Some of Susan’s dresses and A-line skirts were pieced together with leather and suede into a pattern of the planets. Others were in a black and white shell-and-starfish print done on jersey, a couple of which were cut with wings of fabric attached to her wrists by plastic bracelets. At still other moments she appeared ready for countdown in bibbed overalls and hooded jumpsuits. The starship trooper’s more charming escapades came when she switched from monochrome into pink or yellow and decorated her shifts with real shells and a necklace of mother-of-pearl. All the same, though Susan was one of the first to go 60s-futuristic last season, her wardrobe this time had a limp quality and never really took off.