4 posts tagged "Yuna Park"
Between the nonstop shows, the potential for inclement weather, and a party schedule that can make you tired just looking at it, fashion week is an incredibly grueling seven days—no matter who you are. From makeup artists and designers to front-row regulars and street-style hopefuls, everyone needs a little pick-me-up when the Fall collections descend upon New York. Here, ten of our favorite insiders open up their makeup bags to reveal the beauty essentials that help brighten up even the darkest moments.
There is something predictable about the hair and makeup look at the Victoria’s Secret fashion show each year, which is to say there’s a formula to getting bombshell beautiful. But face-painter Tom Pecheux and coiffing star Orlando Pita, professionals as they are, always manage to bring a certain nuance to the crowded, pink-tinged backstage area at the Lexington Avenue Armory in New York, a space that was noticeably less “bronzed” this season. “In general, we are killing that extra too much bronzer,” Pecheux explained as he put the finishing touches on Doutzen Kroes’ complexion. “Healthy is good, over-tan is not good,” he surmised of the satin skin finish he was building with rosy, rather than ruddy, accents. “It’s important for VS to communicate that.”
Starting with a base VS Makeup Tinted Moisturizer and its PRO Flawless FX Translucent Powder, Pecheux sculpted cheeks with its Luminous Mineral Blush duo in Pleasure, which he also applied to lids on the “Pink girls,” the younger models making their first appearance on the VS runway, like Style.com/Print cover star Cara Delevingne and Valentino muse Maud Welzen. “They look very dolly, very fresh—youth, is the word,” Pecheux elaborated of the individual lashes, and multiple coats of VS Makeup Extra-Lengthening Mascara that he employed. In contrast, “The main VS girls”—Alessandra, Adriana, Lily, Miranda—got seductive eyes replete with an interesting liner technique for which Pecheux rimmed the lash line with VS Beauty Rush Precision Eye Pencil in Pitch Black, applying a stroke of the same liner in Foxy, a rich brown, on top that he swiped outward. “When you blend them, the black really gets in between the lashes and you get a little density, while the brown elongates,” he pointed out. Pecheux then dusted a Taupe pigment through the crease and a shimmering champagne highlight along the brow bone using VS Makeup Eye Shadow Quad in Eye Contact, while lips received a layering of its Makeup Beauty Rush Glossy Tint Lip Sheens in Better Than Bare and Manic Pink, creating a berry stain. “It’s no more a [nude] French Kiss, it’s the VS kiss,” Pecheux joked of the noticeably pinker pouts.
Orlando Pita did his part to add to that quintessential VS “feeling of sexiness” by giving every model extensions that hit just below the breast. “Last season we had different lengths on every girl and the wave was a little bit more of a glamour wave. This time it’s more messy. It’s a little heavier, and everybody has extensions—even Karlie,” Pita said, referring to the runway superstar who sent the blogosphere abuzz yesterday when she turned up backstage with a freshly cut bob. Using Victoria’s Secret So Sexy Style Body & Hold Volumizing Mousse to create texture, Pita added a bend to strands with an inch-and-a-quarter curling iron that he spritzed with its So Sexy Style Hold & Finish Hairspray.
The biggest backstage news came from Yuna Park, the nail guru of Oscar de la Renta fame who just signed on with VS to front its brand-new nail line. “They came up with 21 colors, but for today there’s two different colors I’m using,” Park said, displaying Bitten, a pink-nude that she painted onto the established Angels’ tips, and Peep Show, a sheer pink shimmer that she reserved for the younger girls. Keep an eye out for them on shelves when they launch in late January.
After getting a fair amount of play in Europe last season, high, voluminous hair is having a bit
of moment in New York for Fall, thanks in large part to Orlando Pita. “I’m three for two,” the
hairstylist said backstage at Oscar de la Renta, where he added another towering, teased style to his repertoire following equally gravity-defying stunts at Derek Lam and Carolina Herrera earlier in the week. “It really depends on what the designer wants,” Pita explained of his decision to go big, pointing out that de la Renta never wants a “the girl did it herself kind of thing.”
For Fall, the designer specifically requested a beauty look fit for “a young girl playing dress up,” according to his coiffing collaborator who used his T3 Elevate Heat-Seeking Volumizing Spray to coat sections of hair that he teased halfway down the shaft and then tucked into a faux bob, fastening a bejeweled, satin ribbon around the hairline (headbands; so hot for Fall 2012).
Revlon global artistic director, Gucci Westman, expounded upon de la Renta’s muse. “She’s an uptown girl who goes to private school,” the makeup artist said, building rosy, glowing skin with a combination of Revlon’s limited edition Highlighting Stick and PhotoReady Cream Blush, both from its forthcoming Escapism collection. “I wanted her to feel cooler and younger,” Westman continued, lining the upper lid with a stroke of Revlon’s ColorStay Liquid Liner in Black, which was slightly smudged so it appeared purposefully “not perfect.” To correspond with the sixties-inspired shapes in de la Renta’s clothes, Westman applied about four coats of its PhotoReady 3D Volume Mascara in Black so lashes were dark and dense.
The big beauty surprise was in the nails, though. Manicurist Yuna Park had the honor of debuting three of the new lacquers that will be a part of de la Renta’s Essential Luxuries collection that bows in October. “We’re matching the nails to the outfits and the hands to the toes,” Park said, alternating between Essential Aubergine, a deep berry, Essential Larimar, a pale blue and Essential Carnation, a true red. “The quality of the polish is pretty amazing,” she effused. “You get exactly what you see in the bottle.
Yesterday at Oscar de la Renta, we saw manicurist Yuna Park applying a totally lust-worthy deep asphalt lacquer to models’ fingertips. “I couldn’t find the right shade so I had to make this one,” Park told us, dashing any hopes we may have had about getting our hands on a bottle. But all is not lost: Park was using a nearly identical grayish-blue varnish this morning at the L’Wren Scott show. (Even Scott herself was sporting it and reportedly created this version with Lancôme’s Artistic Director for Makeup, Aaron De Mey). There’s no word as to whether Lancôme will be producing the polish as part of its fall color collection—but if the oohs and aahs it inspired in today’s showgoers are any indication, they absolutely should.