Stuart Vevers has been at Loewe four years
already, and if it hasn't exactly been one of fashion's high-profile
bells-and-whistles collaborations, today's show was proof of how much a
designer can achieve with a quiet commitment to his craft and an empathetic
relationship with the 166-year-old Spanish house where he is creative
director. Vevers' quest to find new things to do with Loewe's mastery of
traditional leather-working techniques came together beautifully in a finale
of leather outfits embossed with "phantom" details like belts and pockets.
It was an artful trompe l'oeil effect that appropriately left you wanting
more at show's end.
Before that, Vevers had found other creative ways to fuse past and present.
Claiming inspiration from the Royal Andalusian School of Equestrian Art in
Jerez, he gave drama to items of formal riding attire like cutaway jackets
and britches by cutting them from skins, then adding those key embossed or
tooled details, particularly the half-belts that held jackets in back. But
there was also a more casual story—varsity jackets worn with circle
skirts, a utility jacket, a peacoat—which elaborated on another aspect of
the interplay between masculine and feminine elements that defined the
With so much of it using glossily black, textured calf's leather, the
danger was that a dark, tough chord would drown out Vevers' more refined
notes, like the little tucks that drew in a shift dress or the scrolling
baroque prints. It was touch-and-go at the start, but ultimately, Vevers
struck a balance. And that finale brought it all home.