How do you follow up a merry-go-round? If you're Marc Jacobs at Louis
Vuitton, you get your people to build an old-fashioned train car. From
scratch. The steam engine it was attached to pulled into the Cour Carrée a
few minutes after ten this morning. One by one, Jacobs' models de-boarded
wearing outfits straight out of the golden age of railroading, followed by
porters carrying as many as three bags per girl. The news on the bag front
this season is their oversize proportions and exotic fabrications. "It's
just a trip," Jacobs said afterward, but you could tell even he was chuffed
by the grand spectacle of it all.
Longtimers in the crowd remembered a John Galliano couture show for Dior,
the one where a train stuffed with supermodels steamed its way into Paris'
Gare d'Austerlitz. The more interesting echo today was with Miuccia Prada's
show in Milan, where she too put skirts, dresses, and coat-dresses—likewise
embellished with enormous crystals—over cropped pants and platform pumps.
Here, as there, the elongated silhouette created by all that layering was
quite strong—Stephen Jones' squashed hats added a good six inches of
Even if the look didn't strike you as a modern proposal, there was plenty to
marvel at, from the kangaroo leather swatches patchworked together into a
checkerboard of matte and shine to the kaleidoscopic application of
holographic baubles on brocade. Only a house with the high-techiest
technologies at its disposal could pull off that kind of embroidery.
During a post-show interview conducted on board the train, Jacobs said he
was interested in "things looking like they were from another time." The
exhibition Louis Vuitton—Marc Jacobs, opening at Les Arts Décoratifs
tonight, which tells the tale of the two men's contributions to the
megabrand, clearly had Jacobs thinking about the company's nineteenth-century
origins and travel heritage—and how to make the synergistic most of them.
Fifteen years into his tenure at Vuitton, he's not just one of the world's
most fanciful designers and extraordinary showmen, he's also a damn smart