Style.com
Fall 2014 Ready-to-Wear

Christian Dior

Senior Beauty Editor Amber Kallor's take:
Gone was the "precious" beauty of seasons past, and in her place was the urban, working woman (the Dior version, at least), summarized Guido Palau. Channeling the theme, the hair was all business. First, it was blown smooth with Redken Satin Wear 02, then the area from forehead to crown was shellacked with Forceful 23 hairspray in order to mold the strands tight to the head. "It's a sculptural look, but the hair will move on the runway," he said.

"This is a woman of today; she's in the real world," noted makeup guru Pat McGrath of the "street and slightly masculine" muse. The striking eyes were crafted using theatrical latex paint in cerulean blue and earthy khaki green—a material artists rarely employ because it requires impeccable timing to layer products over top. After "playing from 9 p.m. to midnight" at the test the day before, McGrath had the process down to a science: The graphic shape ("not a wing—we're moving away from that," she noted) was sketched on with a pencil, filled in with the paint, then a pigment in a similar tone was gently pressed into it. "Gradually, the latex swallows the pigment so you get this ultra-glassy feel—like a mirror," she explained. In addition to colored mascara that matched the shade swathed across lids, the finishing touch was a sprinkling of glitter that reflected greenish gold or blue tinged with lavender. (For formulas that are less temperamental, we like Dior's forthcoming 5 Couleurs shadow palette in Carré Bleu or Jardin. Or add a hint of office-friendly sheen with the Skinflash Radiance Booster Pen on the high points of the face.)

Between McGrath's sparkly eyes and the slashes of vivid color seen on the catwalk, I don't think the Dior customer could ever come down with a case of the Monday blues.
Fall 2014 Ready-to-Wear Shows
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