Fall 2014 Ready-to-Wear

Michael Kors

Senior Beauty Editor Amber Kallor's take:
A West Coast girl who comes to the city was Orlando Pita's jumping-off point. "She still has these chunky pieces from surfing," he noted. A combination of Pita's own dry shampoo and Schwarzkopf Osis Dust was applied throughout strands for texture before he crafted a "kind of cornrow" and pinned it up in the back. He pulled out pieces in front to mimic wind-blown hair—you know, the aftermath of driving the scenic roads of Big Sur in a convertible, an activity that Michael Kors told me he enjoys every time he visits California.

"If you don't impose a line or shape on the face, you maintain integrity of the natural features, and that's always what is most beautiful to me," said Dick Page of the sun-kissed look. Similar to last season, he employed the designer's Sporty Bronze Powder in Glow, dusting it along the contours of the cheeks and buffing it into the skin with translucent powder. "It's not Shake 'n Bake, but warm," he explained of models' tanned faces. Brows were defined and a chocolate hue was smudged around the eye before it was topped with a clear balm (like Aquaphor) for shine. "The old-fashioned theater [trick] was to put a red dot in the [inner] corners to make the eyes look more alive and whiter," he said. "A contemporary thing to do is put a flash of color and grease [around the tear duct] to pick up the light." Top lashes were emphasized with black mascara, while the lips were dabbed with lipstick in Dame "dosed with a bit of brown." The inspiration for the color came from a somewhat unusual place: Baptiste Radufe. "Michael thinks everyone should have his natural lip color," he said. After coming face-to-face with the male model backstage, I can confidently say that his pout was in fact the perfect shade of mauve-y plum. Some boys have all the luck.
Fall 2014 Ready-to-Wear Shows
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