” Page said of the makeup. After the recent death of Lou Reed and listening to The Velvet Underground & Nico, the master of maquillage came up with the “scruffy Angel” concept. To achieve it, he used a black-brown liner pencil on the inner rim and ran it imperfectly along the top lashes before smudging the pigment up and over the lid. To intensify the outer corners, Page dusted the dark chocolate shade from the VS Makeup Eye Shadow Quad in Eye Contact in a “V” shape, then applied the shimmery gold color over the inner half of the eye to catch the light. Instead of traditional blush, he warmed up Color Drama Lipstick in Taken on the inside of his forearm and used a cosmetic wedge to apply it to cheeks (a similar method was employed at Narcisco Rodriguez this past season). “I want them to look like they’ve had a really good shag, or anything else unorthodox that would make you pink in the face…like excitable shopping,” Page quipped. The skin was then layered with a sheer foundation using a brush—allowing the color to come through much like a natural flush. “I want to have final control over the complexion,” he said of his approach. Color Drama Lipstick in True (for models walking in the Pink portion of the show) or Flawless (worn by the rest of the girls) was pressed onto lips, then top lashes were coated with Volume Lift Mascara in black, and brows were lightly defined with a pencil as a finishing touch.
The only things left to complete this slightly undone Angel: wings and sass. “This show is probably the closest you get to real modeling, where the girls are truly animating the clothes,” said Page. Or in this case, the lack thereof.
“I’ve never seen someone travel with so much in my life,” model Naomi Campbell told WSJ. Magazine of Pat McGrath’s makeup cache. “And that says something, coming from me.” But the face painter made a case for not packing light: “When you walk into a room and there are racks and racks of beautiful clothes, do you really want to ruin it all with a bad lipstick?” she said. Point taken. [WSJ. Magazine]
The body part Behati Prinsloo won’t be baring at this year’s Victoria’s Secret fashion show? Her arms. A British military-style jacket will keep her guns under cover. [Elle.com]
L’Oréal Paris has certainly scooped up a lot of star power in the past few weeks (signing both Blake Lively and Lara Stone as spokeswomen for the brand). But according to recent reports, Adele won’t be belting out “Because you’re worth it” anytime soon. Not even for 12 million pounds. [Refinery29]
Two Jennifers have recently made the chop—but not out of desire for kicky new cuts. For Jennifer Aniston, it was a Brazilian blow-out gone terribly wrong that did her in, but Jennifer Lawrence has Catching Fire director Francis Lawrence to blame. Constant hair-dyeing, in the name of Katniss, left this tribute’s long strands fried and a pixie in their place. [New York]