Bailey wisely dispensed with forced references to the Burberry plaid (been there, done that) while making rainwear a link through the show. A printed nylon mac was humorously patterned with an English country sceneincluding a cartoon of the Burberry horseman logowhich, he said, had been drawn up in the studio. The label’s weatherproof reputation was preserved, thanks to an acid-yellow parka, a slick black rain poncho and matte-black leather trenches, accessorized with bright bags featuring flaps to contain matching umbrellas.
The 80s references came via searing shots of colorleaf green, mint, royal blue, apricot and yellowand a penchant for jersey leggings. There were plenty of the neat little jackets, in washed cottons and puffy leather, that Bailey does so well. He also layered on raw-edged, crinkled stretch-chiffon wrap dresses, and he came up with some cool sweaters in contrasting blocks of New Age stripes. After that, it got a bit puzzling.
Why the strange cuts with the raised, inside-out seaming? And why not some more stuff for the grown-ups? Overall, the collection did not come off as fully resolved. On the other hand, Bailey’s heart is in the right place. After the show, he said he “wanted energy, color, something to make people feel better.” And we can all relate to that.
Sarah Mower






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