Style.com
Fall 2014 Ready-to-Wear

3.1 Phillip Lim

Senior Beauty Editor Amber Kallor's take:
"When I saw the collection, it reminded me very much of who I was as a teenager," said makeup artist Francelle Daly. Apparently, the face painter had Siouxsie & The Banshees, Nina Hagen, and Culture Club on repeat, as those were her references for the look at today's show. Daly focused mainly on creating a squared-off eyebrow—taking the shape straight across and lending a bit of a curve to keep arches less "robotic" and more "feminine." Lids were left naked, lashes were curled and coated with NARS Larger Than Life Lengthening Mascara, and a combo of Nico and Zen blush was lightly dusted in the contours of the cheeks with a powder brush. Nails were painted with Crossroads, an eggplant-like lacquer from the designer's forthcoming polish collection with the beauty brand.

For hair pro Paul Hanlon, Bryan Ferry and David Bowie acted as inspirations, along with eighties Esprit catalogs and photos taken by Herb Ritts and Bruce Weber. Fellow stylist Didier Malige was also on Hanlon's mind. "I'm a big fan of him," he said. Hanlon began by working Moroccanoil Volumizing Mousse through the mid-lengths and ends, and misted Root Boost in front before blow-drying. A generous amount of oil was used all over for separation and a "sweaty" effect. "I put a lot on the roots so that you see the comb marks," he explained. A thicker curl cream was applied to the top section in order to mold the hair back off the face before it was pinned and fixed in place with strong-hold hairspray. "It's what they used to do [in the eighties], but completely deconstructed," Hanlon said. I think we can all agree that a literal interpretation of this particular era wasn't missed.
Fall 2014 Ready-to-Wear Shows
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